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Dans un contexte socio-culturel propice à l’expression de l’ego, aux épanchements personnels et à l’exhibition de l’intériorité, des créatrices explorent le filon intimiste, souvent avec une audace et une crudité que leur envient leurs alter ego masculins. Que ce soit dans la littérature, les arts plastiques ou le cinéma contemporain, les artistes sont en effet de plus en plus nombreuses à décrire l’expérience (fictionnelle ou subjective) de l’intime, puisant volontiers dans les détails de leurs vies (sexuelles) respectives. Au cœur de ces nouvelles formes, l’hybridation des discours – critique, théorique et intime – est de mise, provoquant un réaménagement considérable au sein des genres, et du genre. br>Ce volume s’interroge à la fois sur les pratiques sexuelles que couvre cette idée de l’intime, l’évolution du contenu des œuvres, du XIXe siècle à aujourd’hui, ainsi que sur les différentes modalités discursives qui véhiculent ces visions (des journaux écrits et correspondances, réels ou fictifs, des œuvres d’art, des films documentaires ou de fiction). L’enjeu des textes repris dans ce volume se situe aussi au niveau de la pertinence d’un tel phénomène et de la spécificité d’un discours « féminin » par rapport à ces pratiques créatives.

Women --- Sex in literature. --- Sex in motion pictures --- Sex in art. --- Intimacy (Psychology) in art. --- Intimacy (Psychology) in literature --- Intimacy (Psychology) in motion pictures --- Women in art --- Women in literature --- Women in motion pictures --- Femmes --- Sexualité dans la littérature --- Sexualité au cinéma --- Sexualité dans l'art --- Intimité dans l'art --- Intimité dans la littérature --- Intimité au cinéma --- Femmes dans l'art --- Femmes dans la littérature --- Femmes au cinéma --- Sexual behavior --- Sexualité --- DNU-EUB EPUB-DNU-FT EPUB-LIV-FT EPUB-ALPHA-P DNART LIVART DNLITTE LIVLITTE DNPSYCH LIVPSYCH DNSOCIA LIVSOCIA EDITIONSULB-B GIEF-B --- History of art / art & design styles

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Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.

Subjectivity in motion pictures --- Motion pictures. --- Subjectivity. --- Point of view (Literature) --- Film --- Music, Dance, Drama & Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Point of view in motion pictures --- Subjective camera --- Motion pictures --- Fiction --- Narration (Rhetoric) --- Subjectivism --- Knowledge, Theory of --- Relativity --- Philosophy. --- History and criticism --- Technique --- subjectivity --- nouvelle vague --- Consciousness --- Duchy of Münsterberg --- Point-of-view shot --- Robert Bresson --- Subjectivity in motion pictures. --- Subjectivité au cinéma --- Cinéma --- Subjectivité --- Point de vue (Littérature) --- Philosophie --- Cinéma --- Théorie du cinéma. --- Philosophie et cinéma. --- Philosophie. --- Esthétique.

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"Filming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation. The evidence of the Nazis' genocidal actions amassed in these films, some of them made by Hollywood luminaries such as John Ford and Billy Wilder, would go on to have a major impact at the Nuremberg Trials; they helped to indict Nazi officials as the judges witnessed scenes of torture, human experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some produced by the Soviets, were integral to the war crime trials that followed the Holocaust and the Second World War, and this book provides a thorough, close analysis of the footage in these films and their historical significance. Using research carried out at the Museum of Jewish Heritage, the US National Archives and the film collection at the National Center for Jewish Film at Brandeis University, this book explores the rationale for filming the atrocities and their use in the subsequent trials of Nazi officials in greater detail than anything previously published. Including an extensive bibliography and filmography, Filming the End of the Holocaust is an important text for scholars and students of the Holocaust and its aftermath."--Bloomsbury Publishing.

Holocaust, Jewish (1939-1945), in motion pictures --- Documentary films --- World War, 1939-1945 --- Shoah --- Guerre mondiale (1939-1945) --- History and criticism --- Concentration camps --- Au cinéma --- Camps de concentration --- Holocaust, Jewish (1939-1945), in motion pictures. --- Holocauste, 1939-1945, au cinéma --- Concentration camps. --- Holocauste, 1939-1945, au cinéma --- film --- filmgeschiedenis --- documentaire --- twintigste eeuw --- holocaust --- 791.43 --- Holocaust, Jewish (1939-1945), in literature. --- Documentaires --- 2ème guerre mondiale --- History and criticism. --- Histoire et critique --- Au cinéma. --- Camps de concentration. --- Holocaust, Jewish (1939-1945) --- Documentary films. --- Evidence, Documentary. --- In mass media. --- Documentary evidence --- Evidence (Law) --- Legal documents --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Catastrophe, Jewish (1939-1945) --- Destruction of the Jews (1939-1945) --- Extermination, Jewish (1939-1945) --- Holocaust, Nazi --- Ḥurban (1939-1945) --- Ḥurbn (1939-1945) --- Jewish Catastrophe (1939-1945) --- Jewish Holocaust (1939-1945) --- Jews --- Nazi Holocaust --- Nazi persecution of Jews --- Shoʾah (1939-1945) --- Genocide --- Kindertransports (Rescue operations) --- Nazi persecution --- Persecutions --- Atrocities --- Jewish resistance --- World War, 1939-1945. --- Mass media. --- Holocaust, Jewish (1939-1945) in motion pictures. --- Nazi concentration camps. --- Motion pictures --- Mass communication --- Media, Mass --- Media, The --- Communication --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Concentration camps, Nazi --- Death camps, Nazi --- Extermination camps, Nazi --- Nazi death camps --- Nazi extermination camps --- Internment camps --- Holocaust, Nazi (Jewish Holocaust) --- Nazi Holocaust (Jewish Holocaust) --- Nazi persecution (1939-1945) --- History --- Germany --- Nazism --- Nuremberg trials --- Soviet Union --- Internment camps. --- Au cinéma.