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"Begrippen als seksualiteit, instinct en verlangen hebben een andere lading in verschillende historische periodes en culturen. Maar hoe verscheiden de betekenis ook is, menselijke seksualiteit glijdt in de perceptie vaak af naar iets dat onnatuurlijk of zelfs tegen de natuur is. De auteurs van deze bundel reflecteren over het moment waarop natuurlijk 'onnatuurlijk' wordt en bieden inzicht in de schaduwkanten die elk tijdvak onvermijdelijk vertoont, van vroegmoderne fictie over hybrides tussen mens en machine tot de huidige belangstelling voor queer-relaties tussen mensen, dieren en de posthumane 'ander'."-- Provided by publisher.
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What form did the portrayal of business owners, entrepreneurs, peasants, craftspeople and similar 'protagonists of production' take before it became the subject of negative assessments in the epoch of industrialization? Focusing on the European Enlightenment movement with a special emphasis on Spain, this volume sheds light on how both male and female figures working in production are represented by novels, plays, economic tracts and in the press. Literary scholars, historians, and economists analyse how those portrayals are related to the history of economic thought, 18th-century economic discourse, and enlightened Political Economy. With an epilogue by Deirdre McCloskey.
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This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book's essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War. The essays in this collection focus on locations as diverse as Morocco, Tunisia, South Asia, China, Spain, and Italy, and on texts in Arabic, English, French, Hindi, Italian, and Spanish. In doing so, they highlight the combination of local debates and struggles, and internationalist networks and aspirations that found expression in essays, novels, travelogues, translations, reviews, reportages and other literary forms. With its comparative study of print cultures with a focus on decolonization and the Cold War, the volume makes a major contribution both to studies of postcolonial literary and print cultures, and to cultural Cold War studies in multilingual and non-Western contexts, and will be of interest to historians and literary scholars alike.
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"Explores semi-peripheral literary cultures and their relations to the cosmopolitan and the vernacular, using the Swedish context as a case study".
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"Few modern materials have been as central to histories of environmental toxicity, medical ignorance, and legal liability as asbestos. A naturally occurring mineral fibre once hailed for its ability to guard against fire, asbestos is now best known for the horrific illnesses it causes. This book offers a new take on the established history of asbestos from a literary critical perspective, showing how literature and film during and after modernism responded first to the material's proliferation through the built environment, and then to its catastrophic effects on human health. Starting from the surprising encounters writers have had with asbestos--Franz Kafka's part ownership of an asbestos factory, Primo Levi's work in an asbestos mine, and James Kelman's early life as an asbestos factory worker--the book looks to literature to rethink received truths in historical, legal and medical scholarship. In doing so, it models an interdisciplinary approach for tracking material intersections between modernism and the environmental and health humanities. Asbestos - The Last Modernist Object offers readers a compelling new method for using cultural objects when thinking about how to live with the legacies of toxic materials."
Literature, Modern --- Modernism (Literature) --- History and criticism.
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Philology, Modern --- Languages, Modern --- Literature, Modern --- Culture
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The present book faces a wide range of problems concerning the history of Eastern slavic culture in its interation with cultural models, typical of Western Europe. This collective work is the final result of the french-italian congress “Fractures and Integrations between Russia, East Slavic world and the West. History and literary civilisation from the Middle Age to the Contemporary Era” (University of Florence, 16-17 april 2015): the complexity of cultural relations between Russia, Slavic East and European West is analysed enhancing the variety of points of view and benefiting of different methodological approaches as well as from perspectives, provided from different fields of study. Here we introduce new materials and new analytical methods, which are useful for studying the complex interactions between the western cultural tradition and the east oriental one, from Middle Age up to nowadays. The “fractures” and “integrations” are therefore highlighted throughout the reading or critical re-reading of textes, works and authors, who took part to the construction and the development of cultural interchange among the various european areas.
Literature, Modern --- Literature --- History and criticism.
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