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The whole book must be carefully read by everyone concerned with form in the novel' Nineteenth-century Fiction
Fiction --- Literary form --- Women and literature --- Roman --- Genres littéraires --- Femmes et littérature --- Technique --- History --- Histoire --- Eliot, George, --- Criticism and interpretation --- Didactic fiction, English --- English language --- History and criticism. --- Rhetoric. --- Technique. --- Criticism and interpretation. --- English literature. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Women and literature - England - History - 19th century. --- Didactic fiction, English - History and criticism. --- English language - 19th century - Rhetoric. --- Fiction - Technique. --- Literary form - History - 19th century. --- Eliot, George, - 1819-1880 - Technique. --- Eliot, George, - 1819-1880
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Charles Dickens's experience and imagining of creativity is at the heart of his self-awareness, subject-matter and narrative. His intelligence works intuitively rather than conceptually and ideas about imagination often emerge informally in personal letters and implicitly through characters, language and story. His self-analysis and reflexive tendency are embedded in his styles and forms of narrative and dialogue, images of normality, madness, extremity, subversion and disorder, poetry and inter-textuality, anticipating and shaping the languages of modernism, influencing James Joyce and Virginia Woolf as well as traditionalists like H.G. Wells and Evelyn Waugh. Discussing Dickens's novels and some of his letters, sketches, essays and stories, Barbara Hardy offers a fascinating demonstration of creativity.
Imagination in literature. --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Dickens, Charles, --- Dickens, Charles --- Dikensi, Čʻarlz, --- Dickens, Karol, --- Dikens, Charlz, --- Ti-keng-ssu, --- Digengsi, --- Dikkens, Charlz, --- Dikensas, Čarlzas, --- Ṭikkan̲s, Cārls, --- Ṭikkan̲cu, Cārlacu, --- Ṭikkan̲s, Cārlas, --- Диккенс, Чарлз, --- דיקינס, צ׳רלס, --- דיקנס, ַ צ׳רלז --- דיקנס, טשרלס --- דיקנס, צ׳רלז, --- דיקנס, צ׳רלס --- דיקנס, צ׳רלס, --- דיקענס, טש --- דיקענס, טשארלז --- דיקענס, טשארלז, --- דיקענס, טש., --- דיקקענס, טשארלז --- טשרלס, דיקנס --- チャールズ.ディケンズ, --- 狄更斯查尔斯, --- Boz, --- Sparks, Timothy, --- Criticism and interpretation.
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