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In recent years the humanities, social sciences and neuroscience have witnessed an 'affective turn, ' especially in discourses around post-Fordist labor, economic and ecological crises, populism and identity politics, mental health, and political struggle. This new awareness would be unthinkable without the pioneering work of Gilles Deleuze, who replaced judgment with affect as the very material movement of thought: every concept is an affective experience, a becoming. Besides entirely active affects, the highest practice of thought, there is no thought without passive affects or passions. Instead of a calm and rational philosophy of passions, Deleuzian thought is therefore inseparable from "isolated and passionate cries" that deny what everybody knows and what nobody can deny: "every true thought is an aggression." This inseparability of reason and passion is by no means an anti-intellectualist or irrationalist stance. Rather, it is critical, since it protects reason from its self-imposed stupidity (betise) by relating it to the unthought forces that condition it. And it is clinical, because thought becomes possessed by a power of selection. The purely active, i.e. free-floating, unrecorded desire, is never enough to produce a consistent relation to the future, which is why we need the passions to give us an initial orientation, to force and enable us to think. Passions are the beliefs, perceptions, representations, and opinions that attach us to the world; they make up the very material of which our lives and thoughts are composed. Instead of truth as the ultimate criterion of judgment, the only principle according to which affective becomings can be selected and evaluated is the extent to which they proliferate joy. Spinoza and Marx show how the recruitment of desire traditionally takes place through the tyrants and priests who inspire sad passions in us. Similarly, the work of Deleuze and Guattari on capitalism and schizophrenia can be read as an encyclopedia of the passions that constitute the affective infrastructure of the socius of contemporary capitalism. If it takes a lot of inventiveness or imagination to be able to diagnose our present becomings, this is because becomings are always composites of joyful and sad passions. Capitalism could not exist if it did not also inspire happiness, love, courage, and perhaps even beatitude. That is why, today, we witness "the spectacle of the happily dominated" (Frederic Lordon) of the self-entrepreneur, the managerial class, the flex worker, the citizen-consumer, the bean-roasting hipster, and the self-managed team. It is within this field of contradictory and heterogeneous passions that the authors of this volume pursue the diagnosis of our past and present becomings. Their contributions add up to a systematic taxonomy of the passions and indicate their importance for a thinking that reaches beyond itself.
Social sciences --- Emotions (Philosophy) --- Philosophy. --- Deleuze, Gilles, --- Gilles Deleuze --- affect studies --- philosophy --- ontology --- phenomenology
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Atopological Trilogy creates new concepts for Deleuze-Guattarian thought without any heed for sectarian, sermonising, or dutiful readings of the philosophers. In Part I of the trilogy, "Becoming-Sexual of the Sexual," Aracagök demonstrates the ways in which quantum theory and the concept of "complementarity" inform Deleuze and Guattari's thought, especially in relation to "becoming" in general and "becoming-woman" and "becoming-queer" more particularly. Aracagök argues that the ways in which the philosophers put forward a ban on "becoming-man" with a certain degree of undecidability encapsulates (albeit in a cryptic form) other becomings, the most important of which is becoming-queer, or rather, the becoming-sexual of the sexual.In Part II: "Deleuze on Sound, Music, and Schizo-Incest," Aracagök puts into resonance the sound, noise, and music (and the question) of schizo-incest with the intention of deterritorialising a notion of the meta-audible. If Kafka's story, "The Investigations of a Dog" leads us to a realm of the "formless" which cannot be heard without destroying what we know as "hearing," it also offers us a limit-experience of the meta-audible, which, when radicalised via the notions of "schizo-incest" and "self-shattering," creates a line of flight that escapes even from the line of flight itself. All these maneuvers pose a serious challenge to Deleuze and Guattari, who claim that despite all his investigations, Kafka's investigator dog is re-Oedipalised in the end. Proposing in the end a limit experience which Aracagök calls the "meta-audible," he shows that Kafka's more radical approach to sound creates a line of flight that escapes even from the line of flight itself.The final essay of the trilogy, "Clinical and Critical Perversion," begins with the 19th-century crisis of an abyss presumed to be yawning between mimesis and diegesis ever since Plato. According to Aracagök, this takes the form of a crisis of the "political," the repression of which becomes the mission of psychoanalytical discourse towards the end of the 19th century. This crisis finds another form of expression in George Büchner's unfinished 1836 novella Lenz, relative to the audibility of a "terrible voice which is usually called silence." If the disappearance of the "political" is related to the rise of psychoanalysis on the protocols of, first, hypnosis, and then, the "talking cure," both of which privilege the presumed form of the voice of the analyst over the analysand's silence (a psycho-politics?), Aracagök proposes re-distributing this process, calling renewed attention to the clinicalisation of perversion, along Deleuzian-Guattarian distinctions such as: surface and depth, critical and clinical, oedipal-incest and schizo-incest, leading to a re-evaluation of what Deleuze and Guattari might have meant by "homosexual-effusion" in their book Kafka: Toward a Minor Literature, all in order to deterritorialise the "political" under a new concept -- namely, critical perversion.Ultimately, Atopological Trilogy offers the reader no safe grounds for preserving not only a philosophical identity but also not any identity, if only to be able to let you float in the air without any guidance à la Kafka's "Red Indian."
