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Adorno, Theodor W.,

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Theodor W. Adorno's aesthetics has dominated discussions about art and aesthetic modernism since World War II, and continues to inform contemporary theorizing. Situating Adorno's aesthetic theory in the context of post-Kantian European philosophy, Espen Hammer explores Adorno's critical view of art as engaged in reconsidering fundamental features of our relation to nature and reality. His book is structured around what Adorno regarded as the contemporary aesthetician's overarching task: to achieve a vision of the fate of art in the modern world, while demonstrating its unique cognitive potential. Hammer offers a lively examination of Adorno's work through the central problem of what full human self-actualization would require, and also discusses the wider philosophical significance of aesthetic modernism. This book will be a valuable resource for scholars and students of social philosophy, art, and aesthetics.

Modernism (Aesthetics) --- Adorno, Theodor Wiesengrund, --- Adorno, Theodor W., --- Adorno, Theodor W., - 1903-1969

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"This book sets up a dialogue between Emmanuel Levinas and Theodor W. Adorno, using their thought to address today's environmental and social-political situation. The chapters focus on critical natural history and the environmental crisis (part 1), religion, prophecy, and the good (part 2), and an asymmetrical account of equality, liberty, and solidarity (part 3). Eric S. Nelson presents a critical ethics of the material other, addressing the alterities, non-identities, and the good that constitute, interrupt, and reorient ethical and social-political forms of life. This ethics of the material other has significant implications. First, the self is constituted through material and communicative relations to others in "other-constitution" rather than individual or collective self-constitution. Second, encounters with the prophetic "other-power" or transcendence of the good in others-in the ordinary mundanities and sufferings of immanent material life-disturb the economies of the individual ego relishing its own happiness and collective identities that codify themselves through the subjugation and refusal of non-human and human others. Finally, the infinite ethical and social-political demand of others calls for unrestricted solidarities that can transform ethical and social-political sensibilities, if always in relation to the material and communicative conditions of contemporary global capitalism"--

Philosophy. --- Adorno, Theodor W., --- Lévinas, Emmanuel.

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In Adorno, Roger Foster argues that there is a coherent critical project at the core of Adorno's philosophy of language and epistemology, the key to which is the recovery of a broader understanding of experience. Foster claims, in Adorno's writings, it is the concept of spiritual experience that denotes this richer vision of experience and signifies an awareness of the experiential conditions of concepts. By elucidating Adorno's view of philosophy as a critical practice that discloses the suffering of the world, Foster shows that Adorno's philosophy does not end up in a form of resignation or futile pessimism. Foster also breaks new ground by placing Adorno's theory of experience in relation to the work of other early twentieth-century thinkers, in particular Henri Bergson, Marcel Proust, Edmund Husserl, and early Wittgenstein.

Adorno, Theodor W., --- Adorno, Theodor W. --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Philosophy, German

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A discussion of Theodor Adorno's Aesthetic Theory is bound to look significantly different today than it would have looked when the book was first published in 1970, or when it first appeared in English translation in the 1980's. In The Fleeting Promise of Art, Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno's other writings on aesthetics in light of the unexpected return of the aesthetic to today's cultural debates. Is Adorno's aesthetic theory still relevant today? Hohendahl answers this question with an emphatic yes. As he shows, a careful reading of the work exposes different questions and arguments today than it did in the past. Over the years Adorno's concern over the fate of art in a late capitalist society has met with everything from suspicion to indifference. In part this could be explained by relative unfamiliarity with the German dialectical tradition in North America. Today's debate is better informed, more multifaceted, and further removed from the immediate aftermath of the Cold War and of the shadow of postmodernism. Adorno's insistence on the radical autonomy of the artwork has much to offer contemporary discussions of art and the aesthetic in search of new responses to the pervasive effects of a neoliberal art market and culture industry. Focusing specifically on Adorno's engagement with literary works, Hohendahl shows how radically transformative Adorno's ideas have been and how thoroughly they have shaped current discussions in aesthetics. Among the topics he considers are the role of art in modernism and postmodernism, the truth claims of artworks, the function of the ugly in modern artworks, the precarious value of the literary tradition, and the surprising significance of realism for Adorno.

Aesthetics, German --- Adorno, Theodor W., --- Aesthetics. --- Adorno, Theodor W. --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W.