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Tragedy in the eighteenth century is often said to have expired or been deflected into nondramatic forms like history and satire, and to have survived mainly as a "tragic sense" in writers like Samuel Johnson. Leopold Damrosch shows that many readers were still capable of an imaginative response to tragedy. In Johnson, however, moral and aesthetic assumptions limited his ability to appreciate or create tragedy, despite a deep understanding of human suffering. This limitation, Mr. Damrosch argues, derived partly from his Christian belief, and more largely from a view of reality that did not allow exclusive focus on its tragic aspects.The author discusses Irene, The vanity of Human Wishes, and Johnson's criticism of tragedy, particularly that of Shakespeare. A Final chapter places Johnson's view in the context of modern theories.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Tragic, The. --- Tragedy --- English literature --- History and criticism. --- Johnson, Samuel, --- Criticism and interpretation. --- English literature - 18th century - History and criticism --- Tragedy - History and criticism --- Tragic, The --- Johnson, Samuel, - 1709-1784 - Criticism and interpretation
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Tragedy in the eighteenth century is often said to have expired or been deflected into nondramatic forms like history and satire, and to have survived mainly as a "tragic sense" in writers like Samuel Johnson. Leopold Damrosch shows that many readers were still capable of an imaginative response to tragedy. In Johnson, however, moral and aesthetic assumptions limited his ability to appreciate or create tragedy, despite a deep understanding of human suffering. This limitation, Mr. Damrosch argues, derived partly from his Christian belief, and more largely from a view of reality that did not allow exclusive focus on its tragic aspects.The author discusses Irene, The vanity of Human Wishes, and Johnson's criticism of tragedy, particularly that of Shakespeare. A Final chapter places Johnson's view in the context of modern theories.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
English literature --- Tragedy --- Tragic, The --- History and criticism --- Johnson, Samuel, --- Criticism and interpretation --- Tragic, The. --- History and criticism. --- Criticism and interpretation. --- English literature - 18th century - History and criticism --- Tragedy - History and criticism --- Johnson, Samuel, - 1709-1784 - Criticism and interpretation --- Johnson, Samuel, - 1709-1784
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Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts, Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--ChoiceOriginally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Art and literature -- Europe. --- English literature -- 18th century -- History and criticism. --- English literature -- Early modern, 1500-1700 -- History and criticism. --- Perspective. --- Renaissance. --- Visual perception in literature. --- Aesthetics of art --- English literature --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Art and literature --- History and criticism.
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In the first full-length study of the figure of the female libertine in late seventeenth- and early eighteenth-century literature, Laura Linker examines plays and novels by John Dryden, Aphra Behn, Catharine Trotter, Delariviere Manley, and Daniel Defoe. Her study places the female libertine within her cultural, philosophical, and literary contexts and suggests new ways of considering women's participation and the early novel.
Thematology --- English literature --- anno 1600-1699 --- anno 1700-1799 --- Libertines in literature. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Dissolute persons in literature --- Licentious persons in literature --- Profligates in literature --- Rakes in literature --- History and criticism. --- Women in literature --- Libertines in literature --- History and criticism --- English literature - Early modern, 1500-1700 - History and criticism --- English literature - 18th century - History and criticism
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This collection of specially commissioned essays provides the first social history of masculinity in the 'long eighteenth century'. Drawing on diaries, court records and prescriptive literature, it explores the different identities of late Stuart and Georgian men. The heterosexual fop, the homosexual, the polite gentleman, the blackguard, the man of religion, the reader of erotica and the violent aggressor are each examined here, and in the process a new and increasingly important field of historical enquiry is opened up to the non-specialist reader.The book opens with a substantial introducti
English literature - 18th century - History and criticism --- Masculinity in literature --- English literature - Early modern, 1500-1700 - History and criticism --- Literature and society - Great Britain - History - 18th century --- Literature and society - Great Britain - History - 17th century --- English literature - Male authors - History and criticism --- Sex role in literature --- Men in literature --- English literature --- Literature and society --- Masculinity in literature. --- Sex role in literature. --- Men in literature. --- History and criticism. --- History --- Male authors --- Masculinity (Psychology) in literature --- History and criticism
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Building on a revival of scholarly interest in the cultural effects of early 19th-century periodicals, the essays in this collection treat periodical writing as intrinsically worthy of attention not a mere backdrop to the emergence of British Romanticism but a site in which Romantic ideals were challenged, modified, and developed.Contributors to the volume discuss a range of different periodicals, from the elite Quarterly and Edinburgh Reviews, through William Cobbett's populist weekly newspaper Two-Penny Trash, to the miscellaneous monthly magazines typified by Blackwood's. While some
Criticism --- English literature --- English periodicals --- English prose literature --- Periodicals --- Romanticism --- Publishing --- History --- History and criticism --- Theory, etc --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- History and criticism&delete& --- Technique --- Evaluation --- Great Britain --- Civilization --- 19th century --- Theory, etc. --- English literature - 18th century - History and criticism. --- English literature - 19th century - History and criticism. --- English prose literature--19th century--History and criticism. --- Gender identity in literature. --- Periodicals - Great Britain - History - 19th century. --- Romanticism - Great Britain. --- History and criticism.
