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Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept? The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«. »Der Band sensibilisiert für den Preis der ›Übersichtlichkeit‹, wie sie typischerweise durch makrosoziologische Perspektiven erzeugt wird und präsentiert eine Vielzahl an bemerkenswerten Thesen und Beobachtungen.« Andrea Glauser, Soziologische Revue, 36 (2013) Reviewed in: etcetera, 135 (2013)
Recreation. Games. Sports. Corp. expression --- Modern dance --- Philosophy. --- Interpretive dancing --- Modern dancing --- Dance --- Dance; Dance Studies; Performance Studies; Choreography; Art Theory; Artistic Research; Politics of Movement; Aesthetics; Visuality; Archive; Future of Dance; Theatre Studies; Theory of Art; Body --- Aesthetics. --- Archive. --- Art Theory. --- Artistic Research. --- Body. --- Choreography. --- Dance Studies. --- Future of Dance. --- Performance Studies. --- Politics of Movement. --- Theatre Studies. --- Theory of Art. --- Visuality.
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This volume provides new, ground-breaking perspectives on the globally renowned work of the Tanztheater Wuppertal and its iconic founder and artistic director, Pina Bausch. The company's performances, how it developed its productions, the global transfer of its choreographic material and the reactions of audiences and critics are explained as complex, interdependent and reciprocal processes of translation. This is the first book to focus on the artistic research conducted for the Tanztheater's international coproductions and features extensive interviews with dancers, collaborators and spectators and provides first-hand ethnographic insights into the work process. By introducing the praxeology of translation as a key methodological concept for dance research, Gabriele Klein argues that Pina Bausch's lasting legacy is defined by an entanglement of temporalities that challenges the notion of contemporaneity.(https://www.transcript-publishing.com/978-3-8376-5055-6/pina-bausch-s-dance-theater/)
Dance Theatre; Pina Bausch; Translation; Praxeology; Artistic Research; Audience; Art Critique; Theatre; Dance; Art; Dance History; Theatre Studies; Dance Studies; History of Theatre --- Bausch, Pina. --- Tanztheater (Wuppertal, Germany) --- History. --- Germany. --- Germany --- Art Critique. --- Art. --- Artistic Research. --- Audience. --- Dance History. --- Dance Studies. --- Dance. --- Pina Bausch. --- Praxeology. --- Theatre Studies. --- Theatre. --- Translation. --- Dans --- Choreograaf
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