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Sociocultural Identities in Music Therapy is a collection of personal narratives by 18 music therapists who engage in a critical culturally reflexive process and explore implications for their therapeutic practice. Amongst the authors, there is gender diversity, diversity of sexualities, racial diversity, ethnic diversity, neurodiversity, geographical diversity, linguistic diversity, educational diversity, and more. Each person's intersectional identity positions them differently in terms of their sociocultural location and thus each has differing experiences of unearned advantages or disadvantages based purely on their membership in various sociocultural groups in unique combinations. As such, each person distinctively explores how they experience and are experienced in social contexts. Woven together, this book is a rich tapestry of the sociocultural identities of music therapists and implications for their therapeutic relationships and processes. It provides a deep understanding and appreciation of the concept of culture and its omnipresence in all we do and all we are. The hope is that these narratives, and the included strategies for doing this kind of critical culturally reflexive work, will guide music therapy students and practitioners to examine their own sociocultural location and experiences, and that it will open music therapists to consider their relational dynamics in all aspects of their lives.
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Music and healing can be found across both ancient and current cultures. This book offers a concentrated attempt to deepen and broaden understandings that music therapy as a disciplinary practice serves as a site of institutional power in or over the space where health and music intersect. To do so, the book offers contributions on a variety of topics from a wide range of contributors from different cultural and regional contexts - referred to collectively as the Colonialism and Music Therapy Interlocuters (CAMTI). The topics in this book cover contemporary practice in former colonies; navigating between indigenous knowledges and colonial knowledge/practices; being the cultural 'other' in music therapy education and practice spaces; intersections between ableism and colonial notions of health; and explorations of music therapy's historical and ongoing reliance on colonial systems. In an effort to make space for diverse perspectives and ways of knowing these topics, contributions range from poem, prayer and song to conversations between groups of practitioners and interested parties, as well as essays. In essence, this book aims to start a conversation. It is an invitation for music therapists and other practitioners to reflect on how the vestiges of colonialism may or may not continue to impact their practice. It also offers a range of ideas and concepts which individuals and organizations can begin to explore in the interest of operating in anti-colonial or de-colonial ways. Ultimately, it is hoped that this book encourages a shift to honoring diverse contributions to the music and health space - as this is a space we collectively share.
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Dementia. --- Music therapy. --- Music therapy for older people.
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Music therapy --- Special education --- Music
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Improvisational Methods of Music Therapy is the second in a series of textbooks addressing each of the four music therapy methods employed in a variety of clinical contexts. Students and professionals alike will gain foundational knowledge about Clinical Music Improvisation (CMI) and its many variations as pertinent to individual, dyadic, and group improvisation. This book is specifically intended as a general roadmap for the design and implementation of therapeutically relevant, effective, and individualized improvisation experiences applicable to a wide range of clinical profiles and interpersonal and cultural contexts. As such, Improvisational Methods of Music Therapy addresses prerequisites, risks, contraindications, inherent affordances, and challenges related to CMI, with overarching considerations and procedural steps for Instrumental, Vocal, and Body Improvisation. Attention is given to the use of CMI toward both client achievement of predetermined and measurable therapeutic objectives (i.e., outcome-oriented practice) and client identification and exploration of needs as they manifest in the musicing process (i.e., experience-oriented practice). Hypothetical case illustrations and summaries of actual clinical cases highlight particular CMI variations and procedures.
Music therapy. --- Improvisation (Music) --- Therapeutic use.
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Music Therapy and the Autism Spectrum: An Integrative Overview summarizes the main topics related to the practice of music therapy for autistic people. This integrative perspective emphasizes respect for the voices of this community and highlights those who have contributed to the growth of music therapy practices for autistic people. The publication gives a historical contextualization of each topic and an up-to-date understanding of current discussions in this area of practice. The term "integrative" is also used to emphasize that the book integrates music therapy topics and knowledge from other areas including neurology, life development, and psychology. Although the primary focus is on music therapists and music therapy students, the book can also be read by autistic people and their families, professionals in other fields, and anyone interested in the topic. The book is organized into four central units concerning the themes related with music therapy and the autism spectrum: 1) Beginning the Studies, 2) Fundamental Aspects of Music Therapy Practice, 3) The Spectrum of Theories and Practices in the Field of Music Therapy and the Autism Spectrum and 4) Relevant Themes.
