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Long description: Die erste Begegnung mit dem Werk Maurice Merleau-Pontys ist zumeist von Faszination geprägt; einer Faszination, die sich sowohl aus dem äußerst vielfältigen Themenspektrum als auch aus einer gewissen Dunkelheit in Detailfragen speist. Die bei Merleau-Ponty auf unterschiedlichste Weise miteinander verflochtenen Untersuchungen zur Psychologie, Philosophie, Literatur und Kunst werden in Interpretationen seines Werkes jedoch zumeist auf nur eine Dimension reduziert. Dieses Buch hingegen beruht auf der Annahme, dass die Vielfältigkeit und Ambiguität des Menschen die Grundlage von Merleau-Pontys Philosophie bilden. Indem die Widersprüche und Vieldeutigkeiten seiner Gedanken nicht als Makel gesehen, sondern zum Ausgangspunkt der Analyse erhoben werden, kann die Themenvielfalt seines Werkes sowie das Zusammenspiel der verschiedenen Disziplinen gewürdigt werden. Im Zentrum der Betrachtungen stehen dabei zwei Phänomene, welche als die zentralen Themen seiner Philosophie gesehen werden können: die Wahrnehmung und der Ausdruck. Diese beiden Begriffe machen es möglich, das Verhältnis der menschlichen Existenz zur Welt zu beschreiben; zugleich hilft ihre Betrachtung dabei, die Philosophie Merleau-Pontys in ihrem faszinierenden Facettenreichtum verständlich zu machen.
Perception (Philosophy) --- Expression (Philosophy) --- Merleau-Ponty, Maurice,
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Penser en diagonale : non pas à la va-vite mais sans suivre les lignes droites et balisées. En traversant les clôtures disciplinaires, sans respecter bienséances et nomenclatures. C’est ce que s’efforce de faire le médiologue. Pour penser quoi, en général ? Les médiations techniques de ce qu’on nomme culture. L’inconscient machinique des formes hautes de la vie symbolique et sociale. L’univers des choses tapi sous l’univers des signes. À quel propos précisément, ici, dans ces conférences ? La transmission des valeurs sur la longue durée, nos capacités d’influence sur l’opinion du jour et nos voyages quotidiens dans l’espace. Trois sujets d’actualité, qui gagnent à s’inscrire dans une certaine profondeur de temps.
Expression (Philosophy) --- Communication and culture --- Culture diffusion --- médiologie --- Régis Debray
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Ontology. --- Animals (Philosophy) --- Expression (Philosophy) --- Merleau-Ponty, Maurice, --- Aesthetics.
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Expression (Philosophy) --- Creative ability. --- Self-expression --- Philosophy --- Creativeness --- Creativity --- Ability --- Creation (Literary, artistic, etc.)
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Humans are creatures of articulation: an essential part of our form of life is the expression of what appears to us significant in what we experience and how we behave. The aim of this volume is to proceed from this realisation to an integrative anthropology that not only takes into account the uniqueness of our form of life, but also our evolutionary context. This has important consequences for our understanding of our corporeality, actions, language, consciousness and morals.
Expression (Philosophy) --- Philosophical anthropology. --- Anthropology, Philosophical --- Man (Philosophy) --- Civilization --- Life --- Ontology --- Humanism --- Persons --- Philosophy of mind --- Self-expression --- Philosophy --- Articulation. --- Consciousness. --- Corporeality. --- Pragmatism.
