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"World Socialist Cinema: Alliances, Affinities and Solidarities reconstructs the trajectories of international film circulation between the Soviet Bloc and the countries of the Global South in the mid- to late Twentieth Century. The book takes as its focal point the Tashkent International Festival of Cinemas of Asia, Africa and Latin America that took place in Uzbekistan (USSR) throughout the 1970s and 1980s. Centering on the vast body of cinematic work from the three continents screened at the festival and paying particular attention to the internal tensions and gender dynamics within it, the book proposes world socialist cinema as a distinct formation, providing an alternative to Euro-centric and/or national and regional narratives of film history: an international socialist cinema as seen from the vantage point of the Global South"

Socialism and motion pictures --- Motion pictures and socialism --- Motion pictures --- Soviet Union --- Foreign relations

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This title probes the correlation between art and ambition, shows how films were used as weapons, and uncovers the sexual predilections of the Nazi hierarchy.

National socialism and motion pictures. --- Nazis --- Fame --- Sexual behavior. --- Political aspects --- History --- Hitler, Adolf, --- Relations with entertainers.