Music therapy for children. --- Autistic children --- Treatment.
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The chapters in this current book reflect current and/or necessary changes in music therapy training that come about because of history, society, economy, generational shifts and the workplace. Although the subject matter is these chapters may appear disparate, it is not. The subject matter invites comparison in the following ways: 1) questions the nature of music therapy itself; 2) examines challenges to education and training; 3) suggests critical thinking (vs repetition or repackaging of information) for students, educators, clinicians, researchers and supervisors in the field of music therapy; 4) respects the past but looks to the future; 5) offers perspective from others in the field through such vehicles as surveys, interviews and/or reviews of literature. Part I is titled 'New Frameworks and Content for Music Therapy Education and Training' Part II of the book, 'Online Formats for Music Therapy Education and Training' offers two chapters which have become increasingly urgent information due to the emergence of the COVID-19 epidemic throughout the world (March 2020), now in its third year, coupled with the explosion of technological resources and demand for online and hybrid learning. Part III of the book, 'Inclusivity in Music Therapy Education and Training,' presents two vital chapters to remind educators of pressing issues. Part IV of the book, 'Professional Opportunities in Music Therapy Education, Training and Development,' present four uniquely different chapters, yet each focuses on opportunities that any student or educator should consider. Part V, 'Ongoing issues and Possibilities in Music Therapy Education and Training,' considers two more developing topics in the field. Readers will enjoy and profit from this book, reflecting on how to continue to move on in music therapy education and training.
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"Heart Beats is a step-by-step guide which equips music therapists with foundational components necessary to apply Amplified Cardiopulmonary Recordings (ACPR) to their practice. This manual includes the theoretical underpinnings of clinical approaches, legal and logistic considerations, and two complete technology photo user-guides for music recording software and equipment basics. With a growing demand for one of the newest, formally established interventions in music therapy, this clinical resource is a timely, accessible tool for students and interdisciplinary team members alike across a variety of healthcare settings. Heart Beats inspires clinicians to think deeply about how to harness the rhythm of the heart in music and for healing across the lifespan"--
Music therapy --- Music therapy for children --- Neonatal intensive care --- Newborn infants
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"Emotion is an integral aspect of musical experience. Evidence from neuroscience indicates that music acts on a number of different brain sites, and that the brain is likely to be hard-wired for musical perception and appreciation. This offers some kind of neurological substrate for musical experiences, or a parallel mode of explanation for music's multiple effects on individuals and groups."--Amazon
Emotions in music. --- Music --- Music therapy. --- Music Therapy --- Musique --- Musicothérapie. --- Psychological aspects. --- Aspect psychologique.
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"World-renowned soprano and arts/health advocate Renee Fleming curates a collection of essays from leading scientists, creative arts therapists, educators, healthcare providers and artists about the powerful impacts of music and the arts on health and the human experience A compelling and growing body of research has shown music and arts therapies to be effective tools for addressing a widening array of conditions, from providing pain relief, to enhancing speech recovery after stroke or traumatic brain injury through singing, to improving mobility of individuals with Parkinson's disease using rhythm. In Music and Mind Renee Fleming draws upon her own experience as an advocate to showcase the breadth of this booming field, inviting leading experts to share their discoveries. In addition to describing therapeutic benefits, the book explores evolution, brain function, childhood development, and technology as applied to arts and health. Much of this area of study is relatively new, made possible by recent advances in brain imaging, and supported by the National Institutes of Health, major hospitals, and universities. This work is sparking an explosion of public interest in the arts and health sector. Fleming has presented on this material in over fifty cities across North America, Europe, and Asia, collaborating with leading researchers, policy-makers, and practitioners. With essays from known musicians, writers, and artists, as well as leading neuroscientists, Music and Mind is a groundbreaking book and the perfect introduction and overview of this exciting new field"--
Music therapy. --- Art therapy. --- Music --- Music --- Psychological aspects. --- Physiological aspects.
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