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Cultural commodities in Japanese rural revitalization : Tsugaru Nuri Lacquerware and Tsugaru Shamisen
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ISBN: 1282951297 9786612951299 9047444264 9789047444268 9781282951297 9789004179967 9004179968 Year: 2010 Publisher: Leiden ; Boston : Brill,

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The fate of local places increasingly rests on their capability to capitalize on their highly specific local cultural resources. Cultural Commodities in Japanese Rural Revitalization: Tsugaru Nuri Lacquerware and Tsugaru Shamisen examines the dynamics of this reality for the Tsugaru District of the Aomori Prefecture, Japan, and its two dominant cultural commodities, a lacquerware and a musical performance. Organized on the basis of policy, production and consumption, the research points to historical trajectory and a combinative conceptual-operational space as the means of identifying cultural and economic potential for a cultural commodity. This analytical approach provides both for assessing the local consciousness and identifying informed policy and industry management for the commodity, making it possible to realize its potential in local revitaliszation.


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Cultural Industries and Sustainable Development
Authors: --- ---
Year: 2023 Publisher: [Place of publication not identified] : MDPI - Multidisciplinary Digital Publishing Institute,

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The concept of sustainable development refers to four distinct areas-human, social, economic, and environmental-known as the four pillars of sustainability. Cultural industries are a challenge for the future of culture. This field includes four main topics, namely features, domination, individualization, and the characterization of the culture industry itself. The purpose of cultural industries is important for ensuring the continued development of society and is at the heart of a creative economy for generating considerable economic wealth. Design and cultural creativity will eventually be implemented into specific designs. The complexity of the design itself requires careful consideration in all aspects and especially in the field of engineering. How can we make designs more in line with human nature? How can we implement the spirit and concept of sustainable development in the cultural industry? This all requires mutual cooperation between designers, engineers, and companies. Meanwhile, how to make consumers realize the necessity and urgency of sustainable development through cultural industries also needs to be considered. The articles in this Special Issue can be divided into four categories: - Study of Tourism in Relation to Sustainability. - Study of Cross-Culture Design in Relation to Sustainability. - Study of Heritage in Relation to Sustainability. - Study of Local Culture in Relation to Sustainability.


Book
Creative work : conditions, contexts and practices
Authors: --- --- ---
ISBN: 1003402682 Year: 2024 Publisher: Routledge

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"How do creative workers work? This book brings together insights from a range of relevant disciplines to help answer this significant research question. Featuring case studies from the European context, contributors tap into the experiences and practices from creative workers, demonstrating their attempts to navigate a changing environment which affects spaces, identities, and professional roles. A cross-disciplinary re-thinking of work, labour processes and management practices in the creative and cultural industries, the book offers perspectives on the importance of highlighting creative work as a phenomenon and practice beyond a particular industry, market, or public sector. Providing an opportunity to expand our conception of what creative work is, the book draws on evidence from a range of examples including the seaweed industry, children's writing, and rented spaces that operate like creative hubs. The result is a volume that will interest advanced students and scholars with an interest in the creative industries"--


Book
Sustainable development in creative industries : embracing digital culture for humanities : proceedings of the 9th Bandung Creative Movement International Conference on Creative Industries (9th BCM 2022), Bandung, Indonesia, 1 September 2022
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ISBN: 9781032445038 9781000924008 1000924009 1003372481 1003372481 1032445033 Year: 2023 Publisher: Abingdon, England : Routledge,

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China's music industry unplugged : business models, copyright and social entrepreneurship in the online platform economy
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ISBN: 9811639493 9811639485 Year: 2021 Publisher: Singapore : Palgrave Macmillan,

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Music as Labour : Inequalities and Activism in the Past and Present
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ISBN: 1003150489 1000615715 0367713616 1000615766 Year: 2022 Publisher: Abingdon, Oxon : Routledge,

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Book
Making media work
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ISBN: 0814724981 9780814724989 9780814764695 081476469X 9780814760994 0814760996 9780814764558 Year: 2014 Publisher: New York New York University Press

