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Touched with fire : Morris B. Abram and the battle against racial and religious discrimination
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ISBN: 1640122753 1640122737 9781640122734 9781640122758 9781640120969 1640120963 9781640122741 Year: 2019 Publisher: Lincoln, Nebraska : Potomac Books,

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"David E. Lowe chronicles the professional and personal life of this larger-than-life man best known for his fight in the civil rights movement and his initiative in establishing the "one man, one vote" principle in American law"--


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"Verwisch die Spuren!" : Bertolt Brecht's work and legacy : a reassessment
Authors: ---
ISBN: 9042024321 9789042024328 9401206104 1435684133 9781435684133 9789401206105 9780854572182 085457218X Year: 2008 Volume: 66 Publisher: Amsterdam : Rodopi,

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This volume presents a cross-section of current Brecht studies, reflecting a variety of approaches and perspectives ranging from detailed exegesis of particular texts to cultural criticism in the broadest sense. It provides analyses of Brecht's work and investigates his pervasive influence in 20th century literature. The studies collected here cover the whole of Brecht’s career, from the early one-acter Kleinbürgerhochzeit of 1919 to the Sinn und Form years immediately preceding his death, as well as his use of tradition and his legacy. By way of redressing a tendency in Brecht reception to regard him mainly as a dramatist, the volume covers novels, poetry, film, photography, journalism and theory as well as plays.


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A history of the Berliner Ensemble
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ISBN: 9781107059795 1107059798 9781107446540 9781107663763 9781316247938 1316247937 1107446546 9781316251720 1316251721 9781316249833 1316249832 1316253619 9781316253618 1107663768 1316255514 1316234703 1316236595 1316246043 9781316255513 9781316234709 9781316236598 Year: 2015 Publisher: Cambridge : Cambridge University Press,

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The Berliner Ensemble was founded by Bertolt Brecht and his wife Helene Weigel in 1949. The company soon gained international prominence, and its productions and philosophy influenced the work of theatre-makers around the world. David Barnett's book is the first study of the company in any language. Based on extensive archival research, it uncovers Brecht's working methods and those of the company's most important directors after his death. The book considers the boon and burden of Brecht's legacy and provides new insights into battles waged behind the scenes for the preservation of the Brechtian tradition. The Berliner Ensemble was also the German Democratic Republic's most prestigious cultural export, attracting attention from the highest circles of government, and from the Stasi, before it privatised itself after German reunification in 1990. Barnett pieces together a complex history that sheds light on both the company's groundbreaking productions and their turbulent times.

Staging history : Brecht's social concepts of ideology
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ISBN: 0791483606 142374392X 9781423743927 0791463850 9780791463857 9780791483602 Year: 2005 Publisher: Albany : State University of New York Press,

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Staging History analyzes the commitment to social change present in the theatrical and theoretical writings of Bertolt Brecht. Challenging previous notions, Astrid Oesmann argues that Brecht's work was less dependent on Marxist ideology than is often assumed and that his work should be seen as a coherent whole. Brecht used the stage to release political ideas into experimental spaces in which actors and spectators could explore the relationships between abstract thought and concrete social life. Oesmann places Brecht within the context of the major leftist theorists of the twentieth century, particularly Adorno, Benjamin, and Lukàcs, focusing on their discussions of realism, aesthetics, natural history, and mimesis. Oesmann elaborates upon the vision of a "counter-public sphere" in a number of Brecht's theoretical texts and plays—especially The Three Penny Trial and Fear and Misery of the Third Reich—that present the emergence of such a sphere in the face of fascism. By exploring Brecht's theoretical writings, selected plays, and recently published theatrical fragments, Oesmann reveals unpredictable constructions of history and surprising distinctions among various political ideologies, while also proving that Brecht remains vitally relevant to a "post-communist" world.

