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»Der malt ja immer das gleiche!« Derart irritiert äußerte sich ein Kritiker über Vilhelm Hammershøis (1864?–1916) stille Interieurbilder. Hammershøis Œuvre war außerhalb Skandinaviens lange Zeit in Vergessenheit geraten und gab schon seinen Zeitgenossen Rätsel auf. Der Maler beschäftigte sich unablässig mit dem bürgerlichen Interieur und verlieh ihm durch seine monochrome Farbwahl eine ungewöhnliche Melancholie. In den Fußstapfen Jan Vermeers und Caspar David Friedrichs befasste sich Hammershøi mit zentralen Problemen der Interieurmalerei. In der genauen Betrachtung in sich versunkener Figuren, leerer Räume und gerahmter Einrichtungsgegenstände wie Fenstern, Bildern und Spiegeln offenbart sich ein ästhetisches Paradox. Denn hinter den alltäglichen Szenen verbirgt sich eine Grundproblematik der Interieurmalerei, die das Private immer als etwas Ausgestelltes ins Bild bringt.

Interior decoration in art. --- Social isolation in art. --- Hammershøi, Vilhelm, --- Criticism and interpretation.

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"The authors of Communicating Ice tell the stories and stages of ice, showing how its manifold bodies communicate from beyond the schemas of the Western tradition." -Amanda Boetzkes, University of Guelph, Canada "With its well-written analyses, new insights and, not least, uplifting visions of new approaches, collaborations and opportunities, this book is a joy to read." -Kirsten Thisted, University of Copenhagen, Denmark "This book makes a compelling attempt to understand ice not as an object but as an agent with which we must interact differently. Ultimately, the highly recommended volume points to the extreme urgency of political action to curb global warming" -Evi Zemanek, University of Freiburg, Germany "This collection brilliantly illustrates how storytelling and aesthetic presentation are crucial aids to understanding and communicating about objects of scientific inquiry. A timely and vital contribution to the environmental humanities, posthumanism and science communication." - Chris Danta, School of Cybernetics, Australian National University, Australia This edited collection is the first of its kind to explore the influences and interconnections between artistic and scientific understandings of, and communication around (the melting of) ice. This book investigates and clarifies the ecological and cultural implications of losing ice in the face of climate change – from glaciers to permafrost valleys, from scientific excursions into ice to its representation in (popular) art and culture. Bringing together diverse perspectives from research and practice across disciplines and media, this volume pioneers research into the cultural power of ice. Dr Anne Hemkendreis is a Lecturer (Senior Researcher) in the (SFB 948) Heroes – Heroizations - Heroism research group at the University of Freiburg (Germany) and a member of the German Young Academy. Dr Anna-Sophie Jürgens is a Lecturer in Popular Entertainment Studies at the Australian National Centre for the Public Awareness of Science at the Australian National University (ANU) and the Head of Popsicule, ANU's Science in Pop Culture and Entertainment Hub.

Communication and the arts. --- Communication in the environmental sciences. --- Folk art. --- Ice in art. --- Art, Modern --- Popular Culture. --- Contemporary Art. --- Environmental Communication. --- 21st century.