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"Among the 12 disciples of Jesus, perhaps none has inspired more magnificent art--as well as political upheaval--than Saint James the Greater. He was the first apostle to be martyred. He remains the patron saint of pilgrims to the shrine of Santiago de Compostela. His legacy has bequeathed a tradition of Western art over nearly two millennia"--

James,

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A Portrait of the Artist as a Young Man presents a non-linear compositional progression, characterised by continual fractures, bifurcations and revisions; the genetic dossier includes pre-compositional notes and works that were never published, such as Epiphanies, A Portrait of the Artist and Stephen Hero. The genetic analysis of this long process of writing, the documentation of which covers a period of around fourteen years, reveals not only how the Portrait was conceived and composed, but also Joyce's evolution as a writer from the very first evidence of his literary activity. This new perspective on Joyce's mode of composition opens the way to a range of potential interpretations of the individual texts, as well as methodological and theoretical insights regarding genetic criticism.

Joyce, James,

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Buchanan, James,

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Joyce, James,

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This book examines the religious epistemologies of Søren Kierkegaard, John Henry Newman, and William James in the light of contemporary challenges to religious faith. They defended the right of persons to embrace religious beliefs that are not strictly warranted by empirical evidence and logical argumentation. Faith must not be hampered, they argued, by the demands of reason narrowly conceived. Paul Sands notes, however, important differences in the way each relates faith to reason. Sands examines the religious epistemologies of Kierkegaard, Newman, and James in the context of two "givens" characteristic of early twenty-first century culture, namely, the intellectual hegemony of probabilism and the pluralization of the Western mind.

James, William,