A guide to the plays of Bertolt Brecht
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ISBN: 140815031X 1408150328 9781408150320 9781408168493 1408168499 0413774163 9780413774163 9781408150313 1336210842 Year: 2005 Publisher: London, England : London, England : Methuen, Bloomsbury Publishing,

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Unwin provides a guide to Brecht's plays that will prove useful to the student, teacher and theatre practitioner. Grouping and analysing plays chronologically according to their context Unwin also considers Brecht's theory and looks at his impact and the legacy that he left.


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Rethinking Brechtian film theory and cinema
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ISBN: 9781474418928 9781474418911 9781474418904 1474418910 1474418929 1474418902 Year: 2018 Publisher: Edinburgh Edinburgh University Press

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A comprehensive re-examination of Brechtian film theory. Making a compelling argument for the continuing relevance of Brechtian film theory and cinema, this book offers new research and analysis of Brecht the film and media theorist, placing his scattered writings on the subject within the lively film theory debates that took place in Europe between the 1920s-1960s. Furthermore, Angelos Koutsourakis identifies key points of convergence between Brecht's 'unfinished project' and contemporary film and media theory. With case studies of films ranging from Robert Roberto Rossellini's "Paisà! to Bernardo Bertolucci's "1900" and Joshua Oppenheimer's "The Act of Killing" amongst others, this study challenges many existing preconceptions about Brecht's theoretical position and invites readers to discover new ways of apprehending and making use of Brecht in film studies.


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Brecht and post-1990s British drama : dialectical theatre today
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ISBN: 1350172804 1350172790 1350172812 1350172782 1350201847 9781350172814 9781350172807 9781350172791 Year: 2020 Publisher: London : Bloomsbury Publishing,

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"Can theatre change the world? If so, how can it productively connect with social reality and foster spectatorial critique and engagement? This book examines the forms and functions of political drama in what has been described as a post-Marxist, post-ideological, even post-political moment. It argues that Bertolt Brecht's concept of dialectical theatre represents a privileged theoretical and dramaturgical method on the contemporary British stage as well as a valuable lens for understanding 21st-century theatre in Britain. Establishing a creative philosophical dialogue between Brecht, Walter Benjamin, Theodor W. Adorno and Jacques Rancière, the study analyses seminal works by five influential contemporary playwrights, ranging from Mark Ravenhill's 'in-yer-face' plays to Caryl Churchill's 21st century theatrical experiments. Engaging critically with Brecht's theatrical legacy, these plays create a politically progressive form of drama which emphasises notions of negativity, ambivalence and conflict as a prerequisite for spectatorial engagement and emancipation. This book adopts an interdisciplinary and intercultural theoretical approach, reuniting English and German perspectives and innovatively weaving together a variety of theoretical strands to offer fresh insights on Brecht's legacy, on British theatre history and on the selected plays"--Abstract.


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Supersapientia : Berthold of Moosburg and the Divine Science of the Platonists
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ISBN: 9004465480 9004464905 Year: 2021 Publisher: Leiden, The Netherlands : Koninklijke Brill nv,

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This study examines the motivations and doctrinal coherence of the Commentary on the Elements of Theology of Proclus written by Berthold of Moosburg, O.P. († c. 1361/1363). It provides an overview of Berthold’s biography and intellectual contexts, his manuscript remains, and a partial edition of his annotations on Macrobius and Proclus. Through a close analysis of the three prefaces to the Commentary, giving special attention to Berthold’s sources, it traces the Dominican's elaboration of Platonism as a soteriological science. The content of this science is then presented in a systematic reconstruction of Berthold’s cosmology and anthropology. The volume includes an English translation of the three fundamental prefaces of the Commentary.. Readership: Students and specialists of medieval philosophy and the history of Platonism, especially those interested in the influence of late-antique Neoplatonism on medieval natural philosophy and theories of contemplation.