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In response to the dominance of Latin as the language of intellectual debate in early modern Europe, regional centers started to develop a new emphasis on vernacular languages and forms of cultural expression. This book shows that the local acts as a mark of distinction in the early modern cultural context. Interdisciplinary in scope, essays examine vernacular strands in the visual arts, architecture and literature from the fourteenth to seventeenth centuries. Contributions focus on change, rather than consistencies, by highlighting the transformative force of the vernacular over time and over different regions, as well as the way the concept of the vernacular itself shifts depending on the historical context. Contributors include James J. Bloom, Jessica E. Buskirk, C. Jean Campbell, Lex Hermans, Sun Jing, Trudy Ko, David A. Levine, Eelco Nagelsmit, Alexandra Onuf, Bart Ramakers, and Jamie L. Smith
Communication and the arts. --- Communication and culture. --- Expression (Philosophy) --- Experience. --- Knowledge, Theory of --- Philosophy --- Psychology --- Reality --- Pragmatism --- Self-expression --- Culture and communication --- Culture --- Arts and communication --- Arts
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Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines.--
Group identity --- Muslims --- Islam and art. --- Religious aspects --- Social life and customs. --- Art and Islam --- Art --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- Expression (Philosophy) --- Self-expression --- Philosophy
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Robert B. Brandom is one of the most original philosophers of our day, whose book Making It Explicit covered and extended a vast range of topics in metaphysics, epistemology, and philosophy of language--the very core of analytic philosophy. This new work provides an approachable introduction to the complex system that Making It Explicit mapped out. A tour of the earlier book's large ideas and relevant details, Articulating Reasons offers an easy entry into two of the main themes of Brandom's work: the idea that the semantic content of a sentence is determined by the norms governing inferences to and from it, and the idea that the distinctive function of logical vocabulary is to let us make our tacit inferential commitments explicit. Brandom's work, making the move from representationalism to inferentialism, constitutes a near-Copernican shift in the philosophy of language--and the most important single development in the field in recent decades. Articulating Reasons puts this accomplishment within reach of nonphilosophers who want to understand the state of the foundations of semantics.Table of Contents: Introduction 1. Semantic Inferentialism and Logical Expressivism 2. Action, Norms, and Practical Reasoning 3. Insights and Blindspots of Reliabilism 4. What Are Singular Terms, and Why Are There Any? 5. A Social Route from Reasoning to Representing 6. Objectivity and the Normative Fine Structure of Rationality Notes Index Displaying a sovereign command of the intricate discussion in the analytic philosophy of language, Brandom manages successfully to carry out a program within the philosophy of language that has already been sketched by others, without losing sight of the vision inspiring the enterprise in the important details of his investigation ' Using the tools of a complex theory of language, Brandom succeeds in describing convincingly the practices in which the reason and autonomy of subjects capable of speech and action are expressed.--J'rgen Habermas
Expression (Philosophy) --- Inference --- Language and languages --- -Language and logic --- Reasoning --- Semantics (Philosophy) --- Intension (Philosophy) --- Logical semantics --- Semantics (Logic) --- Semeiotics --- Significs --- Syntactics --- Unified science --- Argumentation --- Ratiocination --- Ampliative induction --- Induction, Ampliative --- Inference (Logic) --- Self-expression --- Foreign languages --- Languages --- Linguistics and logic --- Logic in language --- Philosophy --- Language and logic --- Logic, Symbolic and mathematical --- Logical positivism --- Meaning (Psychology) --- Philosophy, Modern --- Semiotics --- Signs and symbols --- Symbolism --- Analysis (Philosophy) --- Definition (Philosophy) --- Reason --- Thought and thinking --- Judgment (Logic) --- Logic --- Semantics --- Lexicology. Semantics --- Philosophy of language --- Language and logic. --- Expression (Philosophy). --- Inference. --- Reasoning. --- Semantics (Philosophy). --- Langage et langues --- Sémantique (Philosophie) --- Inférence (Logique) --- Raisonnement --- Langage et logique --- Expression (Philosophie) --- Philosophy. --- Philosophie --- Inférence --- Philosophie du langage --- Signification (philosophie)
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A Shock to Thought brings together essays that explore Deleuze and Guattari's philosophy of expression in a number of contemporary contexts. It will be of interest to all those in philosophy, cultural studies and art theory. The volume also contains an interview with Guattari which clearly restates the 'aesthetic paradigm' that organizes both his and Deleuze's work.
Aesthetics --- Deleuze, Gilles --- Guattari, Felix --- Literature --- Aesthetics. --- Guattari, Félix --- Criticism and interpretation. --- Deleuze, Gilles. --- Expression (Philosophy). --- Literature. --- Languages & Literatures --- Literature - General --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Proportion --- Symmetry --- Psychology --- Deleuze, Gilles, --- Guattari, Félix, --- Guattari, F. --- Guattari, Pierre-Félix, --- Gvattari, Feliks, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- Delezi, Jier, --- دولوز، جيل --- Radio broadcasting Aesthetics
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