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Howard D. Weinbrot challenges the view that the period 1660-1800 is correctly regarded as the "Augustan" age of English literature, a time in which classical Augustan ideals provided a main source of inspiration. Scholars have held that British writers of the Restoration and eighteenth century considered Augustus Caesar to be the model of the wise ruler who enabled political, literary, and moral wisdom to flourish. This book shows on the contrary that classical standards, though often invoked, were often rejected by many informed citizens and writers of the day.Anti-Augustan sentiment consolidated by the 1730s, when both Whig and Tory, court and country, viewed Augustus as the enemy of the mixed and balanced constitution that was responsible for British liberty. Professor Weinbrot focuses in particular on literature and its classical backgrounds, reinterpreting major works by Pope and Gibbon.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Augustus, Emperor of Rome, 63 B.C.-14 A.D. -- In literature. --- Augustus, Emperor of Rome, 63 B.C.-14 A.D. -- Influence. --- Classicism -- England -- History -- 18th century. --- English literature -- 18th century -- History and criticism. --- English literature -- Roman influences. --- Latin literature -- Appreciation -- England. --- Rome -- In literature. --- Classicism --- English literature --- Latin literature --- History --- Roman influences. --- Appreciation --- History and criticism. --- Augustus, --- Influence. --- In literature. --- Rome --- Octavius Caesar, --- Gaius Octavius, --- Octavius, Gaius, --- Octavianus, --- Octavianus, Gaius Julius Caesar, --- Gaius Julius Caesar Octavianus, --- Octavian, --- Caius Julius Caesar Octavianus, --- T︠S︡ezarʹ Oktavian Avgust, --- Oktavian-Avgust, T︠S︡ezarʹ, --- Avgust, T︠S︡ezarʹ Oktavian, --- Octavianus Augustus, --- Augusto, --- Cesarz August, --- Ogusṭus, --- Augustus Caesar, --- Gaius Octavius Thurinus, --- Octavio Augusto, --- Cayo Octavio Turino, --- Thurinus, Gaius Octavius, --- Turino, Cayo Octavio, --- אוגוסטוס --- Classicism. --- English literature. --- History and criticism --- 1700-1799. --- Great Britain. --- Littérature anglaise --- Classicisme --- Littérature latine --- 18e siècle --- Histoire et critique
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"Fact and Fiction explores the intersection between literature and the sciences, focusing on German and British culture between the eighteenth century and today. Observing that it was in the eighteenth century that the divide between science and literature as disciplines first began to be defined, the contributors to this collection probe how authors from that time onwards have assessed and affected the relationship between literary and scientific cultures"--
German literature --- English literature --- Literature and science --- Science in literature. --- Knowledge, Theory of, in literature. --- History and criticism. --- History --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- 1700 - 1799 --- Geschichte 1700-2000 --- Germany. --- Great Britain. --- Deutschland --- Grossbritannien --- (fast)1700 - 1799 --- (lcsh)German literature--18th century--History and criticism. --- (lcsh)English literature--18th century--History and criticism. --- (lcsh)Literature and science--Germany--History--18th century. --- (lcsh)Literature and science--Great Britain--History--18th century. --- (lcsh)Science in literature. --- (lcsh)Knowledge, Theory of, in literature. --- (fast)English literature. --- (fast)German literature. --- (fast)Knowledge, Theory of, in literature. --- (fast)Literature and science. --- (fast)Science in literature. --- (fast)Germany. --- (fast)Great Britain. --- (fast)Criticism, interpretation, etc. --- (fast)History. --- Vereinigtes Königreich von Großbritannien und Nordirland --- Großbritannien und Nordirland --- England --- UK --- Angleterre --- Brīṭāniyā al-ʿUẓmā --- Brīṭāniya 'l-ʿUẓmā --- Vereinigtes Königreich Großbritannien und Nordirland --- United Kingdom --- United Kingdom of Great Britain and Northern Ireland --- Great Britain --- Grande Bretagne --- British Isles --- United Kingdom of Great Britain and Ireland --- Royaume-Uni --- Gran Bretagna --- U.K. --- GB --- Grande-Bretagne --- British Empire --- Britisches Reich --- Briten --- Schottland --- Commonwealth --- 1707 --- -Deutsche Länder --- Germany --- Heiliges Römisches Reich --- Rheinbund --- Deutscher Bund --- Norddeutscher Bund --- Deutsches Reich --- BRD --- Federal Republic of Germany --- Republic of Germany --- Allemagne --- Ǧumhūrīyat Almāniyā al-Ittiḥādīya --- Bundesrepublik Deutschland --- Niemcy --- République Fédérale d'Allemagne --- Repubblica Federale di Germania --- Germanija --- Federativnaja Respublika Germanija --- FRG --- Deyizhi-Lianbang-Gongheguo --- Deutsche --- Deutsches Sprachgebiet --- 03.10.1990 --- -Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Saharātchaʻānāčhak --- Storbritannien --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Alemania --- Ashkenaz --- Bu̇gd Naĭramdakh German Uls --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- BuÌgd NaiÌramdakh German Uls --- Deguo --- Doitsu RenpoÌ KyoÌwakoku --- Federalʹna Respublika Nimechchyny --- GeÌrman --- Germaniiï¸ a︡ --- JirmaÌniÌya --- Kholboony BuÌgd NaiÌramdakh German Uls --- RepuÌblica de Alemania --- RepuÌblica Federal de Alemania --- VaÌcijaÌ --- VeiÌmarskaiï¸ a︡ Respublika --- Germany (West) --- Europe --- Gėrman --- Englisch, ... --- Deutsch, ... --- Deutschland. --- Großbritannien.
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