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Graphic novels --- Comic books, strips, etc --- History and criticism
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Comics Beyond the Page in Latin America is a cutting-edge study of the expanding worlds of Latin American comics. Despite lack of funding and institutional support, not since the mid-twentieth century have comics in the region been so dynamic, so diverse and so engaged with pressing social and cultural issues. Comics are being used as essential tools in debates about, for example, digital cultures, gender identities and political disenfranchisement.Rather than analysing the current boom in comics by focusing just on the printed text, however, this book looks at diverse manifestations of comics ‘beyond the page’. Contributors explore digital comics and social media networks; comics as graffiti and stencil art in public spaces; comics as a tool for teaching architecture or processing social trauma; and the consumption and publishing of comics as forms of shaping national, social and political identities.Bringing together authors from across Latin America and beyond, and covering examples from Argentina, Brazil, Colombia, Mexico, Peru and Uruguay, the book sets out a panoramic vision of Latin American comics, whether in terms of scholarly contribution, geographical diversity or interdisciplinary methodologies.
Comic books, strips, etc --- History and criticism. --- Latin America.
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Comicalités. Études de culture graphique entend interroger la spécificité ainsi que l'évolution des modes d’expression, de production et de réception de la bande dessinée, de l'illustration, de la caricature, du dessin animé... Résolument interdisciplinaire, son comité scientifique accueille des articles qui sont évalués par un vivier d'experts et publiés au fil de l'eau.
Comic books, strips, etc. --- Bandes dessinées --- Periodicals --- Périodiques --- graphic culture --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Comic books, strips, etc --- Literature - General --- Manhua (Comic books) --- Manhwa (Comic books)
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Are comics, graphic novels and art the true cultivators of childhood wisdom? In this podcast, Dr. Sally Campbell Galman, a Professor of Child and Family Studies at the University of Massachusetts, Amherst, explores comics and arts-based research, questioning the conventional wisdom of childhood. As an anthropologist, Galman explains how she approaches childhood in an innovative way, attempting to bypass the 'adultist impulses to make the child a nostalgic project' and instead to adopt the perception that 'children are people now . . . children are experts about themselves'. She explains how she can do this through her skills as an artist, whereby she can express her experiences through art, getting to the core of the data in a way that would be much more difficult via more traditional methods of data analysis.Galman goes on to discuss the Gender Moxie Project, which aimed to investigate the experiences and resilience of gender-diverse children in their schools, communities and homes. Sally had spoken to more than 300 families in the United States and had begun recruiting participants in Germany when the COVID-19 pandemic interrupted and prevented research strategies from continuing.The project found, for example, that gender-normative children benefit from a gender-diverse child in their school or class. This is brought about by the conversations of diversity that are introduced by experiencing difference, which benefits all those involved.Creating a graphic novel is an emotionally exhausting and heavily involved process, Galman explains. She shares her work with the participants, and they are often excited not only to have a space where they are listened to but also to have their stories told in a positive way.This podcast series is brought to you by a collaborative partnership between SAGE Publishing and QSR International: https://www.qsrinternational.com.
Child development. --- Child psychology. --- Comic books, strips, etc. --- History and criticism.
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Comic books, strips, etc. --- Women and literature --- Feminism in literature. --- Literature and transnationalism --- Literature and society --- Social aspects.
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How do white queer people portray our own whiteness? Can we, in the stories we tell about ourselves, face the uncomfortable fact that, while queer, we might still be racist? If we cannot, what does that say about us as potential allies in intersectional struggles? A careful analysis of Dykes To Watch Out For and Stuck Rubber Baby by queer comic icons Alison Bechdel and Howard Cruse traces the intersections of queerness and racism in the neglected medium of queer comics, while a close reading of Jaime Cortez's striking graphic novel Sexile/Sexilio offers glimpses of the complexities and difficult truths that lie beyond the limits of the white queer imaginary.
SOCIAL SCIENCE / LGBT Studies / Gay Studies. --- Comic. --- Cultural Studies. --- Gender Studies. --- Gender. --- Media. --- Queer Theory. --- Racism. --- Sexuality. --- Whiteness. --- Comics; Racism; Whiteness; Queer Theory; Sexuality; Gender; Media; Comic; Gender Studies; Cultural Studies --- Queer comic books, strips, etc. --- Queer theory. --- White people --- Race identity. --- Race identity of white people --- Racial identity of white people --- Whiteness (Race identity) --- Race awareness --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Critical race theory --- Race relations --- Gender identity --- GLBTQ+ comic books, strips, etc. --- LGBTQ+ comic books, strips, etc. --- Sexual minority comic books, strips, etc. --- Comic books, strips, etc. --- Ethnic identity --- Comics --- Racism --- Whiteness --- Queer Theory --- Sexuality --- Gender --- Media --- Comic --- Gender Studies --- Cultural Studies
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Latin America is experiencing a boom in graphic novels that are highly innovative in their conceptual play and their reworking of the medium. Inventive artwork and sophisticated scripts have combined to satisfy the demand of a growing readership, both at home and abroad. Posthumanism and the Graphic Novel in Latin America, which is the first book-length study of the topic, argues that the graphic novel is emerging in Latin America as a uniquely powerful force to explore the nature of twenty-first century subjectivity. The authors place particular emphasis on the ways in which humans are bound to their non-human environment, and these ideas are productively drawn out in relation to posthuman thought and experience. The book draws together a range of recent graphic novels from Argentina, Brazil, Chile, Mexico and Uruguay, many of which experiment with questions of transmediality, the representation of urban space, modes of perception and cognition, and a new form of ethics for a posthuman world.
