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This book explores the evolving landscape of 21st-century literature, examining the interplay between traditional literary forms and contemporary influences such as technology and globalization. Coordinated by Marcelo Casarin, it features contributions from various authors discussing diverse themes including artificial intelligence, realism, and narrative techniques. The book offers insights into the pedagogical challenges of teaching literature in modern educational contexts, reflecting on how literature's role and perception have shifted over time. Intended for scholars, educators, and students of literary studies, this work aims to provide a comprehensive understanding of current literary trends and their implications for future literary theory and practice.
Literature, Modern. --- Literature and technology. --- Literature, Modern --- Literature and technology
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A rich collection of essays that explores enduring themes of the computer eraToo Soon to Tell is a revised and expanded collection of David Alan Grier's popular monthly column "In Our Time" for Computer magazine. In forty-three personal essays-twenty of which are entirely new for this publication-the author draws upon the experiences of everyday people, their companies, and their interactions to reveal how computers moved from the drawing table and into our offices and living rooms. The result is a book that offers a singular portrait of the computer revolution that has yet to be told.Written in a simple, easy-to-follow style that is free of industry jargon, each essay begins with a short introduction that recounts the author's experiences with his students or those of the author's father and his generation of computer scientists-which seamlessly connect the themes that are explored throughout the book. Set against a backdrop that spans more than half a century, this poignant book allows readers to gain an intimate and meaningful understanding of the relationship between humans and machines, the connections between fathers and sons, the impact of rapid technological change on the family, and the revolutionary nature of a technology that has rebuilt human institutions in its own image.Too Soon to Tell is an original and starkly human portrait of the computer era that will entice readers from all walks of life.
Computers in literature. --- Computers --- Literature and technology. --- History.
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Latin American Digital Poetics seeks to take the pulse of emergent poetic forms whose history is entangled with the computational and its AI dreams and achievements. This study carefully and thoroughly probes the intersection between the literary, the cultural, and the scientific-technological in order to reflect on the ways that digital technology has radically reshaped and reconfigured nearly all aspects of contemporary culture. The main idea of this book, then, is simple: by way of panoramic approaches to digital poetry as well as select case studies, we seek to account for the multi-directional exchange between poetry, technology, and culture via a (primarily) pedagogical approach. Scott Weintraub is Professor of Spanish at the University of New Hampshire. He is the author or co-editor of over a dozen books and special journal issues and is Senior Editor of A Contracorriente: una revista de estudios latinoamericanos. Luis Correa-Diaz is Member of the Academia Chilena de la Lengua and Real Academia de Ciencias, Bellas Letras y Nobles Artes de Córdoba, and Professor of Spanish at the University of Georgia-USA. He is the author of several books, articles and special dossiers, and member of several editorial boards of European, Latin American, and US journals. .
Digital media. --- Ethnology --- Culture. --- Poetry. --- Digital humanities. --- Literature and technology. --- Mass media and literature. --- Digital and New Media. --- Latin American Culture. --- Poetry and Poetics. --- Digital Humanities. --- Literature and Technology. --- Latin America. --- Poetics. --- Digital media --- electronic literature --- elektronisk litteratur --- Digital litteratur
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Reading Digital Fiction showcases medium- and platform-specific methods of reader response research by analysing and theorising five generations of digital fiction and their reading including hypertext fiction, hypermedia fiction, 3D-narrative video games, app fiction, and virtual reality.
Hypertext fiction --- Books and reading. --- Interactive multimedia --- Narration (Rhetoric) --- Intermediality. --- Literature and technology. --- History and criticism. --- Psychological aspects.
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Histories of the book often move straight from the codex to the digital screen. Left out of that familiar account are nearly 150 years of audio recordings. Recounting the fascinating history of audio-recorded literature, Matthew Rubery traces the path of innovation from Edison’s recitation of “Mary Had a Little Lamb” for his tinfoil phonograph in 1877, to the first novel-length talking books made for blinded World War I veterans, to today’s billion-dollar audiobook industry. The Untold Story of the Talking Book focuses on the social impact of audiobooks, not just the technological history, in telling a story of surprising and impassioned conflicts: from controversies over which books the Library of Congress selected to become talking books—yes to Kipling, no to Flaubert—to debates about what defines a reader. Delving into the vexed relationship between spoken and printed texts, Rubery argues that storytelling can be just as engaging with the ears as with the eyes, and that audiobooks deserve to be taken seriously. They are not mere derivatives of printed books but their own form of entertainment. We have come a long way from the era of sound recorded on wax cylinders, when people imagined one day hearing entire novels on mini-phonographs tucked inside their hats. Rubery tells the untold story of this incredible evolution and, in doing so, breaks from convention by treating audiobooks as a distinctively modern art form that has profoundly influenced the way we read.
