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Gospel music --- African Americans --- History and criticism.
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"This work is by no means an exhaustively detailed study of gospel music in Chicago. Its intent is to chronicle the development of Chicago gospel music during its first five decades, from pioneers such Thomas Dorsey and Sallie Martin to the start of the contemporary gospel era of the 1970s, when the focus shifted from Chicago to California"--Introduction (page 7).
Gospel music --- African Americans --- Music --- History and criticism. --- Chicago (Ill.) --- History. --- Gospel music. --- Illinois
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Gospel music --- History and criticism. --- History and criticism
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This volume sheds new light on an array of late ancient Christian liturgical sources, practices, and traditions emerges from these multidisciplinary studies on the interplay of New Testament writings, ancient music, liturgical spaces, biblical interpretation, and reception history.
Contemporary Christian music. --- Gospel music. --- Rhythm and blues music.
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"Mek Some Noise", Timothy Rommen's ethnographic study of Trinidadian gospel music, engages the multiple musical styles circulating in the nation's Full Gospel community and illustrates the carefully negotiated and contested spaces that they occupy in relationship to questions of identity. By exploring gospelypso, jamoo ("Jehovah's music"), gospel dancehall, and North American gospel music, along with the discourses that surround performances in these styles, he illustrates the extent to which value, meaning, and appropriateness are continually circumscribed and reinterpreted in the process of coming to terms with what it looks and sounds like to be a Full Gospel believer in Trinidad. The local, regional, and transnational implications of these musical styles, moreover, are read in relationship to their impact on belief (and vice versa), revealing the particularly nuanced poetics of conviction that drive both apologists and detractors of these styles. Rommen sets his investigation against a concisely drawn, richly historical narrative and introduces a theoretical approach which he calls the "ethics of style"-a model that privileges the convictions embedded in this context and that emphasizes their role in shaping the terms upon which identity is continually being constructed in Trinidad. The result is an extended meditation on the convictions that lie behind the creation and reception of style in Full Gospel Trinidad.Copub: Center for Black Music Research
Gospel music --- African Americans --- Popular music --- Sacred songs --- History and criticism. --- caribbean island. --- caribbean music. --- caribbean. --- creole traditions. --- ethics of style. --- ethnography. --- full gospel community. --- gospel dancehall. --- gospel music. --- gospel. --- gospelypso. --- jamoo. --- jehovahs music. --- memory. --- music studies. --- music. --- musical styles. --- nationalism. --- north american gospel music. --- questions of identity. --- regionalism. --- religious music. --- spiritual music. --- spirituality. --- transnational. --- trinidad and tobago. --- trinidad. --- trinidadian gospel music.
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In this work on southern gospel music, Douglas Harrison re-examines the music's historical emergence and its function as a modern cultural phenomenon. Harrison explores how listeners and consumers of southern gospel integrate its lyrics and music into their own religious experience.
Popular culture --- Gospel music --- African Americans --- Popular music --- Sacred songs --- Religious aspects. --- History and criticism.
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In Singing the Glory Down, William Lynwood Montell contributes to a fuller understanding of twentieth-century American culture by examining the complex relationships between gospel music and the culture of the nineteen-county study area in which this music has flourished for a hundred years. He has recorded the memories and feelings of those who were young while the movement gathered steam and who remember it at its high point, and stories about those who have passed over that river about which they loved to sing.In the early 1900's, a singing school or gospel convention was a major social
Gospel music --- African Americans --- Popular music --- Sacred songs --- History and criticism.
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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Gospel music --- African Americans --- Popular music --- Sacred songs --- Gospel --- Encyclopédies --- États-Unis --- Gospel.
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Volume 1 of Nothing but Love in God's Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement.Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Music Restoration Project at Baylor University, brings this vivid, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luther King Jr. and other leaders used music to underscore and support their message; and reveals how the songs themselves traveled and changed as the fight for freedom for African Americans continued. Darden makes an unassailable case for the importance of black sacred music not only to the civil rights era but also to present-day struggles in and beyond the United States.Taking us from the Deep South to Chicago and on to the nation's capital, Darden's grittily detailed, lively telling is peppered throughout with the words of those who were there, famous and forgotten alike: activists such as Rep. John Lewis, the Reverend Ralph Abernathy, and Willie Bolden, as well as musical virtuosos such as Harry Belafonte, Duke Ellington, and The Mighty Wonders. Expertly assembled from published and unpublished writing, oral histories, and rare recordings, this is the history of the soundtrack that fueled the long march toward freedom and equality for the black community in the United States and that continues to inspire and uplift people all over the world.
Gospel music --- African Americans --- Spirituals (Songs) --- History and criticism. --- Civil rights --- History. --- Music
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Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms.
Gospel music --- African Americans --- History and criticism. --- Music --- Popular music --- Sacred songs
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