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Cultural industries. --- Creative industries --- Culture industries --- Industries

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This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.

Motion picture industry --- Motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History.

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Summary: This collection gives an overview of the current ʻstate of businessʼ in Australiaʼs creative industries both as an industry sector in its own right and as an enabling sector and skills set for other industries and reflects on business needs, creative industries policy and support services for the sector. With contributions from the Creative Industries Innovation Centre's team of senior business advisers and from leading Australian researchers who worked closely with the Centre including experts on design-led innovation and the creative economy and case studies of leading Australia creative businesses, the book is intended as and industry-relevant contribution to business development and public policy.

Cultural industries --- Arts --- Economic aspects --- Creative Industries Innovation Centre. --- Creative industries --- Culture industries --- Industries --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Arts, Primitive --- Arts—Economic aspects—Australia. Cultural industries—Australia—Case studies

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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.

Motion picture industry --- Motion pictures, Hindi --- PERFORMING ARTS / Film & Video / General. --- History. --- History and criticism. --- Hindi motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- cinema

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Music and technology. --- Sound recordings --- Music --- Music trade. --- Production and direction. --- Performance. --- Cultural industries --- Music business --- Music industry --- Musical performance --- Performance of music --- Sound recordings direction --- Sound recordings production --- Technology --- Technology and music --- Direction