Audiobooks --- Literature and technology --- Talking books --- Blind --- Industry and literature --- Technology and literature --- Technology --- Audio books --- Books, Cassette --- Books, Recorded --- Books on tape --- Cassette books --- Recorded books --- Sound recordings --- History. --- Books and reading --- Book history --- Sociology of literature --- audiobooks --- book history --- Audiobooks. --- Hörbuch. --- Literatur. --- Literature and technology. --- Talking books. --- Technischer Fortschritt. --- Technologie. --- Vertonung. --- Livres audio --- Littérature et technique --- Histoire.
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It has become something of a critical commonplace to claim that science fiction does not actually exist in Argentina. This book puts that claim to rest by identifying and analyzing a rich body of work that fits squarely in the genre. Joanna Page explores a range of texts stretching from 1875 to the present day and across a variety of media-literature, cinema, theatre, and comics-and studies the particular inflection many common discourses of science fiction (e.g., abuse of technology by authoritarian regimes, apocalyptic visions of environmental catastrophe) receive in the Argentine context. A central aim is to historicize these texts, showing how they register and rework the contexts of their production, particularly the hallmarks of modernity as a social and cultural force in Argentina. Another aim, held in tension with the first, is to respond to an important critique of historicism that unfolds in these texts. They frequently unpick the chronology of modernity, challenging the linear, universalizing models of development that underpin historicist accounts. They therefore demand a more nuanced set of readings that work to supplement, revise, and enrich the historicist perspective.
Science fiction, Argentine --- Literature and technology --- Fantasy fiction, Argentine --- History and criticism. --- Argentine fantasy fiction --- Fantastic fiction, Argentine --- Argentine fiction --- Industry and literature --- Technology and literature --- Technology --- Argentine science fiction
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"Despite the talk of the "death of the book," traditionally linear and often print-based narratives have continued to flourish in the Internet era. Shifting focus from analyzing specific literary texts to a sociological examination of the contemporary literary scene, Simone Murray provides crucial insights into the major forces shaping this digital literary sphere. Analyzing the apparatus and institutional factors shaping contemporary online literary culture, including producers, retailers, festival organizers, evaluators, and consumers, Murray highlights how these traditionally distinct roles are radically blurring and the significance of this for all stakeholders in the literary industry. The Internet's massive expansion of participants in literary debates is democratizing literary culture in refreshing ways, but it is simultaneously throwing up thorny questions about cultural authority, destabilizing geographically based conceptions of literary canons, and problematizing the boundaries of the literary text. These are in essence theoretical issues of fundamental import to all with an interest in literature, and to literary scholars in particular"--
Electronic publishing. --- Literature and technology. --- Hypertext literature --- Digital literature (Hypertext literature) --- Electronic literature (Hypertext literature) --- Literature --- Industry and literature --- Technology and literature --- Technology --- Digital publishing --- Online publishing --- Publishers and publishing --- Desktop publishing --- Social aspects. --- Littérature et Internet. --- Livres numériques. --- Publications électroniques. --- Lecture sur écran. --- Relations écrivains-lecteurs. --- Humanités numériques. --- Sociology of culture --- Mass communications --- Literature and the Internet. --- Online authorship. --- Authorship --- Authors and readers. --- Internet marketing. --- Electronic publishing --- Literature and technology --- Social aspects
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"Tactics of the Human: Experimental Technics in American Fiction examines the ways contemporary American fiction develops digital cultures through the creative transposition of digital rhetorics and technological practices, incorporating devices such as the hyperlink, network, and recursive processing into print or in translating a classic print narrative into a digital hypertext fiction. These literary experiments with early digital cultures from the 1990s comparatively retrace and speculate on the digital's transformative influence on prior understandings of the human, of social lives, and of individuals' relations to material lifeworlds, exploring the consequences of the apparent plasticity of the boundaries of the human, particularly for women, subaltern subjects, and others already considered liminally human. As these texts query the digital technics entering into textual practices, subjectivity, spatial practices and social networks, lived space, nation, and economic circulation, they reconceive their own literary print narrative methods and material modes of circulation in order to elaborate on unnoticed potentialities and limits of digital technics, providing a crucial means to reorient digital cultures of the present"--