Ontology. --- Guattari, Felix, --- Deleuze, Gilles, --- psychoanalysis --- cultural studies --- Gilles Deleuze --- noise --- Felix Guattari --- perversion
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Non-Conceptual Negativity: Damaged Reflections on Turkey critiques those who have accused Deleuze of an unbounded affirmation which, according to them, has played directly into the hands of capitalist modes of production. Yet no one has acknowledged that under the aegis of nano-fascism, late capitalism has grown into Neanderthal capitalism, invented and developed in laboratory countries like Turkey with the aid of an international Neanderthal league. Layer upon layer, Aracagök explains in fragmentary fashion that it is not only a matter of how Turkey has grown into a prime laboratory of nano-fascism with the aid of the US and the European Union, but also how the results obtained from this laboratory are put into practice in different countries under Neanderthal capitalism, enslaving each and every one of us into accepting even the position of suicide bomber. As none of us is exempted from nano-fascism today, perhaps it is timely to reconsider the ways in which Deleuzian thought is appropriated in the form of an unquestioned affirmation of everything and how its critique has ended up in an old-fashioned formulation of the in-dividual according to a party program. If this all goes to show that we are face to face with a route different from the accepted forms of affirmation — that is, if we are all affirmed and seem to be happily affirming life as it is as a result of the Neanderthal manipulation of the negative — then isn’t it timely to rethink the Deleuzian affirmation in its non-originary origin with regard to Adorno’s resistance against affirmation? That is, the double negation never ends up in affirmation, and if it does so, it might mean your negation is not strong enough.
Philosophy, Turkish --- Capitalism --- Fascism --- Philosophy. --- Deleuze, Gilles, --- Influence.
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Gaffe/Stutter is a dead letter to Deleuze’s Logic of Sense. It began as a series of diagrams, two-dimensional memory palaces that sketch the vectors of each chapter’s paradox; it became an elaborate plan for a web-based diagrammatic (r)e(n)dition of Logic of Sense, built on zoomable, annotatable high-resolution scans of these diagrams. Conceived as an anti-book — a visual reading schematic — this project eschews the line of text in favor of regimented grids, the ink-soaked grain of the remediated pen over the laser-burned face of print; playful reaction rather than academic protraction. This is not an analogy, or a product of the imagination, Gilles Deleuze and Felix Guattari would write in A Thousand Plateaus, but a composition of speeds and affects on the plane of consistency: a plan(e), a program, or rather a diagram, a problem, a question-machine. It ended as a directory of inert jQuery demos and digital scans: an image of Trafalgar Square at dusk, annotated with the words “Flag,” “Small people on the steps,” “A Statue,” and “National Gallery Dome”; an empty html file titled ‘delete.html’. The visitor who may happen to wander onto the website where these project demos are stashed would find herself stuck on Deleuze’s definition of a paradox as initially that which destroys good sense as the only direction of becoming, but also that which destroys common sense as the assignation of fixed identities. From a series of diagrams to a dead-end digital directory, Gaffe/Stutter re-interprets a book that itself resists scholarly annotation. As with sense, it subsists in language; but it happens to things.
Humanities --- Digital humanities. --- Methodology. --- Gilles Deleuze --- experimental writing --- Felix Guattari
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The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema. The Funambulist Pamphlets is published as part of the Documents Initiative imprint of the Center for Transformative Media, Parsons The New School for Design, a transdisciplinary media research initiative bridging design and the social sciences, and dedicated to the exploration of the transformative potential of emerging technologies upon the foundational practices of everyday life across a range of settings.