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"In popular culture, management in the media industry is frequently understood as the work of network executives, studio developers, and market researchers --"the suits"--Who oppose the more productive forces of creative talent and subject that labor to the inefficiencies and risk aversion of bureaucratic hierarchies. However, such portrayals belie the reality of how media management operates as a culture of shifting discourses, dispositions, and tactics that create meaning, generate value, and shape media work throughout each moment of production and consumption. Making Media Work aims to provide a deeper and more nuanced understanding of management within the entertainment industries. Drawing from work in critical sociology and cultural studies, the collection theorizes management as a pervasive, yet flexible set of principles drawn upon by a wide range of practitioners--artists, talent scouts, performers, directors, show runners, and more--in their ongoing efforts to articulate relationships and bridge potentially discordant forces within the media industries. The contributors interrogate managerial labor and identity, shine a light on how management understands its roles within cultural and creative contexts, and reconfigure the complex relationship between labor and managerial authority as productive rather than solely prohibitive. Engaging with primary evidence gathered through interviews, archives, and trade materials, the essays offer tremendous insight into how management is understood and performed within media industry contexts. The volume as a whole traces the changing roles of management both historically and in the contemporary moment within US and international contexts, and across a range of media forms, from film and television to video games and social media"


Book
Frontiers of creative industries : exploring structural and categorical dynamics
Authors: ---
ISBN: 9781787437746 9781787437739 9781787438385 1787437736 1787438384 1787437744 1787547027 Year: 2018 Publisher: Bingley : Emerald Publishing,

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Creative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. The growth and dynamism of creative industries depends on continuous innovation that must manage inherent tensions such as novelty to attract consumers and sustain artistic expression and familiarity to aid comprehension and stabilize demand for cultural products. In this volume, the macro-structural conditions that shape creative industries - their institutional, categorical and structural dynamics - are examined to provide an overview of new trends and emerging issues in scholarship on this topic. Creative industries offer products and services that range from the prosaic to the sublime and provide meaning to our lives, and this volume features a wide range of examples, from advertising, to architecture, art markets, Champagne wine, fashion and music. Contributors examine topics such as the micro-interactions of brokerage relations; how actors transform a brokerage role from control to co-production to enact creative leadership; how investors provide legitimacy to the new categories such as abstract art; how technological disintermediation creates alternative category processes such as authenticity; how social relations shape social evaluation; how prototypical producers can trespass categories and avert negative evaluation; how personal styles enable social evaluation; and how the ambiguity of a category, such as Swing music, facilitated its adaptability and longevity. The volume concludes with an Afterword examining research on creative industries as a form of cultural product and a category in itself.

Inside broadcasting
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ISBN: 0415151120 0415157714 9780415157711 9780415151122 0203129954 9780203129951 1134746873 1280567139 9786610567133 9781134746828 9781134746866 9781134746873 1134746865 9781280567131 6610567131 Year: 1997 Publisher: London New York Routledge

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Inside Broadcasting provides a comprehensive introduction to a highly rewarding yet competitive industry. It analyses the day-to-day running of both television and radio organisations and examines the jobs involved and how to get them. Inside Broadcasting begins with an informative history of broadcasting in the United Kingdom. It traces the invention of radio and television, from the founding of the BBC and ITV networks through to the end of the terrestrial monopoly and the advent of satellite and pay-per-view television. Julian Newby explains what skills, experience and professional qualifications are required for entry into this profession. He provides detailed job descriptions and explains how each job fits into the industry as a whole. Practical careers advice together with a comprehensive list of training and educational bodies, companies and professional publications ensure Inside Broadcasting is an essential introduction to a career in radio and television.


Book
Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories
Authors: ---
ISBN: 9780472123445 0472123440 9780472901029 0472901028 9780472053728 9780472073726 0472053728 0472073729 Year: 2018 Publisher: Ann Arbor, Michigan : University of Michigan Press,

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This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.

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