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Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukács-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Through this methodology, Griffiths and Rabinowitz dispute Bakhtin's classification of epic as a monophonic and dead genre whose time has passed. Due to its grand themes and cultural centrality, the epic is the form most suited to newcomers or cultural outsiders seeking legitimacy through appropriation of the past. Through readings of Gogol's Dead Souls-a uniquely problematic work, and one which Bakhtin argued was novelistic rather than epic-Dostoevsky's Brothers Karamazov, Pasternak's Dr. Zhivago, and Tolstoy's War and Peace, this book redefines "epic" and how we understand the sweep of Russian literature as a whole.

Russian fiction --- Epic literature, Russian --- History and criticism. --- Russian epic literature --- Russian literature --- Anthologies.

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Indonesia

Sociology & Social History --- Languages & Literatures --- History & Archaeology --- Social Sciences --- History - General --- Social Change --- Austronesian, Papuan & Australian Languages & Literatures --- Epic literature, Javanese --- History and criticism. --- Cantakaparwa. --- Javanese epic literature --- Javanese literature --- indonesia --- Bali --- Java --- Kakawin --- Kakawin Sutasoma --- Mwan language --- Ratu --- Tiger

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Folk drama, Indic --- Theater --- History and criticism. --- Vālmīki. --- Mahābhārata. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Makhabkharata --- Mahabarat --- Mahabarātah --- Epic literature --- Dramatic production. --- Mahābhārata

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Calling into question the common assumption that the Middle Ages produced no secondary epics, Ann W. Astell here revises a key chapter in literary history. She examines the connections between the Book of Job and Boethius' s Consolation of Philosophy-texts closely associated with each other in the minds of medieval readers and writers-and demonstrates that these two works served as a conduit for the tradition of heroic poetry from antiquity through the Middle Ages and into the Renaissance. As she traces the complex influences of classical and biblical texts on vernacular literature, Astell offers provocative readings of works by Dante, Chaucer, Spenser, Malory, Milton, and many others. Astell looks at the relationship between the historical reception of the epic and successive imitative forms, showing how Boethius's Consolation and Johan biblical commentaries echo the allegorical treatment of" epic truth" in the poems of Homer and Virgil, and how in turn many works classified as "romance" take Job and Boethius as their models. She considers the influences of Job and Boethius on hagiographic romance, as exemplified by the stories of Eustace, Custance, and Griselda; on the amatory romances of Abelard and Heloise, Dante and Beatrice, and Troilus and Criseyde; and on the chivalric romances of Martin of Tours, Galahad, Lancelot, and Redcrosse. Finally, she explores an encyclopedic array of interpretations of Job and Boethius in Milton's Paradise Lost, Paradise Regained, and Samson Agonistes.

Epic literature --- Imitation in literature. --- Influence (Literary, artistic, etc.) --- Literary form --- Literature, Medieval --- Typology (Theology) in literature --- Quotation --- Literary style --- Mimesis in literature --- Originality in literature --- Plagiarism --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- European literature --- Medieval literature --- History and criticism&delete& --- Theory, etc --- History --- Classical influences --- Boethius, --- Bible. --- Biblia --- Bible --- Ayyūb (Book of the Old Testament) --- Giobbe (Book of the Old Testament) --- Hiob (Book of the Old Testament) --- Ijob (Book of the Old Testament) --- Iobus (Book of the Old Testament) --- Iov (Book of the Old Testament) --- Iyov (Book of the Old Testament) --- Iyyov (Book of the Old Testament) --- Job (Book of the Old Testament) --- Jobus (Book of the Old Testament) --- Livro de Jó --- Yop-ki (Book of the Old Testament) --- Criticism, interpretation, etc. --- In literature. --- Typology (Theology) in literature. --- Classical influences. --- History and criticism --- Theory, etc. --- Imitation in literature --- Literary studies: ancient, classical & medieval