Deleuze, Gilles, --- History and criticism. --- Political and social views. --- Philosophy. --- architecture --- Gilles Deleuze --- Baruch Spinoza --- Michel Foucault
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Diese Studie wirft die Frage auf, inwieweit eine Pädagogik jenseits der Erstarrung in systemischen Strukturen beweglich und systematisch zu denken ist. Dieser paradoxen Ausgangskonstellation kann mit der späten Systemtheorie Luhmanns begegnet werden, die den Versuch unternimmt, eine differentialistische Wende jenseits des klassischen Differenzbegriffes voranzutreiben. Die bislang offenen Enden dieses Projekts werden mit Deleuze weiterentwickelt. In einer topologischen Lesart - insbesondere aus dem Blickwinkel einer Topologie der Differenz - kann Pädagogik so als Ausdruckssystem refiguriert werden. Besprochen in: IASLonline, 6 (2011), Thorsten Sühlsen
Education --- Education. --- Pedagogy. --- Theory of Education. --- Systemtheorie; Differenzphilosophie; Topologie; Luhmann; Deleuze; Bildung; Bildungstheorie; Pädagogik; Systems Theory; Education; Theory of Education; Pedagogy --- Luhmann, Niklas, --- Deleuze, Gilles, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- Delezi, Jier, --- دولوز، جيل
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This dead letter presents a rendition and exploration of the immanent materialism of Deleuze & Guattari as theorised in 1000 Plateaus and as a means to analysing everyday life. The evidence that will be presented to back up and expand upon such an analysis consists of art, film and objects from life that relate to and suggest the complex ways in which we are affected by traffic jams. A picture of a reciprocating substrata of everyday life is presented that includes and builds upon the unconscious, and shows how the abstract turbulence of everyday life forms eddies and flows that may be followed and understood. The immanent materialism of Deleuze & Guattari is a philosophical construction that leads to the formation of 'plateaus' as they were executed in A Thousand Plateaus. The plateau of this dead letter is [21 October 2011: the Petro-Citizen]. The writing contained here populates this plateau with traffic jams, car crashes, global environmental concerns and the psychological and sociological contingencies that accompany the petro-citizen. Connections between the strata that make up the plateau of the petro-citizen will deliberately be left as open-ended and speculative to show how the petro-citizen functions as a flagrant construct in everyday life, and such a postulation and designation includes the desire for petrol and explains the resulting panpsychic petro-political landscape. The double-articulation of the plateau will be explored in this letter through the ways in which the petro-citizen and petro-politics create reciprocating realms of motivation and drive that tend towards contemporary double-articulation, paradox and contradiction with respect to the usages of oil. In this letter, the double-articulation results in a multiple chequered flag or illusionary global end game that designates the current human relationships with oil.
Materialism. --- Automobile travel --- Traffic congestion --- Petroleum industry and trade --- Life. --- Philosophy. --- Guattari, Felix, --- Deleuze, Gilles, --- Gilles Deleuze --- Felix Guattari --- traffic --- petropolitics --- cultural studies --- oil
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The term Occupy represents a belief in the transformation of the capitalist system through a new heterogenic world of protest and activism that cannot be conceived in terms of liberal democracy, parliamentary systems, class war or vanguard politics. These conceptualisations do not articulate where power is held, nor from where transformation may issue. This collection of essays by world-leading scholars of Deleuze and Guattari examines how capitalism can be understood as a global abstract machine whose effects pervade all of life and how Occupy can be framed as a response to this as a heterogenic movement based on new tactics, revitalised democratic processes and nomadic systems of organisation. Seeing the question as a political tactic aimed at delegitimizing their protest, Occupiers refused to answer the question ‘what do you want?’, produce manifestos, elect leaders or act as a vanguard. Occupy: A People Yet to Come goes some considerable way towards providing the terms upon which this refusal can be understood within a changed landscape of political activism and the rewriting of the conventions of political protest. Including essays by Claire Colebrook, Giuseppina Mecchia, John Protevi, Rodrigo Nunes, Verena Andermatt Conley, Nicholas Thoburn, Ian Buchanan, David Burrows, Eugene Holland and Andrew Conio, the volume examines the economic predicates of capitalist economics: liberal democracy and its alternatives, the conjugation of protest and aesthetics, how occupy experiments with different types of leadership and how power, hierarchies and resistance might be understood using Deleuze and Guattari’s radical conceptualizations of debt; subjectivity, the minor and the molecular, occupation, dispersed leadership, territory, smooth space and the war machine.
