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Flash + Cube (1965-1975) is an artist’s book about the Sylvania flashcube — the space-aged, flash photography device, revolutionary in 1965 and nearly obsolete by 1975. Assembled from a wide range of archival materials — a “terrorist letter,” G.I. photographs from Vietnam, Sylvania flashcube advertisements, as well as Long’s photographs and photomontages—the book explores the links between light, war, history and photography. Apart from its circulation as a novelty item online, the flashcube is largely forgotten. The history of photographic flash is also often relegated to a footnote and is strikingly under-analyzed. Yet flash’s blinding effects and military genealogy, and the flashcube’s precise contemporaneity with the war in Vietnam make this a rich analytical object with which to reflect on the cultural, political and economic imperatives of its moment.
Photography --- Visual Arts --- Art, Architecture & Applied Arts --- Photography. --- Vernacular photography. --- Artists' books. --- Electronic flash photography. --- Flash photography, Electronic --- Photography, Electronic flash --- Photography, Flash-light --- Photography, High-speed --- Artist books --- Book art --- Book works (Art) --- Books, Artists' --- Bookworks (Art) --- Art, Modern --- Books --- Conceptual art --- artist book --- exhibition catalog --- photography --- history of photography
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Rhinitis. --- Rhinitis --- Treatment.
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The combination of genetic research and information technology often raises some chilling questions of privacy and genetic discrimination. This text explores the issues of genetic privacy, the regulation of genetic testing and genetic discrimination. We are in the early years of a technological revolution arising from our understanding of the genetic meaning of life. Scientists' ability to manipulate and decode genes is advancing at an extraordinary pace - so fast we are often unprepared to handle the many vexing legal, economic, ethical and social issues they raise. The combination of genetic research and information technology raises often chilling questions of privacy and genetic discrimination. Should individuals be allowed personal property rights to their DNA, cells or tissues? How should policymakers regulate the biotechnology industry to maximize safety without stifling innovation? What are the appropriate uses of gene therapy and other genetic manipulations? In "Genetic Testing and the Use of Information", leading scholars grapple with issues of genetic privacy, the regulation of genetic testing and genetic discrimination. They consider such questions as: Who should have access to information derived from a genetic test? Should one be obligated to tell a spouse or a child test results? Should governments ever appropriately mandate individual genetic testing or community-wide genetic screening?Will employers be able to require the release of genetic records as a condition of employment? Will insurance companies be allowed to use genetic information to determine risk? At what point does a genetic condition qualify as a disability under the American with Disabilities Act?
Human chromosome abnormalities --- Diagnosis --- Moral and ethical aspects
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Biostatistics --- Demography --- Health statistics --- Actuarial sciences --- Actuarial Analysis. --- 368 --- Biometry --- Insurance, Life --- -Medical statistics --- Mortality --- -10.03.d --- Mortality, Law of --- Death --- Death (Biology) --- Health --- Medicine --- Statistics --- Insurance --- Viatical settlements --- Historical demography --- Social sciences --- Population --- Vital statistics --- Biological statistics --- Biology --- Biometrics (Biology) --- Biomathematics --- Analysis, Actuarial --- Actuarial Analyses --- Analyses, Actuarial --- Verzekeringswezen --- Statistical methods --- Tables --- Actuariaat ; (Sterfte)tafels --- 368 Verzekeringswezen --- Life insurance --- Medical statistics --- Actuarial Analysis --- 10.03.d --- Life tables --- Mortality tables
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The Imaginary Geography of Hollywood Cinema 1960-2000 combines digital cartography with close readings of representative films to write a history of twentieth century Hollywood narrative cinema at the intersection of the geographies of narrative location, production, consumption and taste in the post-classical era, before the rise of digital cinema. This text reorients and redraws the boundaries of film history both literally and figuratively by cataloguing films' narrative locations on digital maps to examine where Hollywood locates its narratives over time.
Motion picture locations --- Television program locations United States. --- Filming on location --- Locations (Motion pictures) --- Moving-picture locations --- Motion pictures --- Setting and scenery --- Television program locations --- Locations (Television programs) --- Television --- Locations --- Stage-setting and scenery --- Media & Communications --- Hollywood cinema --- cinema geography --- film cartography --- narrative location --- United States
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Reiner Schürmann’s thinking is, as he himself would say, “riveted to a monstrous site.” It remains focused on and situated between natality and mortality, the ultimate traits that condition human life. This book traces the contours of Schürmann’s thinking in his magnum opus Broken Hegemonies in order to uncover the possibility of a politics that resists the hegemonic tendency to posit principles that set the world and our relationships with one another into violent order. The book follows in the footsteps of Oedipus who, in abject recognition of his finitude, stumbles upon the possibility of another politics with the help of his daughters at Colonus. The path toward this other, collaboratively created and thus poetic politics begins with an encounter with Aristotle, a thinker whom Schürmann most frequently read as the founder of hegemonic metaphysics, but whose thinking reveals itself as alive to beginnings in ways that open new possibility for human community. This return to beginnings leads, in turn, to Plotinus, who Schürmann reads as marking the destitution of the ancient hegemony of the Parmenidean principle of the One. By bringing Schürmann’s innovative and compelling reading of René Char’s poem, The Shark and the Gull, into dialogue with Plotinus we come to encounter the power of symbols to transform reality and open us to new constellations of possible community. In Plotinus, where we expected to encounter an end, we experience a new way of thinking natality in terms of what comes to language in Char as the nuptial. Having thus been awakened to the power of symbols, we are prepared to experience how in Kant being itself comes to expression as plurivocal in a way that reveals just how pathologically delusional it is to attempt to deploy univocal principles in a plurivocal world. This opens us to what Schürmann calls the “singularization to come,” a formulation that gestures to a mode of comportment at home in the ravaged site between natality and mortality. This then returns us to Oedipus at Colonus; but not to him alone. Rather, it points to the relationship that emerges for a time between Antigone, Ismene, and Oedipus, as they navigate a way between their exile from Thebes and Oedipus’s final resting place near Athens. Here, having been awakened to the power of a poetic politics, we attend to three symbolic moments of touching between Oedipus and his daughters through which we might discern something of the new possibilities a poetic politics opens for us if we settle into the ravaged site that conditions our existence, together.
Western philosophy, from c 1900 --- -Western philosophy, from c 1900 --- -Politics and literature. --- Hegemony. --- -Schürmann, Reiner, --- Politics and literature. --- -Hegemonism --- Political science --- Sociology --- Unipolarity (International relations) --- Literature --- Literature and politics --- Political aspects --- Schürmann, Reiner, --- -poetics --- political philosophy --- Oedipus --- Reiner Schürmann --- Plotinus --- poetics
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