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This book proposes traveling vicariously with documentary and fiction films directed by Mariano Llinás, Alicia Scherson, Karim Aïnouz, Marcelo Gomes, Cao Guimarães, José Luis Torres Leiva, Tiziana Panizza, Jonathan Perel, Gustavo Fontán, Ignacio Agüero, Raúl Ruiz, Patricio Guzmán and Enrique Ramírez. It attends to the very richness of cinema in its potential not to passively represent real physical spaces, but to reconfigure new ways of thinking and inhabiting open space geographies in the contemporary world from a perspective attentive to the dimension of affects. The landscapes, maps and itineraries configured by this set of films allow us to experience alternative notions of temporality and ways of connecting with others.
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In 2018, the United Nations High Commission for Refugees documented a record high 71.4 million displaced people around the world. As states struggle with the costs of providing protection to so many people and popular conceptions of refugees have become increasingly politicized and sensationalized, researchers have come together to form regional and global networks dedicated to working with displaced people to learn how to respond to their needs ethically, compassionately, and for the best interests of the global community. Mobilizing Global Knowledge brings together academics and practitioners to reflect on a global collaborative refugee research network. Together, the members of this network have had a wide-ranging impact on research and policy, working to bridge silos, sectors, and regions. They have addressed power and politics in refugee research, engaged across tensions between the Global North and Global South, and worked deeply with questions of practice, methodology, and ethics in refugee research. Bridging scholarship on network building for knowledge production and scholarship on research with and about refugees, Mobilizing Global Knowledge brings together a vibrant collection of topics and perspectives. It addresses ethical methods in research practice, the possibilities of social media for data collection and information dissemination, environmental displacement, transitional justice, and more. This is essential reading for anyone interested in how to create and share knowledge to the benefit of the millions of people around the world who have been forced to flee their homes. With Contributions By: Mohammad Jalal Abbasi-Shavazi , Paula Banerjee, Pablo Bose, Nergis Canefe, Christina Clark-Kazak, Don Dippo, Wenona Giles, Susan Kneebone, Ellen Percy Kraly, Loren B. Landau, Elizabeth Lunstrum, Susan F. Martin, Susan McGrath, Michele Millard, Petra Molnar, William J. Payne, Ranabir Samaddar, Beatriz Eugenia Sánchez-Mojica, James C. Simeon, Lisa Singh, Brittany Lauren Wheeler, and Julie E.E. Young.
Global migration --- Refugee --- Research --- Displacement --- Military
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Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists' statements to journalistic and critical essays. The collection shows how women's experiences of migration have been articulated through art, film, poetry and even food.
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This anthology sheds new light on cosmopolitanism and culture in the contemporary world. Drawing on postcolonial, ethnic, and critical race studies as well as recent literary and critical theory, it demonstrates that new cosmopolitan thinking can embrace an awareness of ethnic and local differences. It disputes the utopianism of colorblind universalism and argues for the persistence of "race" and racialized thinking in lived experience. The essays collected in this volume valorize minoritarian perspectives and urge readers to rethink cosmopolitanism from the perspective of the underprivileged and marginalized and highlight the role of culture in mobilizing social empathy and solidarity with the world's precariat. The contributors, who come from over a dozen different countries and from diverse socio-cultural backgrounds, constitute a vibrant cosmopolitan community in itself.
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In Migrating Fictions, Manzella turns to U.S. Women’s literature that represents internal migrations in the US in the twentieth century. This project situates itself within the “spatial turn” of literary studies to analyze the way the U.S has displayed a history of spatial colonization, which we see as a pattern we turn to a variety of seemingly disconnected forced migrations. With chapters that focus on migrations related the Dust Bowl, the Great Migration, the migration of peoples placed in Japanese American internment camps, and the migration of Southwestern migrant labor, Manzella makes some fascinating connections across narratives that would not typically be brought together. Ultimately, this project lays bare the oppressive practices of U.S. policy and reveals the resistance individual groups accessed as they completed these internal migrations.
