Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.

Subjectivity in motion pictures --- Motion pictures. --- Subjectivity. --- Point of view (Literature) --- Film --- Music, Dance, Drama & Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Point of view in motion pictures --- Subjective camera --- Motion pictures --- Fiction --- Narration (Rhetoric) --- Subjectivism --- Knowledge, Theory of --- Relativity --- Philosophy. --- History and criticism --- Technique --- subjectivity --- nouvelle vague --- Consciousness --- Duchy of Münsterberg --- Point-of-view shot --- Robert Bresson --- Subjectivity in motion pictures. --- Subjectivité au cinéma --- Cinéma --- Subjectivité --- Point de vue (Littérature) --- Philosophie --- Cinéma --- Théorie du cinéma. --- Philosophie et cinéma. --- Philosophie. --- Esthétique.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Nocturnal Fabulations is an essay in intercessing. This is not a book that is simply ‘about’ Apichatpong Weerasethakul, though it does engage his work in detail. It is a book that deeply questions what else might be at stake in setting up the conditions for collaboration across two genres: cinema and writing. This collective project is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes subjectivity and unfixes time.

Motion pictures. --- Motion pictures --- Subjectivity. --- Subjectivity in motion pictures. --- Cinematography. --- Philosophy. --- Apichatpong Weerasethakul, --- Photography --- Chronophotography --- Point of view in motion pictures --- Subjective camera --- Subjectivism --- Knowledge, Theory of --- Relativity --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated pictures --- History and criticism --- Weerasethakul, Apichatpong, --- ʻAphichātphong Wīrasētthakun, --- Wīrasētthakun, ʻAphichātphong, --- Veerasethakul, Apichatpong, --- experience --- subjectivity --- cinema --- ecology --- pragmatics of fabulation --- time --- writing --- opacity --- vitality --- apichatpong weerasethakul --- Aesthetics --- Alterity --- Decoupage --- Félix Guattari --- Gilles Deleuze --- Mysterious Object at Noon --- Ontology --- Thailand