Experimental fiction, American --- Literature and the Internet --- Hypertext fiction --- Human body and technology in literature. --- Literature and technology --- American fiction --- History and criticism. --- Internet and literature --- Internet --- Digital fiction (Hypertext fiction) --- Electronic fiction (Hypertext fiction) --- Network fiction (Hypertext fiction) --- Fiction --- Hypertext literature --- Industry and literature --- Technology and literature --- Technology
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Twenty-first-century culture is obsessed with books. In a time when many voices have joined to predict the death of print, books continue to resurface in new and unexpected ways. From the proliferation of “shelfies” to Jane Austen–themed leggings and from decorative pillows printed with beloved book covers to bookwork sculptures exhibited in prestigious collections, books are everywhere and are not just for reading. Writers have caught up with this trend: many contemporary novels depict books as central characters or fetishize paper and print thematically and formally.In Bookishness, Jessica Pressman examines the new status of the book as object and symbol. She explores the rise of “bookishness” as an identity and an aesthetic strategy that proliferates from store-window décor to experimental writing. Ranging from literature to kitsch objects, stop-motion animation films to book design, Pressman considers the multivalent meanings of books in contemporary culture. Books can represent shelter from—or a weapon against—the dangers of the digital; they can act as memorials and express a sense of loss. Examining the works of writers such as Jonathan Safran Foer, Jennifer Egan, Mark Z. Danielewski, and Leanne Shapton, Pressman illuminates the status of the book as a fetish object and its significance for understanding contemporary fakery. Bringing together media studies, book history, and literary criticism, Bookishness explains how books still give meaning to our lives in a digital age.
Books --- Books and reading --- Literature and technology. --- Social aspects. --- Sociological aspects. --- 09 <08> --- 316.47 --- 316.47 Sociale relaties --(sociologie) --- Sociale relaties --(sociologie) --- 09 <08> Handschriften. Oude en merkwaardige drukken. Curiosa--Verzamelwerken. Reeksen--Boekwetenschap. Sociale aspecten van het boek. Boek en media. Toekomst van het boek --- Handschriften. Oude en merkwaardige drukken. Curiosa--Verzamelwerken. Reeksen--Boekwetenschap. Sociale aspecten van het boek. Boek en media. Toekomst van het boek --- Book history --- Sociology of culture --- reading culture
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We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles's latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices. My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: las anguage and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age. We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet.
Computers in literature --- Homme et ordinateur [Interaction entre ] --- Human-computer interaction --- Interactie tussen mens en computer --- Interaction entre l'homme et l'ordinateur --- Mens-computer interactie --- Réalité virtuelle --- Virtual reality --- Virtuele realiteit --- Virtuele werkelijkheid --- Computational intelligence --- User-centered system design --- Computer Science --- Sociolinguistics --- Programming languages (Electronic computers) --- Literature and science --- Literature and technology --- American literature --- Semantics --- Social aspects --- History and criticism --- Computational intelligence. --- Human-computer interaction. --- Computers in literature. --- Virtual reality. --- History and criticism. --- Environments, Virtual --- Virtual environments --- Virtual worlds --- Computer-human interaction --- Human factors in computing systems --- Interaction, Human-computer --- Intelligence, Computational --- Computer simulation --- Reality --- Human engineering --- User interfaces (Computer systems) --- Artificial intelligence --- Soft computing --- E-books --- 20th century --- Linguistique --- Computational linguistics --- Informatique --- Programming languages (Electronic computers) - Semantics - Social aspects --- American literature - 20th century - History and criticism --- language, programming, code, greg egan, intermediation, computation, cosmology, subjectivity, virtual, simulation, the mask, stanislaw lem, digital, analog, transmitting, patchwork girl, shelley jackson, connectivity, cryptonomicon, neal stephenson, figurative, performance, media, etext, print, constraint, information, writing, speech, textuality, literature, nonfiction, communication, text, self, consciousness, man vs machine. --- Interaction homme-ordinateur --- Ordinateurs --- Littérature américaine --- Dans la littérature --- 20e siècle --- Histoire et critique --- Réalité virtuelle --- Littérature américaine --- Dans la littérature --- 20e siècle
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