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Für alle, die im Mietverhältnis wohnen, kann es plötzlich sehr schnell gehen: ein Brief der Hausverwaltung, der die Kündigung aufgrund baulicher Aufwertung und Verdichtung enthält. Mieter*innen sind gezwungen, wegen Abrissen oder Sanierungen auszuziehen oder gar das Quartier zu verlassen, um eine bezahlbare Wohnung zu finden. Die Autor*innen geben durch eine qualitative Studie, angelegt im Schweizer Mittelland, vielschichtige Einblicke in diese Lebensrealität. Im Mittelpunkt stehen die Perspektiven Betroffener und deren Umgang mit dem (drohenden) Wohnungsverlust. Das Erleben direkter Verdrängung liefert wichtige Hinweise für wohnpolitische und sozialarbeiterische Initiativen.
SOCIAL SCIENCE / Sociology / Urban. --- City. --- Civil Society. --- Compaction. --- Demolition. --- Displacement. --- Gentrification. --- Habitation. --- Housing Question. --- Loss of Home. --- Neoliberalism. --- Notice. --- Redevelopment. --- Social Inequality. --- Sociology. --- Switzerland. --- Urban Studies.
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Heart valves --- Federal aid to medical research --- Heart --- Mitral valve --- Diseases --- Treatment --- Law and legislation --- Displacement. --- National Heart, Lung, and Blood Institute. --- National Institutes of Health (U.S.)
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Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of “domicide” or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
Zombies --- Alienation (Social psychology) --- Displacement (Psychology) --- Popular culture --- Zombies in popular culture. --- Zombies in motion pictures. --- Zombies in literature. --- Society in literature. --- Civilization, Modern. --- Psychological aspects. --- Social aspects.
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This book is a philosophical analysis of the ethical treatment of refugees and stateless people, a group of people who, though extremely important politically, have been greatly under theorized philosophically. The limited philosophical discussion of refugees by philosophers focuses narrowly on the question of whether or not we, as members of Western states, have moral obligations to admit refugees into our countries. This book reframes this debate and shows why it is important to think ethically about people who will never be resettled and who live for prolonged periods outside of all political communities. Parekh shows why philosophers ought to be concerned with ethical norms that will help stateless people mitigate the harms of statelessness even while they remain formally excluded from states.
Refugees --- Stateless persons --- Aliens --- Statelessness --- Displaced persons --- Persons --- Deportees --- Exiles --- Government policy --- Moral and ethical aspects --- Legal status, laws, etc. --- Noncitizens --- Philosophy --- refugees --- stateless --- political philosophy --- moral theory --- ethics --- moral philosophy --- resettling --- statelessness --- displacement --- forcibly displaced --- human rights --- humanitarian
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"Austerity Baby might best be described as an ‘oblique memoir’. Janet Wolff’s fascinating volume is a family history – but one that is digressive and consistently surprising. The central underlying and repeated themes of the book are exile and displacement; lives (and deaths) during the Third Reich; mother-daughter and sibling relationships; the generational transmission of trauma and experience; transatlantic reflections; and the struggle for creative expression. Stories mobilised, and people encountered, in the course of the narrative include: the internment of aliens in Britain during the Second World War; cultural life in Rochester, New York, in the 1920s; the social and personal meanings of colour(s); the industrialist and philanthropist, Henry Simon of Manchester, including his relationship with the Norwegian explorer, Fridtjof Nansen; the liberal British campaigner and MP of the 1940s, Eleanor Rathbone; reflections on the lives and images of spinsters. The text is supplemented and interrupted throughout by images (photographs, paintings, facsimile documents), some of which serve to illustrate the story, others engaging indirectly with the written word."
Art critics --- Art and society. --- Jews --- Jewish families --- Social conditions --- Wolff, Janet --- Family. --- 1900-1999 --- England --- second world war --- manchester --- uk --- spinsters --- exile --- displacement --- henry simon of manchester --- eleanor rathbone --- third reich --- art --- fridtjof nansen --- rochester --- new york --- Manchester
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