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"Vertical Readings in Dante's Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection - to be issued in three volumes - offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante." - OAPEN.

Dante Alighieri, --- Criticism and interpretation. --- literature --- literary criticism

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Christopher Ryan's study of Dante and Aquinas, touching on issues of nature and grace, of explicit and implicit faith, and of desire and destiny, is intended to mark the difference between them in key areas of theological sensibility. Re-shaped and revised by John Took on the basis of papers made available to him from Christopher Ryan's estate, it seeks to deepen our understanding of one of the great cultural encounters in European letters

Theology in literature --- Thomas, Aquinas, Saint, 1225?-1274 --- Dante Alighieri, 1265-1321

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In a celebratory moment of the Paradiso, Dante has Thomas go round the circle of sage spirits identifying each in turn in point of proper calling and confirming how it is that self is everywhere present to the other-than-self as a co-efficient of being in the endless and endlessly varied instantiation of that being. The image, at once perfectly Dantean and perfectly resplendent, underlies and informs these conversations of mine with Kenelm; for if in reading and rereading the cherished text, I have from time to time felt the need to enter a qualification, it is a matter here, as in the high consistory of paradise, of otherness as both contained and as authorized by sameness, as conditioned and set free by it for a life of its own. Never, in other words, is it a question in what follows of the stark alternativism of the sed contra, but instead a matter of formed friendship, of the kind of friendship which, conceived in love, makes for a sweet choreography of the spirit.

Theology in literature. --- Foster, Kenelm. --- Dante Alighieri, --- Dante Alighieri --- Alighieri, Dante --- Dante, Alighieri --- Alih'eri, Dante --- Theology. --- Hermeneutics --- Religious aspects --- Christianity. --- Christian theology --- Theology --- Theology, Christian --- Christianity --- Religion --- Religion. --- Divina commedia (Dante Alighieri) --- Ailígiéirí, Dainté, --- Alaghieri, Dante, --- Aldigeri, Dante, --- Aligeri, Dante, --- Aligerius, Dantes, --- Aligheri, Dante, --- Alighieri, Dante, --- Alighieri, Danthe, --- Aligīeri, Dant, --- Alig'i͡eri, Dante, --- Alihii͡eri, Dante, --- Alikiyari, Tāntē, --- Alīyīrī, Dāntī, --- Alleghieri, Dante, --- Allighieri, Dante, --- Danding, --- Dant Aligīeri, --- Dante, --- Dante Alig'i͡eri, --- Dānté ʼAligiyéri, --- Dantė Aligjeris, --- Dante Alih'i͡eri, --- Danthe Alighieri, --- Dāntī Alījyīrī, --- Dantis Alagherius, --- Dantte, --- Durante Alighieri, --- Makākavi Tāntē, --- Tan-ting, --- Tāntē Alikiyari, --- Tantte, --- Cumégia (Dante Alighieri) --- Divine comedy (Dante Alighieri) --- Divina comedia (Dante Alighieri) --- Commedia (Dante Alighieri) --- Comedy (Dante Alighieri) --- Poema sacro (Dante Alighieri) --- Comedia (Dante Alighieri) --- Alihii︠e︡ri, Dante, --- Dante Alih'i︠e︡ri, --- Dante Alig'i︠e︡ri, --- Alig'i︠e︡ri, Dante, --- אליגיירי דנטי --- אליגירי, דנטי --- דאנטי אליגיירי --- דאנטי אליגיירי, --- דאנט, --- דנטה אליגיירי, --- דנטה אליגירי, --- דנטי אליגיארי, --- דנטי אליגירי, --- دانتى ألغييري --- دانتي أليجيري،, --- ダンテ, --- Данте Аліґгіері, --- Alighieri, Durante, --- Alighieri, Durante degli, --- Degli Alighieri, Durante, --- Durante degli Alighieri,

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In this sensitive reading of Chaucer's Troilus and Criseyde, Winthrop Wetherbee redefines the nature of Chaucer's poetic vision. Using as a starting point Chaucer's profound admiration for the achievement of Dante and the classical poets, Wetherbee sees the Troilus as much more than a courtly treatment of an event in ancient history-it is, he asserts, a major statement about the poetic tradition from which it emerges. Wetherbee demonstrates the evolution of the poet-narrator of the Troilus, who begins as a poet of romance, bound by the characters' limited worldview, but who in the end becomes a poet capable of realizing the tragic and ultimately the spiritual implications of his story.

Chaucer, Geoffrey, --- Love in literature. --- Cressida (Fictitious character) --- Trojan War --- Troilus (Legendary character) in literature. --- Literature and the war. --- Knowledge --- Literature. --- Sources. --- Criseyde (Fictitious character) --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- classical literature --- Vergil --- Dante Alighieri --- Troilus and Criseyde --- Statius --- medieval literature --- (alternate spelling of "Vergil" Ovid --- Geoffrey Chaucer --- Roman de la rose --- CHAUCER (GEOFFREY), d. 1400 --- TROILUS AND CRISEYDE

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In recent years there has been an explosion of interest in the production of nanoscale fibres for drug delivery and tissue engineering. Nanofibres in Drug Delivery aims to outline to new researchers in the field the utility of nanofibres in drug delivery, and to explain to them how to prepare fibres in the laboratory.The book begins with a brief discussion of the main concepts in pharmaceutical science. The authors then introduce the key techniques that can be used for fibre production and explain briefly the theory behind them. They discuss the experimental implementation of fibre production, starting with the simplest possible set-up and then moving on to consider more complex arrangements. As they do so, they offer advice from their own experience of fibre production, and use examples from current literature to show how each particular type of fibre can be applied to drug delivery. They also consider how fibre production could be moved beyond the research laboratory into industry, discussing regulatory and scale-up aspects.

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