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Art, Singaporean --- Art, Modern

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"This companion examines the global Renaissance through object-based case studies of artistic production from Africa, Asia, the Americas and Europe in the early modern period. The international group of contributors take an art historical approach characterized by close analysis of form and meaning as well as function, and a focus on questions of cross-cultural dialogue and adaptation. Seeking to de-emphasize the traditional focus on Europe, this book is a critical guide to the literature and the state of the field. Chapters, outline new questions and agendas while pushing beyond familiar material. Main themes include workshops, the migrations of artists, objects, technologies, diplomatic gifts, imperial ideologies, ethnicity and indigeneity, sacred spaces and image cults, as well as engaging with the open questions of "the Renaissance" and "the global." This will be a useful and important resource for researchers and professors alike and will be of interest to scholars working in art history, visual culture, material culture and Renaissance studies"--

Art, Modern. --- Art and globalization.

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How do early modern media underlie today’s digital creativity? In Cut/Copy/Paste, Whitney Trettien journeys to the fringes of the London print trade to uncover makerspaces and collaboratories where paper media were cut up and reassembled into radical, bespoke publications. Bringing these long-forgotten objects back to life through hand-curated digital resources, Trettien shows how early experimental book hacks speak to the contemporary conditions of digital scholarship and publishing. As a mixed-media artifact itself, Cut/Copy/Paste enacts for readers what Trettien argues: that digital forms have the potential to decenter patriarchal histories of print.From the religious household of Little Gidding—whose biblical concordances and manuscripts exemplify protofeminist media innovation—to the queer poetic assemblages of Edward Benlowes and the fragment albums of former shoemaker John Bagford, Cut/Copy/Paste demonstrates history’s relevance to our understanding of current media. Tracing the lives and afterlives of amateur “bookwork,” Trettien creates a method for identifying and comprehending hybrid objects that resist familiar bibliographic and literary categories. In the process, she bears witness to the deep history of radical publishing with fragments and found materials.With many of Cut/Copy/Paste’s digital resources left thrillingly open for additions and revisions, this book reimagines our ideas of publication while fostering a spirit of generosity and inclusivity. An open invitation to cut, copy, and paste different histories, it is an inspiration for students of publishing or the digital humanities, as well as anyone interested in the past, present, and future of creativity.

Assemblage (Art) --- Art, Modern --- Dadaism --- Found objects (Art) --- Media studies

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continent. Year 1: A selection of issues 1.1-1.4 collects a variety of thoughts and tropes from the 2011 issues of continent., ranging from work on Greek poetry to deep brain recordings, from speculative realism to the fragments as a unit of prose, and from queer theory to mass murder. This collection presents the fruits of an intense collaboration throughout the different zones of the Academy

Art, Modern. --- Mass media and culture. --- philosophy --- politics --- culture --- art --- theory

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"In The Art of Welcome: Hospitality in Contemporary Art, Irina Aristarkhova discusses lessons in hospitality that contemporary artists teach their audiences, specifically focusing on fears and anxieties of more challenging situations of hospitality. "Hospitality," as a practice of welcoming others, has increasingly become a central, albeit contested, concept, in academic, cultural, and public spheres. The Art of Welcome theorizes practices of hospitality in contemporary art drawing on art works by Lee Mingwei (Taiwan/USA), Kathy High (USA), Pippa Bacca and Silvia Moro (Italy), Faith Wilding (USA), Ana Prvacki (Singapore/Serbia/Germany), and Mithu Sen (India)"--

Hospitality in art. --- Art, Modern --- Themes, motives. --- Modern art --- Nieuwe Ploeg (Group of artists) --- The arts: general issues