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This essay looks at the specific iconography of saint Jerome in the artistic commissions of the Jesuati during the 15th century. This specific iconography meant to show the Doctor of the Church as the illustrious founder of the congregation in place of Colombini who never was canonized and meant to presents their form of religious life and the rejection of the Holy Orders through the extremely rare illustration of the episode in the life of Saint Jerome: The anticiceroniano dream. The dissemination of this theme was previously attributed to Hieronymites of Fiesole

Iconography --- Saints Jesuati --- Siena

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The existing studies and lines of research around the Solidarity Organization of the Peoples of Asia, Africa and Latin America and the Tricontinental design are relatively recent in the field of history. There is no work that has delved into the materials collected within the more than one hundred and eighty-four issues published by the Tricontinental magazine to date. This study, which delves into the history of the organization and into the analysis of three specific representational models of Tricontinental graphic art, aspires to offer new interpretive keys around the Femininity of the Global South, the image of Ernesto Che Guevara and the Imperialism from an alternative point of view scarcely worked until now in the field of historical research.

Latin America, Third World, graphic art, revolutionary iconography

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medieval art --- medieval architecture --- iconography --- art history --- Art, Medieval --- Medieval art --- Art, Medieval.

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Domestic Devotions in Early Modern Italy illuminates the vibrancy of spiritual beliefs and practices which profoundly shaped family life in this era. Scholarship on Catholicism has tended to focus on institutions, but the home was the site of religious instruction and reading, prayer and meditation, communal worship, multi-sensory devotions, contemplation of religious images and the performance of rituals, as well as extraordinary events such as miracles. Drawing on a wide range of sources, this volume affirms the central place of the household to spiritual life and reveals the myriad ways in which devotion met domestic needs. The seventeen essays encompass religious history, the histories of art and architecture, material culture, musicology, literary history, and social and cultural history. Contributors are Erminia Ardissino, Michele Bacci, Michael J. Brody, Giorgio Caravale, Maya Corry, Remi Chiu, Sabrina Corbellini, Stefano Dall'Aglio, Marco Faini, Iain Fenlon, Irene Galandra Cooper, Jane Garnett, Joanna Kostylo, Alessia Meneghin, Margaret A. Morse, Elisa Novi Chavarria, Gervase Rosser, Zuzanna Sarnecka, Katherine Tycz, and Valeria Viola.

Iconography --- History of civilization --- anno 1500-1599 --- Italy --- Families --- Religious life --- History --- Catholic Church --- History. --- religious life --- history --- Catholic church

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This book is the first integral study of the imitative art that has led to the creation of cello transcriptions and arrangements. It has an interdisciplinary character and covers issues related to philosophy, history of aesthetics and the art of cello making, as well as the fine arts, including iconography.

Cello music --- History and criticism. --- Akant --- budowy --- Cello --- Cello construction --- Cello history --- Cello iconography --- Cello performance and emancipation --- Cello transcriptions --- Context --- Design --- historii --- History --- Iconography --- ikonografii --- Instrument --- instrumentu --- kontekście --- Literature --- literaturze --- Mimesis --- Mimetic --- mimetyczny --- Mizia --- Nurt --- oraz --- Performance --- Strand --- Trend --- Violoncello --- wiolonczelowego --- wiolonczelowej --- Wydawnictwo --- wykonawstwa