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How does a contemporary society restore to its public memory a momentous event like its own participation in transatlantic slavery? What are the stakes of once more restoring the slave trade to public memory? What can be learned from this history? Elizabeth Kowaleski Wallace explores these questions in her study of depictions and remembrances of British involvement in the slave trade. Skillfully incorporating a range of material, Wallace discusses and analyzes how museum exhibits, novels, television shows, movies, and a play created and produced in Britain from 1990 to 2000 grappled with the subject of slavery. Topics discussed include a walking tour in the former slave-trading port of Bristol; novels by Caryl Phillips and Barry Unsworth; a television adaptation of Jane Austen's Mansfield Park; and a revival of Aphra Behn's Oroonoko for the Royal Shakespeare Company. In each case, Wallace reveals how these works and performances illuminate and obscure the history of the slave trade and its legacy. While Wallace focuses on Britain, her work also speaks to questions of how the United States and other nations remember inglorious chapters from their past.
Slave trade --- Public opinion --- Slave trade in literature --- Slavery in literature --- Sociology & Social History --- Social Sciences --- Communities - Social Classes --- History --- Slave trade in literature. --- Slavery in literature. --- Public opinion. --- Slavery and slaves in literature --- Slaves in literature --- Enslaved persons in literature --- TRAITE DES ESCLAVES --- OPINION PUBLIQUE --- ESCLAVAGE ET ESCLAVES DANS LA LITTERATURE --- GRANDE BRETAGNE --- HISTOIRE --- DANS LA LITTERATURE
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Dreams of Dead Bodies: Blackness, Labor, and Detective Fiction in American Literature argues that the detective genre's lineage lies in unexpected texts: experimental works on the margins of what we recognize as classical detective fiction today. It shows that authors like Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher drew on detective fiction's puzzle-elements to wrestle with complicated questions about race and labor in the United States, such that the emergence of detective fiction is itself bound to a history of interracial conflicts and labor struggles. Unlike previous studies of detective fiction, this book foregrounds an interracial genealogy of detective fiction, building a nuanced picture of the ways that both black and white American authors appropriated and cultivated literary conventions that finally coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction.
Detective and mystery stories, American --- African Americans in literature. --- Working class in literature. --- Slavery in literature. --- Work in literature. --- African Americans in literature --- Working class in literature --- Slavery in literature --- Work in literature --- American Literature --- English --- Languages & Literatures --- History and criticism. --- History and criticism --- Slavery and slaves in literature --- Slaves in literature --- Labor and laboring classes in literature --- Afro-Americans in literature --- Negroes in literature --- Slavery. --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- literature --- cultural studies --- Edgar Allan Poe --- Jupiter --- Mark Twain --- Enslaved persons in literature
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Markus Nehl focuses on black authors who, from a 21st-century perspective, revisit slavery in the U.S., Ghana, South Africa, Canada and Jamaica. Nehl's provocative readings of Toni Morrison's A Mercy, Saidiya Hartman's Lose Your Mother, Yvette Christiansë's Unconfessed, Lawrence Hill's The Book of Negroes and Marlon James' The Book of Night Women delineate how these texts engage in a fruitful dialogue with African diaspora theory about the complex relation between the local and transnational and the enduring effects of slavery. Reflecting on the ethics of narration, this study is particularly attentive to the risks of representing anti-black violence and to the intricacies involved in (re-)appropriating slavery's archive. »An important contribution to the study of this new generation of neo-slave narratives that continues to develop with no end in sight as it engages the history and afterlife of chattel slavery on a transnational level, recasting the African Atlantic at the beginning of a still young century from nuanced postslavery perspectives.« Paula von Gleich, Amerikastudien, 62/4 (2018)
Slavery in literature. --- African diaspora in literature. --- Violence in literature. --- Slavery and slaves in literature --- Slaves in literature --- African Diaspora Studies. --- America. --- American Studies. --- Anti-Black Violence. --- Black Feminist Studies. --- Canada. --- Cultural Studies. --- Ghana. --- Jamaica. --- Lawrence Hill. --- Marlon James. --- Memory Culture. --- Neo-Slave Narratives. --- Postcolonialism. --- Race. --- Saidiya Hartman. --- South Africa. --- Toni Morrison. --- U.S.A. --- Yvette Christiansë. --- Slavery; African Diaspora Studies; Neo-Slave Narratives; Race; Black Feminist Studies; U.S.A.; Ghana; South Africa; Canada; Jamaica; Toni Morrison; Saidiya Hartman; Yvette Christiansë; Lawrence Hill; Marlon James; Anti-Black Violence; Postcolonialism; America; Cultural Studies; Memory Culture; American Studies
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Neither Fugitive nor Free draws on the freedom suit as recorded in the press and court documents to offer a critically and historically engaged understanding of the freedom celebrated in the literary and cultural histories of transatlantic abolitionism. Freedom suits involved those enslaved valets, nurses, and maids who accompanied slaveholders onto free soil. Once brought into a free jurisdiction, these attendants became informally free, even if they were taken back to a slave jurisdiction—at least according to abolitionists and the enslaved themselves. In order to secure their freedom formally, slave attendants or others on their behalf had to bring suit in a court of law. Edlie Wong critically recuperates these cases in an effort to reexamine and redefine the legal construction of freedom, will, and consent. This study places such historically central anti-slavery figures as Frederick Douglass, Olaudah Equiano, and William Lloyd Garrison alongside such lesser-known slave plaintiffs as Lucy Ann Delaney, Grace, Catharine Linda, Med, and Harriet Robinson Scott. Situated at the confluence of literary criticism, feminism, and legal history, Neither Fugitive nor Free presents the freedom suit as a "new" genre to African American and American literary studies.
Law in literature. --- Slavery in literature. --- Law and literature --- Slavery --- Antislavery movements --- Slaves --- American literature --- Slave narratives --- Blacks --- Slavery and slaves in literature --- Slaves in literature --- Literature and law --- Literature --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Enslaved persons --- Persons --- Autobiography --- Slaves' writings --- Negroes --- Ethnology --- History --- Law and legislation --- Legal status, laws, etc. --- African American authors --- History and criticism. --- Travel --- African. --- American. --- Free. --- Fugitive. --- Neither. --- Situated. --- confluence. --- criticism. --- feminism. --- freedom. --- genre. --- history. --- legal. --- literary. --- new. --- presents. --- studies. --- suit. --- Black persons --- Black people --- Enslaved persons' writings --- Enslaved persons in literature
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