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"Popular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumption of music and what changes in the music industry can tell us about wider shifts in economy and culture. This collection of 13 case studies covers issues such as curation algorithms, blockchain, careers of mainstream and independent musicians, festivals and clubs - to inform greater understanding and better navigation of the popular music landscape within a global context."--Bloomsbury Publishing.
Music and the Internet. --- Music trade. --- Popular music --- Streaming audio --- Social aspects.
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This book provides a theoretically grounded account of the impact of digital technology on the music business, and develops the concept of the musical network to understand the transformation of this economy over space and through time.
Music trade --- Music and the Internet --- Economic aspects. --- Economic aspects --- E-books --- Internet and music --- Internet --- Music business --- Music industry --- Cultural industries
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Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the "digital music commodity," Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies-Winamp, metadata, Napster, iTunes, and cloud computing-this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love.
Music trade --- Music and the Internet. --- Digital jukebox software --- Digital music manager software --- Jukebox software --- Music manager software --- Music --- Sound --- Internet and music --- Internet --- Music business --- Music industry --- Cultural industries --- Technological innovations. --- Computer programs --- Recording and reproducing --- Digital techniques --- Music and the Internet --- Technological innovations --- E-books --- cloud computing. --- digital jukebox. --- digital music commodity. --- digital music. --- history of digital music. --- history of music technology. --- history of music. --- history of recorded music. --- industrial production of music. --- itunes. --- media studies. --- metadata. --- music and the internet. --- music criticism. --- music history. --- music in popular culture. --- music industry. --- music marketing. --- music technology. --- music. --- musicians. --- napster. --- popular music studies. --- winamp.
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