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This early novel from the author of the socialist utopian tale Looking Backwards is another classic of the nineteenth-century science fiction and fantasy genre. The 'process' in the book's title refers to a procedure that removes painful or unwanted memories and allows lovers who have been through difficult romantic entanglements to forget selected portions of the past and move forward. However, as is often the case with scientific breakthroughs, there are unanticipated twists and turns in the story. A must-read for fans of early science fiction.
Bellamy, Edward, 1850-1898 --- Fiction (Fictional Works By One Author) --- Fiction
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Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives. They did so, he argues, by creating moments in their works when they and their audience could hesitate and contemplate the central paradox of language: its capacity to intimate both conc
American literature --- Puritan authors --- History and criticism --- Colonial period, ca. 1600-1775 --- New England --- Christian literature [American ] --- Puritans --- Intellectual life --- Rhetoric --- 1500-1800 --- Bradford, William --- Criticism and interpretation --- Morton, Thomas --- Mather, Richard --- Taylor, Edward --- Bradstreet, Anne Dudley --- Edwards, Jonathan --- Bellamy, Edward --- Fiske, Nathan --- English language --- Christian literature, American --- English literature --- Agrarians (Group of writers) --- Rhetoric. --- Intellectual life. --- History and criticism. --- Germanic languages
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Community development --- Educators --- Hydraulic engineers --- Social reformers --- Engineers --- Regional development --- Economic assistance, Domestic --- Social planning --- History --- Citizen participation --- Government policy --- Bellamy, Edward, --- Morgan, Arthur E. --- Influence. --- Antioch College --- Tennessee Valley Authority --- United States. --- TVA --- T.V.A. --- Antioch College, Yellow Springs, Ohio. --- History. --- United States --- Social conditions
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The entertaining story of four utopian writers-Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman-and their continuing influence todayFor readers reared on the dystopian visions of Nineteen Eighty-Four and The Handmaid's Tale, the idea of a perfect society may sound more sinister than enticing. In this lively literary history of a time before "Orwellian" entered the cultural lexicon, Michael Robertson reintroduces us to a vital strain of utopianism that seized the imaginations of late nineteenth-century American and British writers.The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman-who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society.These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.
Utopias in literature. --- LITERARY CRITICISM / Modern / General . --- Utopian literature --- Bellamy, Edward, --- Morris, William, --- Carpenter, Edward, --- Gilman, Charlotte Perkins, --- Criticism and interpretation. --- Moris, V., --- Morisu, Wiriamu, --- Morris, Uilʹi͡am, --- Morris, William M., --- Gilman, Charlotte Perkins Stetson, --- Perkins, Charlotte Anna, --- Stetson, Charles Walter, --- Stetson, Charlotte Perkins, --- Karpenter, Ėduard, --- Bellamy, Edvard, --- Beramī, Edowādo, --- Morris, Uilʹi︠a︡m, --- Морис, В., --- Bellamy, Edward --- Bellamy, Edvard --- Beramī, Edowādo --- בעלאמי, ע. --- בעללאמי, א. --- Charles Fourier. --- Charlotte Perkins Gilman. --- Edward Bellamy. --- Edward Carpenter. --- Equality. --- Henri de Saint-Simon. --- Henry George. --- Herland. --- John Ruskin. --- Looking Backward. --- Nationalism. --- News from Nowhere. --- Progress and Poverty. --- Radical Faeries. --- Robert Owen. --- The Nature of Gothic. --- Thomas More. --- Towards Democracy. --- Uranians. --- Urning. --- Utopia. --- Walt Whitman. --- William Morris. --- World's Mother. --- community. --- economic equality. --- education. --- egalitarianism. --- everyday utopias. --- homogenic love. --- homosexuality. --- industrial capitalism. --- intermediate sex. --- labor. --- last utopians. --- literary dystopia. --- motherhood. --- mothers. --- progress. --- radical equality. --- religion. --- social thought. --- social transformation. --- socialism. --- sustainability. --- technology. --- transatlantic utopianism. --- universal spirit. --- utopia. --- utopian literature. --- utopianism. --- women.
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"The 16 essays in this collection explore the distinctive qualities of America's textual engagement with Darwinism--the ways in which Darwinian language and theories have made their way into American Literary and cultural texts, providing writers a new vocabulary to describe human affairs and interactions with other living organisms. The editors argue that attention to the specifics of Darwin's place in the American scene is vital in light of the particularities of the reception and uses of evolutionary theory in the U.S.--i.e. the nation's melting pot identity, its slave past, its particular brands of social Darwinism, and its school of Pragmatist philosophy. In her review of the proposal, Laura Dassow Walls pointed out that one of the most exciting aspects of this project is that the editors and authors are reading a wide range of Darwin's own texts and thereby recovering the Darwin that Americans actually encountered, the more subtle and challenging Darwin who energized modernist American literature, not the Social Darwinist constructed by Herbert Spencer"-- "While much has been written about the impact of Darwin's theories on U.S. culture, and countless scholarly collections have been devoted to the science of evolution, few have addressed the specific details of Darwin's theories as a cultural force affecting U.S. writers. America's Darwin fills this gap and features a range of critical approaches that examine U.S. textual responses to Darwin's works.The scholars in this collection represent a range of disciplines--literature, history of science, women's studies, geology, biology, entomology, and anthropology. All pay close attention to the specific forms that Darwinian evolution took in the United States, engaging not only with Darwin's most famous works, such as On the Origin of Species, but also with less familiar works, such as The Expression of the Emotions in Man and Animals. Each contributor considers distinctive social, cultural, and intellectual conditions that affected the reception and dissemination of evolutionary thought, from before the publication of On the Origin of Species to the early years of the twenty-first century. These essays engage with the specific details and language of a wide selection of Darwin's texts, treating his writings as primary sources essential to comprehending the impact of Darwinian language on American writers and thinkers. This careful engagement with the texts of evolution enables us to see the broad points of its acceptance and adoption in the American scene; this approach also highlights the ways in which writers, reformers, and others reconfigured Darwinian language to suit their individual purposes. America's Darwin demonstrates the many ways in which writers and others fit themselves to a narrative of evolution whose dominant motifs are contingency and uncertainty. Collectively, the authors make the compelling case that the interpretation of evolutionary theory in the U.S. has always shifted in relation to prevailing cultural anxieties"--
Darwinisme social dans la littérature --- Evolutie (Biologie) in de literatuur --- Evolution (Biologie) dans la littérature --- Evolution (Biology) in literature --- Sociaal Darwinisme in de literatuur --- Social Darwinism in literature --- American literature --- History and criticism --- Darwin, Charles Robert --- Influence --- Literature and science --- United States --- Social Darwinism --- James, William --- Criticism and interpretation --- Burroughs, John --- Melville, Herman --- Wharton, Edith Newbold --- Bellamy, Edward --- Gilman, Charlotte Perkins --- Norris, Frank --- Morgan, Lewis Henry --- London, Jack --- Boyle, T. Coraghessan --- SCIENCE / Philosophy & Social Aspects. --- LITERARY CRITICISM / American / General. --- Social Darwinism in literature. --- Evolution (Biology) in literature. --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- History and criticism. --- Darwin, Charles, --- Influence.
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