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In Narrating the Crusades, Lee Manion examines crusading's narrative-generating power as it is reflected in English literature from c.1300 to 1604. By synthesizing key features of crusade discourse into one paradigm, this book identifies and analyzes the kinds of stories crusading produced in England, uncovering new evidence for literary and historical research as well as genre studies. Surveying medieval romances including Richard Cœur de Lion, Sir Isumbras, Octavian, and The Sowdone of Babylone alongside historical practices, chronicles, and treatises, this study shows how different forms of crusading literature address cultural concerns about collective and private action. These insights extend to early modern writing, including Spenser's Faerie Queene, Marlowe's Tamburlaine, and Shakespeare's Othello, providing a richer understanding of how crusading's narrative shaped the beginning of the modern era. This first full-length examination of English crusading literature will be an essential resource for the study of crusading in literary and historical contexts.
English literature --- Narration (Rhetoric) --- Crusades in literature. --- Loss (Psychology) in literature. --- History and criticism. --- History. --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric)
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This book explores the ways in which discourses of religious, racial, and national identity blur and engage each other in the medieval West. Specifically, the book studies depictions of Muslims in England during the 1330s and argues that these depictions, although historically inaccurate, served to enhance and advance assertions of English national identity at this time. The book examines Saracen characters in a manuscript renowned for the variety of its texts, and discusses hagiographic legends, elaborations of chronicle entries, and popular romances about Charlemagne, Arthur, and various Eng
English literature --- Islam and literature --- National characteristics, English, in literature. --- Romances, English --- Manuscripts, Medieval --- Manuscripts, English (Middle) --- Saracens in literature. --- Crusades in literature. --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- English romances --- Literature and Islam --- Literature --- Islamic civilization --- Islamic influences. --- History --- History and criticism. --- Manuscripts. --- Auchinleck manuscript. --- Islamic Empire --- Arab countries --- Arab Empire --- Empire, Islamic --- Middle East --- Muslim Empire --- Foreign public opinion, English. --- In literature. --- National characteristics [English ] in literature --- Manuscripts [English ] (Middle) --- Saracens in literature --- Crusades in literature --- Auchinleck manuscript
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"Explores the emergence of a body of texts about relics transported from Constantinople to the West as a after the Fourth Crusade, and the role of these texts in the development of Venice's civic identity in the thirteenth century"--
Group identity --- Crusades --- Crusades in literature. --- Relics in literature --- Identité collective --- Croisades --- Croisades dans la littérature --- Reliques dans la littérature --- History --- Historiography. --- Sources. --- Histoire --- Historiographie --- Sources --- Venice (Italy) --- Venise (Italie) --- Crusades in literature --- Historiography --- Identité collective --- Croisades dans la littérature --- Reliques dans la littérature --- History. --- Relics in literature. --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- Church history --- Middle Ages --- Chivalry --- Group identity - Italy - Venice - History - To 1500 --- Crusades - Fourth, 1202-1204 - Historiography --- Crusades - Fourth, 1202-1204 - Sources --- Venezia --- Reliques --- Quatrième croisade --- Venice (Italy) - History - 697-1508
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Chansons de geste --- Epic poetry, French --- Crusades in literature --- Cycles (Literature) --- History and criticism --- Chanson d'Antioche --- Crusades in literature. --- Cycles (Literature). --- History and criticism. --- Chanson d'Antioche. --- Poetry --- Old French literature --- 840 "11" --- -Crusades --- -Cycles (Literature) --- -Literature --- Sequels (Literature) --- French epic poetry --- French poetry --- Church history --- Middle Ages --- Chivalry --- Epic poetry --- Legends --- Heldensage --- 840 "11" Franse literatuur--?"11" --- Franse literatuur--?"11" --- Romances --- -History and criticism --- -French epic poetry --- Literature --- Antioche, Chanson d' --- Antioche (Chanson de Geste) --- Canso d'Antioca --- Chansons de geste - History and criticism --- Epic poetry, French - History and criticism
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In this comprehensive analysis of Arabic poetry during the period of the crusades (sixth/twelfth-seventh/thirteenth centuries), Osman Latiff provides an insightful examination of the poets who inspired Muslims to unite in the jihād against the Franks. The Cutting Edge of the Poet’s Sword not only contributes to our understanding of literary history, it also illuminates a broad spectrum of religiosity and the role of political propaganda in the anti-Frankish Muslim struggle. Latiff shows how poets, often used by the ruling elite to promote their rule, emphasised the centrality of Islam’s holy sites to inspire the Muslim response to the occupation and later reconquest of Jerusalem, and expressed some surprising views of Frankish Christians.
Arabic poetry --- Crusades in literature. --- Jihad in literature. --- Revolutionary poetry, Arabic --- War and literature --- History and criticism --- History and criticism. --- Islamic Empire. --- Islam --- Thematology --- Arabic literature --- History of civilization --- History of Asia --- anno 1100-1199 --- Jerusalem --- Literature and war --- Literature --- Arabic revolutionary poetry
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Poetic elegies for lost or fallen cities are seemingly as old as cities themselves. In the Judeo-Christian tradition, this genre finds its purest expression in the Book of Lamentations, which mourns the destruction of Jerusalem; in Arabic, this genre is known as the rithā' al-mudun. The City Lament, Tamar M. Boyadjian traces the trajectory of this genre across the Mediterranean world during the period commonly referred to as the early Crusades (1095-1191), focusing on elegies and other expressions of loss focusing on the spiritual and strategic objective of those wars: Jerusalem. Through readings of city laments in English, French, Latin, Arabic, and Armenian literary traditions, this book challenges hegemonic and entrenched approaches to the study of medieval literature and the Crusades.The City Lament exposes significant literary intersections between Latin Christendom, the Islamic caliphates and sultanates of the Middle East, and the Armenian Kingdom of Cilicia, arguing for shared poetic and rhetorical modes. Reframing our understanding of literary sources produced across the medieval Mediterranean from an antagonistic, Orientalist model to an analogous one, Boyadjian demonstrates how lamentations about the loss of Jerusalem, whether to Muslim or Christian forces, reveal fascinating parallels and rich, cross-cultural exchanges.
Cities and towns in literature. --- Crusades in literature. --- Crusades --- Laments --- Complancha --- Lamentations --- Elegiac poetry --- Mourning customs --- Church history --- Middle Ages --- Chivalry --- In literature. --- History and criticism. --- Jerusalem --- Ierusalim --- Иерусалим --- Yerushalayim --- Jeruzalem --- Quds --- Ūrushalīm --- Kuds --- Kouds --- Erusaghēm --- Bayt al-Maqdis --- Jeruzsálem --- Jerusalem (Israel) --- Jerusalem (Palestine) --- ʻIriyat Yerushalayim --- Ierousalēm --- Gerusalemme --- Baladīyat al-Quds --- Baladīyat al-Quds al-ʻArabīyah --- Jerusalem Arab Municipality --- Qods (Jerusalem) --- ירושלים --- القدس --- al-Quds --- قدس --- Jerusalén
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