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The Other Women’s Lib provides the first systematic analysis of Japanese literary feminist discourse of the 1960's—a full decade before the "women’s lib" movement emerged in Japan. It highlights the work of three well-known female fiction writers of this generation (Kono Taeko, Takahashi Takako, and Kurahashi Yumiko) for their avant-garde literary challenges to dominant models of femininity. Focusing on four tropes persistently employed by these writers to protest oppressive gender stereotypes—the disciplinary masculine gaze, feminist misogyny, "odd bodies," and female homoeroticism—Julia Bullock brings to the fore their previously unrecognized theoretical contributions to second-wave radical feminist discourse. In all of these narrative strategies, the female body is viewed as both the object and instrument of engendering. Severing the discursive connection between bodily sex and gender is thus a primary objective of the narratives and a necessary first step toward a less restrictive vision of female subjectivity in modern Japan. The Other Women’s Lib further demonstrates that this "gender trouble" was historically embedded in the socioeconomic circumstances of the high-growth economy of the 1960's, when prosperity was underwritten by an increasingly conservative gendered division of labor that sought to confine women within feminine roles. Raised during the war to be "good wives and wise mothers" yet young enough to take advantage of the opportunities presented to them by Occupation-era reforms, the authors who fueled the 1960's boom in women’s literary publication staunchly resisted normative constructions of gender, crafting narratives that exposed or subverted hegemonic discourses of femininity that relegated women to the negative pole of a binary opposition to men. Their fictional heroines are unapologetically bad wives and even worse mothers; they are often wanton, excessive, or selfish and brazenly cynical with regard to traditional love, marriage, and motherhood. The Other Women’s Lib affords a cogent and incisive analysis of these texts as feminist philosophy in fictional form, arguing persuasively for the inclusion of such literary feminist discourse in the broader history of Japanese feminist theoretical development. It will be accessible to undergraduate audiences and deeply stimulating to scholars and others interested in gender and culture in postwar Japan, Japanese women writers, or Japanese feminism.
Japanese fiction --- Women in literature. --- Feminist literary criticism --- Gender identity in literature. --- Human body in literature. --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Body, Human, in literature --- Human figure in literature --- Literary criticism, Feminist --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism. --- Women authors --- Identity --- Feminism and literature --- Feminist criticism --- Japanese literature --- Identity. --- Females --- Human beings --- Femininity
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The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay, interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them. The essays in The Bodies That Remain look back at how the identities of these bodies were shaped by the spaces around them, through the retelling of memory, through stories told by others, of how their work, processed by their body, made it possible for others to experience sensations – mourning, desire, or a nostalgia that could not belong to another, to another’s body – and in capturing this ability, their work confirms the body’s urgency. Amongst others, The Bodies That Remain tells the story of Emily Dickinson’s decay, the missing grave of Valeska Gert, the voice and sound of the body of Judee Sill, and the derailed body (and work) of Jane Bowles. It questions the absent body but broken organs of JT Leroy as they find themselves scattered across texts, and also interrogates the loss of distinction of illness for Jules de Goncourt as syphilis riddled his nervous system. It retrieves the illusory body of Kathy Acker through dream and through horror, sees the morphing body of Michael Jackson in becoming all of the bodies he was asked to be, and looks toward Sylvia Plath and the language of her own body. Where ‘body’ as a verb makes material something abstract, The Bodies That Remain, as a collection, became bodily.
Literary essays --- Human body in literature. --- American literature --- English literature --- Fiction. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Agrarians (Group of writers) --- Body, Human, in literature --- Human figure in literature --- embodiment --- mourning --- posthumous literature --- mortality --- metempsychosis
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"The Embodied Child: Readings in Children's Literature and Culture brings together essays that offer compelling analyses of children's bodies as they read and are read, as they interact with literature and other cultural artifacts, and as they are constructed in literature and popular culture. The chapters examine the ideology behind the cultural constructions of the child's body and the impact they have on society, and how the child's body becomes a carrier of cultural ideology within the cultural imagination. They also consider the portrayal of children's bodies in terms of the seeming dichotomies between healthy-vs-unhealthy bodies as well as able-bodied-vs-disabled, and examines flesh-and-blood bodies that engage with literary texts and other media. The contributors bring perspectives from anthropology, communication, education, literary criticism, cultural studies, philosophy, physical education, and religious studies. With wide and astute coverage of disparate literary and cultural texts, and lively scholarly discussions in the introductions to the collection and to each section, this book makes a long-needed contribution to discussions of the body and the child. "--Provided by publisher.
Children's literature --- Children in literature. --- Human body in literature. --- History and criticism. --- Body, Human, in literature --- Human figure in literature --- Childhood in literature --- Children in poetry --- Adrielle Britten --- Amanda Hollander --- Anne of Green Gables --- anthropology --- art --- Blackfoot Place --- Black Children --- cheerleaders --- children's bodies --- Dance --- Darla Schumm --- disability --- discipline --- Erin Spring --- Eugenics --- embodiment --- Food --- female bodies --- Gender --- Glee --- Heather Braun --- Hunger Games --- health --- human nature --- Identity --- images --- invisibility --- Janet Wesselius --- Jennifer M. Miskec --- Julie Pfeiffer
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