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Miller, Arthur, --- Miller, Arthur Asher --- Miller, Arthur --- Miler, Artur --- מילר, ארתור --- מילר, ארתור, --- Stage history --- Appreciation --- Adaptations --- History and criticism. --- Influence.

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This is a unique collection of seven of Schnitzler's best known plays in a new English translation. They explore love, sexuality, and death in various guises, against the backdrop of turn-of-the-century Viennese decadence. The introduction explores the plays in relation to Schnitzler's life, to the culture of late twentieth-century Vienna, and to Modernism in general. - ;Flirtations * Round Dance * The Green Cockatoo * The Last Masks * Countess Mizzi * The Vast Domain * Professor Bernhardi. The playwright Arthur Schnitzler is best known as the chronicler of fin de si--egrave--;cle Viennese dec

Schnitzler, Arthur, --- Shnitsler, Arṭur, --- Sznicler, A., --- שניצלער, ארטור --- שניצלער, ארטור, --- שניצלר, ארטור --- שניצלר, ארטור, --- שניצלר, ארתור --- Шніцлєр, Артур, --- Shnit︠s︡li︠e︡r, Artur,

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Arthur Miller for the Twenty-First Century: Contemporary Views of His Writings and Ideas brings together both established Miller experts and emerging commentators to investigate the sources of his ongoing resonance with audiences and his place in world theatre. The collection begins by exploring Miller in the context of 20th-century American drama. Chapters discuss Miller and Eugene O’Neill, Tennessee Williams, Edward Albee, David Mamet, and Sam Shepard, as well as thematic relationships between Miller’s ideas and the explosion of significant women and African American dramatists since the 1970s. Other essays focus more directly on interpretations of Miller’s individual works, not only plays but also essays and fiction, including a discussion of Death of a Salesman in China. The volume concludes by considering Miller and current cultural issues: his work for human rights, his depiction of American ideals of masculinity, and his anticipation of contemporary posthumanism.

Miller, Arthur, --- Miler, Artur, --- מילר, ארתור --- מילר, ארתור, --- Miller, Arthur Asher --- Miller, Arthur --- Miler, Artur --- Drama. --- Literature, Modern—20th century. --- Theater. --- Twentieth-Century Literature. --- Contemporary Theatre. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Literature --- Dialogue --- Philosophy --- Literature, Modern --- Theater --- Contemporary Theatre and Performance. --- 20th century. --- History.

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Covers the philosophical and literary underpinnings of Wagner's and Schopenhauer's story. This work explores Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. It turns to the events in the opera, providing tonal and harmonic analyses to reinforce its interpretation of the drama. It also creates an account of Ristan.

Music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics. --- Philosophy --- Wagner, Richard, --- Schopenhauer, Arthur, --- Shūpinhawar, Artūr, --- Шопенгауэр, Артур, --- Shopengauėr, Artur, --- Shu-pen-hua, --- Sopenaouer, --- Schopenhauer, Arturo, --- Schopenhauer, A. --- Schopenhauer, Artur, --- Шопенгауер, Артур, --- Shūpinhāvir, Ārtūr, --- Suʼu-pun-her, --- שאפענהויער, ארטור --- שאפענהויער, ארטור, --- שופנהאואר, ארתור, --- שופנהאואר, --- שופנהואר, ארתור --- ‏شوپنهاور، آرتور --- شوپنهاور، أرثر --- شوپنهور، أرثر --- 叔本华, --- 叔本華,

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Justice (Philosophy) --- Philosophy --- Schopenhauer, Arthur, --- Shūpinhawar, Artūr, --- Шопенгауэр, Артур, --- Shopengauėr, Artur, --- Shu-pen-hua, --- Sopenaouer, --- Schopenhauer, Arturo, --- Schopenhauer, A. --- Schopenhauer, Artur, --- Шопенгауер, Артур, --- Shūpinhāvir, Ārtūr, --- Suʼu-pun-her, --- שאפענהויער, ארטור --- שאפענהויער, ארטור, --- שופנהאואר, ארתור, --- שופנהאואר, --- שופנהואר, ארתור --- ‏شوپنهاور، آرتور --- شوپنهاور، أرثر --- شوپنهور، أرثر --- 叔本华, --- 叔本華,