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Examining Bernini's works from 1665 on, from Paris and Rome, this book demonstrates the wealth of material still to be drawn from close visual and material examination, archival research, and comparative textual analysis. On the whole, this collection deals with Bernini's position as the leading creator of portraits - in oils, marble, monumental architecture, and metaphor - of some of the most powerful political players of his day. These studies speak to the growing distance of Gallic absolutism from the fading dreams of papal hegemony over Europe, and to the complexities of Bernini's role as mouthpiece, obstacle, and flatterer of the Princes of the Papal States. Gian Lorenzo Berninis Werke, die nach 1665 in Paris und Rom entstanden, sind der Gegenstand dieses Buches. Eingehende Untersuchungen der Kunstwerke sowie des Quellen- und Archivmaterials liefern zahlreiche neue Erkenntnisse zum Spätwerk des Barockbildhauers, Malers und Architekten. Im Vordergrund steht Berninis Position als herausragender Porträtist der mächtigen politischen Akteure seiner Zeit. Die Beiträge thematisieren die wachsende Distanz zwischen dem aufkommenden französischen Absolutismus und dem verblassenden Traum von einer Vormachtstellung des Papsttums in Europa, aber auch die Rolle des Künstlers, der gleichermaßen als Sprachrohr, als Kritiker und als Schmeichler der Fürsten am päpstlichen Hof tätig ist.
Painting, Baroque --- Portrait painting, Baroque --- Portrait sculpture, Baroque. --- Italian influences. --- Bernini, Gian Lorenzo,
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Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.
Gender identity in art. --- Sex in art. --- Sculpture, Greek --- Sculpture, Roman --- Sculpture, Classical. --- Classical sculpture --- Classical antiquities --- Roman sculpture --- Greek sculpture --- Sex in the arts --- Sexuality in art --- Themes, motives. --- Bernini, Gian Lorenzo, --- Bernini, Lorent︠s︡o, --- Bernin, Gianlorenzo, --- Bernini, Dzhovanni Lorent︠s︡o, --- Bernino, Giovanni Lorenzo, --- Bernini, Gianlorenzo, --- Bernini, Lorenzo, --- Bernini, Giovan Lorenzo, --- Bernini, Giovanni Lorenzo,
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