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Book
Marks of toil : work and disfigurement in literature, film and philosophy
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ISBN: 147661704X 9781476617046 9780786495887 078649588X Year: 2014 Publisher: Jefferson, North Carolina : McFarland & Company, Inc., Publishers,

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Abstract

Are people nothing more than their physical capital--what their bodies can produce and provide? This philosophical treatise examines the idea of mutational bodies as it has appeared in fiction and cinema since the industrial era, theorizing that capitalism and other modern collective systems require transformations both literal and figurative for the individual to survive. Infringements on individualism include both the concept of eternity, which asks that we resign ourselves to life and death as endless waiting, and the Hegelian dialectic itself, which has been reversed by neoconservative thi


Book
The work of art in the age of deindustrialization
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ISBN: 1503602605 9781503602601 9780804796415 0804796416 Year: 2017 Publisher: Stanford, California : Stanford University Press,

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A novel account of the relationship between postindustrial capitalism and postmodern culture, this text looks at American poetry and art of the last 50 years in light of the massive changes in people's working lives.


Book
Dreams for Dead Bodies : Blackness, Labor, and the Corpus of American Detective Fiction
Authors: ---
ISBN: 0472119818 0472900609 0472121812 9780472121816 9780472900602 9780472119813 Year: 2016 Publisher: Ann Arbor, MI, USA University of Michigan Press

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Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction.

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