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Aquí tiene un manual operacional que sirve de guía para los creadores que deseen adentrarse en el mundo de las licencias Creative Commons, las licencias más famosas y populares de libre distribución de productos intelectuales. Sin dejar de lado útiles aclaraciones conceptuales, el autor entra en detalles técnicos de las herramientas ofrecidas por Creative Commons, lo que los hace también comprensible para los neófitos totales. Este es un libro fundamental para todos aquellos que estén interesados en la OpenContent y el mundo copyleft.

Education --- Social Sciences --- Book Studies & Arts --- creative commons --- licencias --- Copyleft

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“Fare Open Access” affronta con approccio positivo e operativo il tema strategico della diffusione del sapere scientifico in ottica open. L’Open Access è diventato uno degli obiettivi chiave delle politiche dell’innovazione dell’Unione Europea e dei princi­pali paesi industrializzati; ed è fondamentale conoscerne i lineamenti teorici e le concrete potenzialità. Gli autori sono tutti professionisti attivi da molti anni in questo campo e hanno quindi il polso delle questioni emergenti e delle maggiori criticità non solo da un punto vista teorico-dottrinale. Ognuno di loro affronta da diverse prospettive il tema più generale della comunicazione scientifica e quello pratico di come fare Open Access nell’attuale panorama ormai fortemente volto al digitale. Il testo è completato da un’utile appendice con i documenti di riferimento, come i principali testi-manifesto e le norme attualmente in vigore a livello nazionale e internazionale.

Information Science & Library Science --- creative commons --- publishing --- open access --- University --- édition --- accès ouvert --- université --- editoria --- Università --- digitale --- conoscenza --- open

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Questo libro ci presenta una visione d’insieme sul mondo dell’openness, dal software open source ai servizi cloud, passando per le licenze Creative Commons e gli open data. Tra i primi ad averne fatto l’oggetto principale della propria attività scientifica e professionale, per la prima volta nel panorama italiano l’autore ci offre un quadro sistematico di come realizzare l’apertura e la condivisione di beni intellettuali che altrimenti rimarrebbero riservati. Un fenomeno che, da marginale, è divenuto centrale in vari contesti. L’opera si presenta al lettore in modo chiaro ma non banale. L’autore affronta temi complessi con stile lineare e comprensibile anche ai digiuni di diritto, ma conservando un necessario rigore scientifico, fornendo gli elementi per una teoria generale per la creazione e la promozione di beni intellettuali comuni, o commons. Un approccio rivoluzionario a questa branca del diritto, che capovolge l’uso di strumenti ben noti come il copyright e le licenze, richiedeva l’intervento di un giurista fuori dagli schemi e anticonformista come Piana.

Information Science & Library Science --- creative commons --- digital freedom --- open access --- open source --- software --- liberté numérique --- accès ouvert --- source ouverte --- logiciel --- liberta digitali

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What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.

Book history --- Industrial and intellectual property --- privileges [permissions] --- copyright --- 347.78 --- 347.78 Auteursrecht --- Auteursrecht --- Copyright --- History. --- law --- book history --- cultural studies --- legal history --- intellectual property --- creative commons --- copyright history --- public domain --- john milton --- aesthetics --- copyright law --- patent --- censorship --- Monopoly

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Although open content licenses only account for a fraction of all copyright licenses currently enforced in the world, their introduction has had profound effects on the use and dissemination of information. This book explores the theoretical underpinnings of these licenses and offers insight on the practical advantages and inconveniences of their use. The essays collected here include an objective study of the principles of open content from the perspective of European intellectual property law as well as novel examinations of their possible implementation in different areas of the cultural or information industry.

License agreements. --- Patent licenses. --- Trademark licenses. --- Open access publishing. --- Copyright licenses. --- Open access to research --- Research, Open access to --- Licenses --- Copyright --- License agreements --- Electronic publishing --- Copyright licences --- Electronic information resources. --- Electronic information resources --- law --- copyright --- creative commons --- public domain --- auteursrecht --- publiek domein --- Open access --- Open content --- Remuneration