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After the Reformation the successful painter Paul Lautensack (1477/78-1558) dedicated himself to spreading revelations on the nature of God. Lautensack was besides Dürer the only German artist who wrote against the iconoclasts, and he believed that he as a painter could explain the images of Revelation better than theologians like Luther. He presented his insights in hundreds of highly sophisticated diagrams that display a wide range of material accessible to an urban craftsman, from the vernacular Bible to calendar illustrations. This study is the first monograph on this extraordinary man, it presents a corpus of his surviving works, analyzes his peculiar theology of the image and locates the elements of his diagrams in the visual world of the Reformation period.

Christian art and symbolism --- Image (Theology) --- Communication --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religious aspects --- Christianity --- Lautensack, Paul, --- Criticism and interpretation. --- 091 LAUTENSACK, PAUL --- 741 LAUTENSACK, PAUL --- Handschriftenkunde. Handschriftencatalogi--LAUTENSACK, PAUL --- Tekenkunst--LAUTENSACK, PAUL --- Drawing --- diagrams --- Reformation --- Lautensack, Paul