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This conference proceeding (Sessions on "Otherness in Space and Architecture", International Medieval Conference, Leeds, 2017 and 2018) is a compilation of articles written by both young and senior scholars, who are working on the question of the 'self' and the 'other' in Christian, Jewish and Islamic cultures. The articles examine how material, 'oriental' objects and knowledge originating in non-Western communities helped building and strengthening the identity of Iberia's, southern France and northern Italian nobility and its lineages. It is shown how, in the perception of Christians, the public image of Jews and Moslems became constructed as that of adversaries, while their cultural knowledge, at the same time, would be integrated into Christian culture in a paradox manner, in which the 'self' necessarily depends on the 'other' and how visual tensions in art and space have been used as symbols of power.
Jews in art --- Muslims in art --- Other (Philosophy) in art --- Jewish way of life in art
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In Italy, women have been able to graduate only since 1875; in Florence, at the end of the century, just fifteen women obtained the graduation at the Institute of Higher Studies. The Libraries of the University of Florence, heirs to the Institute, have intended to celebrate those first female graduates (1875-1940) and their stories, by cataloguing, digitalizing and publishing online their thesis. The oldest or most significant ones, with archival materials, photos and publications, have been exhibited at the Humanities Library. This volume illustrates the exposition and the outcome of this original documentation, thus allowing to define the peculiarities of the Florentine reality, offering the opportunity for further studies and giving visibility to women who have played a substantial role in the Italian culture, so as to not lose their memory.
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"Die Wiederholung des in Antike und Barock verankerten Vanitas-Motivs in der Kultur der Gegenwart mag anachronistisch anmuten. Dabei passt sie nicht nur zu einer Reihe anderer, aktueller Praxen, Vanitas thematisiert selbst bereits Wiederholung als das, was dann erst seit dem 19. Jahrhundert kontrovers diskutiert wurde: dass sie eine zentrale Rolle bei der Verhandlung von Identität, bei der Situierung des Selbst in der Geschichte, bei der Wiederkehr und Transformation des Verdrängen und Verschütteten oder der Beurteilung des Selben im Anderen spielt. All das zeigt sich, sobald eine Auseinandersetzung mit der Wiederholung der Vanitas - dem zumindest in der westlichen Kultur zentralen Entwurf über Vergänglichkeit und Vergeblichkeit - aus philosophischer, kulturtheoretischer, psychoanalytischer sowie kunst-und literaturwissenschaftlicher Sicht unternommen und überdies mit fernöstlichen Vorstellungen konfrontiert wird. Aktuelle Bearbeitungen der Vanitas positionieren sich selbstreflexiv, kritisch und politisch; damit entfalten sie Potenziale des Motivs, die immer schon angelegt waren, aber womöglich erst jetzt realisierungsbedürftig sind." Vanitas does not just address ephemerality but also the relationship of the self to history; it negotiates identity and positions itself both self-critically and politically. In which contexts does contemporary culture take up this established motif of antiquity and the early modern period? Interdisciplinary considerations show how productive it can be to answer this question by reflecting on it in light of discussions about repetition.
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What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism—tactics of complicity that effect subversion from within hegemonic structures. Fisher tracks the ways in which artists on the margins—from hacker collectives like Ubermorgen to feminist writers and performers like Chris Kraus—have wilfully abandoned the radical scripts of opposition and refusal long identified with anti-capitalism and feminism. Space for resistance is found instead in the mutually, if unevenly, exploitative relations between dominant hosts giving only as much as required to appear generous and parasitical actors taking only as much as they can get away with. The irreverent and often troubling works that result raise necessary and difficult questions about the conditions for resistance and critique under neoliberalism today.
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"The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns"--
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In this book, Gaugin's exoticism, the inexhaustible subject of mythical constructions, is re-examined within the framework of the complex contemporary interferences between Symbolist culture and the pressure of colonial policies. Various perspectives are adopted, from the analysis of the theme of the mask in the self-portraits, to the literary suggestions or those evoked by the Universal Exhibition of 1889. There is also a re-reading of the sojourns in Brittany and Oceania, designed to clarify the links between exoticism and nostalgia: a definition of the evasion in space as the substitute for a regression in time, in search of a dimension of the origins from which modern man is by now debarred.
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The book is arranged in the form of a practical, build-it-yourself manual, complete with general technical information and advice for use in the field. The mobile poultry housing has been designed for extensive breeding with animals that have free access to open-air areas during the daytime. With a few simple operations the structure can be adapted for fattening poultry, breeding poultry and chickens; the capacities indicated refer to the European "organic" regulations adopted by Italy. The manual guides the constructor step by step, so that the mobile housing can be built even by those who do not have particular knowledge or skill in wood carpentry; a special section is devoted to safety during work. Finally, there are also a series of recommendations about the positioning of the housing on the land and the completion works necessary to set it in operation.
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"Through the burgeoning fields of Posthumanities and Environmental Humanities this edition examines the changing conception of human subjectivity agency and citizenship as shaped by the dynamic interplays between nature technology science and culture"-- Provided by publisher.
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"This book is open access and available on www.bloomsburycollections.com. It is funded by the University of Oslo and Utrecht University. Judaism, Christianity and Islam are known to privilege words over images. This book shows, however, that the reality is more complex. Figurations and Sensations of the Unseen explores the complex procedures used to render the invisible as visible and the elusive as tangible in these three traditions. Working from different disciplinary angles, contributors reflect on figuration and sensation in biblical culture, medieval Jewish culture, the imagination of the unseen in Islamic settings, Christian assaults on 'idolatry' in Africa, baroque and modern Church art, contemporary Eastern Orthodox tradition, photography on the East African coast, European opera and literature, and more. The book shows that the three religious traditions have formed sensorial regimes: embodied habits, traditions and standards for seeing, sensing, displaying, and figuring that which could not, or should not, be seen. So, the desire for seeing the invisible and experiencing the beyond are paradoxically confirmed, contested and controlled, by the sensorial regimes in vogue. This carries over even into secularized use of religious figurations in arts and literature. Figurations and Sensations of the Unseen is important reading for scholars of anthropology, religious studies, Jewish studies, Christian studies, Islamic studies, art history, cultural studies, biblical studies and archaeology."--Bloomsbury Publishing.
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Young black women bear all the hallmarks of a fundamentally unequal society. They do well at school, contribute to society, are good efficient workers yet, as a group they consistently fail to secure the economic status and occupational prestige they deserve. This book presents a serious challenge to the widely held myth that young black women consistently underachieve both at school and in the labour market. In a comparative study of research and writig from America, Britain and the Caribbean Young, Female and Black re-examines our present understanding of what is meant by educational underachievement, the black family and, in particular, black womanhood in Britain.
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