Sociology of culture --- Graphic arts --- Latin America --- Graphic novels --- Science fiction comic books, strips, etc --- History and criticism. --- Comic books, strips, etc. --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Science fiction comic books, strips, etc. --- Graphic novels: history & criticism --- Ethics & moral philosophy --- comics --- latin america --- graphic novels --- Modernity --- Posthuman --- Posthumanism
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Winner of the 2014 Jordan Schnitzer Book Award presented by the Association for Jewish StudiesJews have played an integral role in the history of obscenity in America. For most of the 20th century, Jewish entrepreneurs and editors led the charge against obscenity laws. Jewish lawyers battled literary censorship even when their non-Jewish counterparts refused to do so, and they won court decisions in favor of texts including Ulysses, A Howl, Lady Chatterley’s Lover, and Tropic of Cancer. Jewish literary critics have provided some of the most influential courtroom testimony on behalf of freedom of expression.The anti-Semitic stereotype of the lascivious Jew has made many historians hesitant to draw a direct link between Jewishness and obscenity. In Unclean Lips, Josh Lambert addresses the Jewishness of participants in obscenity controversies in the U.S. directly, exploring the transformative roles played by a host of neglected figures in the development of modern and postmodern American culture.The diversity of American Jewry means that there is no single explanation for Jews' interventions in this field. Rejecting generalizations, this bookoffers case studies that pair cultural histories with close readings of both contested texts and trial transcripts to reveal the ways in which specific engagements with obscenity mattered to particular American Jews at discrete historical moments.Reading American culture from Theodore Dreiser and Henry Miller to Curb Your Enthusiasm and FCC v. Fox, Unclean Lips analyzes the variable historical and cultural factors that account for the central role Jews have played in the struggles over obscenity and censorship in the modern United States.
American fiction --- Words, Obscene --- Censorship --- Obscenity (Law) --- Erotic comic books, strips, etc. --- Pornography --- Jewish authors --- History and criticism. --- Humor. --- Social aspects
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The Petroleum Manga, first conceived of and rendered as 10-foot banners printed on Tyvek for gallery installation is now reproduced in book form. Originally, manga was used in Japanese to refer to whimsical drawings or picture books. Long before Manga was a multi-billion-dollar-a-year comic book industry, there was Hokusai's thirteen-volume manga, depicting everything from trees to demons, from squirrels to shingles. This was the work that inspired the form for Marina Zurkow's own crazy amalgam depicting a taxonomy of products derived from petroleum. Remaining true to this inspiration, this book compiles a curious array of imaginative-philosophical texts illuminating, illustrating, fabulating, and riffing upon a wide range of petrochemical-based objects and ideas. This "collection" maps new webs of relations between us and these seemingly ubiquitous yet often unremarked objects, along the lines of a fanciful petro-poetics. Fanciful, yet dead serious. As Duncan Murrell writes, "...our plastics will live forever, no longer able to decompose, while we become molecules again. When we are long gone, there will still be plastic clown masks circling in the Pacific Ocean. This, and not our great works of art and literature, will be the persistent legacy of life on earth, these objects crafted out of life's own ancient flesh."
Comic books, strips, etc. --- Prose poems, American --- Short stories, American --- Arts, American --- Petroleum chemicals --- Influence. --- In literature. --- illustration --- petroleum --- manga --- poetry --- ecology --- philosophy --- nature
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Sugar, Spice, and the Not So Nice offers an innovative, wide-ranging and geographically diverse book-length treatment of girlhood in comics. The various contributing authors and artists provide novel insights into established themes within comics studies, children’s comics, graphic medicine and comics by and about refugees and marginalised ethnic or cultural groups. The book enriches traditional historical, narratological and aesthetic approaches to studying girlhood in comics with practice-based research, discussion and conversation. This re-examination of girls, gender and identity in comics connects with contemporary discourse on gender identity politics. Through examples from both within Europe, the anglophone world and beyond, and including visual essays alongside critical theory, the volume furthermore engages with new developments in contemporary comics scholarship. It will therefore appeal to students and scholars of childhood studies, comics scholars and creators, and those interested in addressing gender identity through the prism of comics.
Gender identity in comics. --- Girls in comics. --- Comic books, strips, etc. --- History and criticism. --- Girls in comics --- Comic books, strips, etc --- History and criticism --- 82-931 --- 82-931 Stripverhaal --- Stripverhaal --- Sociology of the family. Sociology of sexuality --- Iconography --- Fiction --- Sociology of literature --- childhood --- girls --- comics [documents] --- gender identity
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