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"Ob dir es sauer wird mit deiner nahrung und ackerwerk, das lass dich nicht verdriessen, denn Gott hat es also geschaffen" : Gottfried Dietrich Wilhelm Berthold (1854-1937) ein beitrag zur geschichte der biologie an der Georgia Augusta Göttingen
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Year: 2012 Publisher: Göttingen : Universitätsverlag Göttingen,

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Gottfried Dietrich Wilhelm Berthold (1854-1937) was one the foremost botanists and phycologists at the end of the 19th century. Born and educated in Westphalia, he enrolled at the Georgia Augusta to study plant sciences and focused on algae. After research stays at the Zoological Station at Naples he succeeded his mentor Johannes Reinke on his chair at the Institute of Plant Physiology at the Georgia Augusta Göttingen until 1923. In this study we focus on the biography of Berthold, his private and scientific life, interaction with J. Reinke and other topics related to the life of Berthold. In a second part we highlight his research on algae at the Gulf of Naples. We conclude with an evaluation of his scientific work in the light of the different phases in his life including a full bibliography of his scientific publications. Our study contributes to history of science at the Georgia Augusta. Der aus Westfalen stammende Gottfried Dietrich Wilhelm Berthold (1854- 1937) ist als Botaniker des 19. und beginnenden 20. Jahrhunderts eng mit der Geschichte der Georgia Augusta in Göttingen verwoben. Er hatte sich bereits als Student an der Universität Göttingen mit Algen beschäftigt und seine Dissertation dieser Thematik gewidmet. Nach Forschungsaufenthalten an der Zoologischen Station in Neapel, wo er intensiv Untersuchungen an Algen durchführte, habilitierte er sich 1881 in Göttingen bei Johannes Reinke. Später übernahm er dessen Professur für Botanik sowie dessen Direktorat am Pflanzenphysiologischen Institut und widmete sich entwicklungsmechanischen bzw. physiologischen Fragen bei höheren Pflanzen. Die vorliegende Monografie untersucht erstmalig anhand der gegenwärtigen Forschungslage Leben und Wirken Bertholds. Bertholds Lebensgeschichte wird chronologisch und in größtmöglicher Vollständigkeit dargestellt. Bildungsgeschichtliche Akzente, der personelle Konnex zu Johannes Reinke und der Einfluss der Zoologischen Station Neapel finden hier ebenso Platz wie die Rekonstruktion der Lehr- und Forschungstätigkeiten und der familiären Verhältnisse. Da Berthold vorrangig als Phykologe, also Algenkundler anzusehen ist, widmet sich der zweite Teil dem Forschungsschwerpunkt Algen. Dabei werden vor allem die meeresbiologischen Aspekte seiner Forschung am Golf von Neapel untersucht. Bertholds unterschiedliche Lebensstationen können in Zusammenhang mit seinen Publikationen betrachtet werden, dieser Teil untersucht daher das wissenschaftliche Wirken Bertholds. Anhand der aktuellen Quellenlage wird der Bestand seiner Werke aufgearbeitet und katalogisiert. Die vollständige Bibliografie ermöglicht die Bestimmung von Schwerpunkten in Bertholds wissenschaftlichen Untersuchungen. So bietet diese erste Monografie über Gottfried D.W. Berthold ein Fundament für die Beurteilung seines OEuvres und seiner Wirkung auf die Phykologie bzw. die Botanik. Sie ist eine angemessene Erinnerung an ihn und ermöglicht eine gebührende Würdigung seines Wirkens. Die vorliegende Studie ist ein Beitrag zur Universitäts- und Wissenschaftsgeschichte der Georgia Augusta.


Book
Brecht, Broadway and United States theatre
Author:
ISBN: 1443810185 9781443810180 9781847183484 1847183484 Year: 2007 Publisher: Newcastle, UK : Cambridge Scholars Pub.,

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Not long after the 2001 terrorist attacks in New York City, Bertolt Brecht's name was on the lips of many writing about Broadway. Invoked knowingly-but not always knowledgeably-"Brecht" became something between marketing strategy and erudite justification for another season of Broadway musicals, another ignominy endured by the German playwright whose epic theater has only seldom been understood in the United States. To say that Brechtian and Broadway theatrical traditions represent diverge...

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