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Book
Popular music in the post-digital age : politics, economy, culture and technology
Authors: --- ---
ISBN: 1501338404 1501338390 1501338382 9781501338380 9781501338373 1501338374 Year: 2019 Publisher: New York, NY : Bloomsbury Academic,

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Abstract

"Popular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumption of music and what changes in the music industry can tell us about wider shifts in economy and culture. This collection of 13 case studies covers issues such as curation algorithms, blockchain, careers of mainstream and independent musicians, festivals and clubs - to inform greater understanding and better navigation of the popular music landscape within a global context."--Bloomsbury Publishing.


Book
Reformatted
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ISBN: 0191024740 0191783188 9780191024740 9780191783180 9780199572410 0199572410 Year: 2014 Publisher: Oxford University Press

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Abstract

This book provides a theoretically grounded account of the impact of digital technology on the music business, and develops the concept of the musical network to understand the transformation of this economy over space and through time.


Book
Selling digital music, formatting culture
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ISBN: 0520962931 9780520962934 9780520287938 0520287932 9780520287945 0520287940 Year: 2015 Publisher: Oakland, California

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Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the "digital music commodity," Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies-Winamp, metadata, Napster, iTunes, and cloud computing-this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love.

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