Social movements. --- Capitalism. --- leadership --- power --- liberal democracy --- guattari --- political activism --- occupy --- capitalist system --- capitalism --- deleuze --- capitalist economics --- Alain Badiou --- Gilles Deleuze
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The Communism of Thought takes as its point of departure a passage in a letter from Dionys Mascolo to Gilles Deleuze: "I have called this communism of thought in the past. And I placed it under the auspices of Hölderlin, who may have only fled thought because he was unable to live it: 'The life of the spirit between friends, the thoughts that form in the exchange of words, by writing or in person, are necessary to those who seek. Without that, we are by our own hands outside thought.'"What, in light of that imperative, is a correspondence? What is given to be understood by the word, let alone the phenomenon? What constitutes a correspondence? What occasions it? On what terms and according to what conditions may one enter into that exchange "necessary," in Hölderlin's words, "to those who seek"? Pursuant to what vicissitudes may it be conducted? And what end(s) might a correspondence come to have beyond the ostensible end that, to all appearances, it (inevitably) will be said to have had?And what is the proximity, here, between correspondence and commentary? To what extent might commentary approximate a kind of correspondence? (And with whom? The author of the source text? The source text itself? A future reader of that text? Or then again a third, or fourth, or nth party? And by way of what channels?)The two texts -- the two commentaries -- that form the heart of The Communism of Thought are both short, late texts of Gilles Deleuze's, and they're both reprinted in Two Regimes of Madness: Texts and Interviews, 1975-1995. The first text is Deleuze's last published article, widely considered to be something of a testament, "Immanence: A Life ...." The commentary is staged in the manner of a dictionary definition of the word immanence. The various subentries under the first (and only) sense of the word for Deleuze -- "a life ..." -- develop in tandem with the article to progressively elaborate the centrality of the problematics of definition to Deleuze's conception of immanence. The second text is that of a brief, beautiful correspondence: The five letters that comprise the correspondence between Gilles Deleuze and Dionys Mascolo were written between 23 April and 6 October 1988, and were first published a decade later, in 1998, a year after Mascolo's death and nearly three years after Deleuze's. The commentary, a kind of marginalia to that correspondence, comes gradually and progressively into focus around a single question: To what affinity might a correspondence attest?"What strikes me especially," an interviewer once noted to Deleuze, "is the friendship you have for the authors you write about." "If you don't admire something," Deleuze replied, "if you don't love it, you have no reason to write a word about it."
Philosophers --- Thought and thinking. --- Philosophy. --- Correspondence. --- philosophy --- correspondence --- friendship --- commentary --- Gilles Deleuze
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What is a problem? What's asked in that question, and how does one even begin to take its measure? How else could one begin, except as one does with any other problem--by way of its impulsion. Of Learned Ignorance: Idea of a Treatise in Philosophy is about philosophy because philosophy is about problems: philosophy, in a word, is where problems become a problem. After Anti-Oedipus, in the Kafka book and in A Thousand Plateaus, what Deleuze and Guattari counsel, strikingly, is sobriety. Sobriety is what they praise in Kafka. And it is sobriety that seems above all else to be necessary here. (Steven Shaviro has pointed out the prominence of structure in Deleuze's writing: "even when Deleuze's prose, by himself or with Guattari, seems to be ranging anarchically all over the place, in fact it has a rigid and unvarying architecture, which is what keeps it from falling apart.") Of Learned Ignorance is a dead letter because it names a problem. It's a dead letter because it is, cautiously, a love letter. It's a dead letter because it lovingly stages an experiment in whimsy, and perhaps above all, because it is problematic (in the Kantian sense): It is a (sober) attempt at exemplifying what it talks about -- and what eludes it: A series of footnotes, with blank (transcriptive) pages above, effects something like the integration of a differential, the reciprocal determination where the sources enter into in relation to one another in order to produce a paper, essay, or (inexistent) (chap)book. Of Learned Ignorance, in facing down a problem, makes a wager; it courts failure; it puts it all on the line. All, yes, for love -- a kind of love ... (of wisdom?).
Philosophy (General) --- philosophy --- Emmanuel Kant --- Franz Kafka --- Louis Althusser --- Gilles Deleuze --- Felix Guattari
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