Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In We Keep A Light, Evelyn M. Richardson describes how she and her husband brought tiny Bon Portage Island and built a happy life there for themselves and their three children. On an isolated lighthouse station off the southern tip of Nova Scotia, the Richardsons shared the responsibilities and pleasures of island living, from carrying water and collecting firewood to making preserves and studying at home. The close-knit family didn't mind their isolation, and found delight in the variety and beauty of island life. We Keep A Light is much more than a memoir. It is an exquisitely written, engrossing record of family life set against a glowing lighthouse, the enduring shores of Nova Scotia, and the ever-changing sea.

Lighthouse keepers --- Richardson, Evelyn M. --- Richardson family.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The documentary of their epic love despite two decades apart due to incarceration was nominated for a Oscar. Now Fox and Rob Richardson reveal the rest of their riveting story, including the faith that sustained them and the miracles that brought them back together again.

Prisoners --- Prisoners' spouses --- Prisoners' families --- Family relationships --- Richardson, Fox --- Richardson, Rob

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

As Samuel Richardson's 'exemplar to her sex,' Clarissa in the eponymous novel published in 1748 is the paradigmatic female victim. In Clarissa's Ciphers, Terry Castle delineates the ways in which, in a world where only voice carries authority, Clarissa is repeatedly silenced, both metaphorically and literally. A victim of rape, she is first a victim of hermeneutic abuse. Drawing on feminist criticism and hermeneutic theory, Castle examines the question of authority in the novel. By tracing the patterns of abuse and exploitation that occur when meanings are arbitrarily and violently imposed, she explores the sexual politics of reading.

Epistolary fiction, English --- Women and literature --- History and criticism. --- History --- Richardson, Samuel, --- Reader-response criticism. --- Rape victims in literature. --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- hermeneutics --- Samuel Richardson --- sexual politics --- reader-response criticism --- Clarissa --- feminist criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The stunning portrayals of the Canadian landscape in the documentaries produced by the National Film Board of Canada, not only influenced cinematic language but shaped our perception of the environment. Author Michael Clemens describes how films produced by the NFB broadened the ecological imagination of Canadians over time and ultimately inspired an environmental movement.

Nature films --- History and criticism. --- National Film Board of Canada --- History. --- Bill Mason. --- Boyce Richardson. --- Canadian Wildlife Service. --- Canadian filmmakers. --- Challenge for Change. --- Christopher Chapman. --- Doug Wilkinson. --- Evelyn Cherry. --- Indigenous filmmakers. --- James Bay. --- John Grierson. --- Larry Gosnell. --- National Film Board of Canada. --- National Film Board. --- National Parks. --- Nature Films. --- Northern Films. --- Radford Crawley. --- agricultural films. --- conservation. --- documentaries. --- documentary film. --- environmental films. --- environmentalism. --- high modernism. --- nation-building. --- Environmentalism.