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In Adulterous Nations, Tatiana Kuzmic enlarges our perspective on the nineteenth-century novel of adultery and how it often served as a metaphor for relationships between the imperial and the colonized. In the context of the long-standing practice of gendering nations as female, the novels discusse-Eliot's Middlemarch, Fontane's Effi Briest, and Tolstoy's Anna Karenina, along with Enoa's The Goldsmith's Gold and Sienkiewicz's Quo Vadis-can be understood as depicting international crises on the scale of the nuclear family. Kuzmic argues that the hopes, anxieties, and interests of European nations in this period can be discerned in the destabilizing force of adultery. Reading the work of Enoa and Sienkiewicz, Kuzmic illuminates the relationship between the literature of dominant nations and that of the semicolonized territories that posed a threat to them. Kuzmic's study enhances our understanding of not only these novels but nineteenth-century European literature more generally.
Nationalism in literature. --- Adultery in literature. --- European fiction --- History and criticism. --- Literature --- Adultery --- George Eliot --- Leo Tolstoy --- Middlemarch --- Poland --- Russia
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During the Victorian era, new laws allowed more witnesses to testify in court cases. At the same time, an emerging cultural emphasis on truth-telling drove the development of new ways of inhibiting perjury. Strikingly original and drawing on a broad array of archival research, Wendie Schneider's examination of the Victorian courtroom charts this period of experimentation and how its innovations shaped contemporary trial procedure. Blending legal, social, and colonial history, she shines new light on cross-examination, the most enduring product of this time and the "greatest legal engine ever invented for the discovery of truth."
Procedure (Law) --- Cross-examination --- History --- 1800-1899 --- Great Britain. --- history --- Adultery --- Barrister --- Defendant --- Divorce --- Divorce Court --- Perjury --- Proctor --- Victorian era
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The willingness to betray one’s country, one’s people, one’s family—to commit treason and foreswear loyalty to one entity by giving it to another—is a difficult concept for many people to comprehend. Yet, societies have grappled with treason for centuries; the motivations, implications, and consequences are rarely clear cut and are often subjective. Set against the framework of modern political concerns, Treason: Medieval and Early Modern Adultery, Betrayal, and Shame considers the various forms of treachery in a variety of sources, including literature, historical chronicles, and material culture creating a complex portrait of the development of this high crime. Larissa Tracy artfully brings together younger critics as well as seasoned scholars in a compelling and topical conversation on treason. Contributors are Frank Battaglia, Dianne Berg, Tina Marie Boyer, Albrecht Classen, Sam Claussen, Freddy C. Domínguez, Melissa Ridley Elmes, Ana Grinberg, Iain A. MacInnes, Inna Matyushina, Sally Shockro, Susan Small, Peter Sposato, Sarah J. Sprouse, Daniel Thomas, and Larissa Tracy.
Treason --- Adultery --- Betrayal --- Shame --- Adulterous relationships --- Cheating, Marital --- Extra-marital sex --- Extramarital sex --- Infidelity, Marital --- Marital cheating --- Marital infidelity --- Marriage --- Sex crimes --- Paramours --- Emotions --- Guilt --- Ethics --- High treason --- Political crimes and offenses --- Sovereignty, Violation of --- Subversive activities --- Social aspects --- History. --- Europe --- History --- Social conditions. --- Intellectual life. --- Humanities
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