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"Essays about 1990s popular culture, politics, sports, literature, music"--
jaren 1990 --- History of civilization --- popular culture --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- United States of America --- jaren 1990. --- Popular culture --- History --- United States --- Civilization --- Social life and customs --- Intellectual life
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Originally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Living and Society, this essay is about nemeses.
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Originally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Film and Television, this essay is about VH1.
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Originally collected in Sex, Drugs, and Cocoa Puffs and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Media and Culture, this essay is about the media.
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Originally collected in Eating the Dinosaur and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Living and Society, this essay is about voyeurism.
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From Sex, Drugs, and Cocoa Puffs; Chuck Klosterman IV; and Eating the Dinosaur, this ebook collects Klosterman's writing on living and society.
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Originally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Living and Society, this essay is about Super People.
Genetic engineering --- Stem cells --- Social aspects. --- Research.
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From Sex, Drugs, and Cocoa Puffs; Chuck Klosterman IV; and Eating the Dinosaur, these essays are now available in this ebook collection for fans of Klosterman's writing on media and culture.
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One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero (New York magazine).Chuck Klosterman, The Ethicist for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why dont we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriolBill Clinton or Don Henley? What was O.J. Simpsons second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American cultureand maybe even American morality. I Wear the Black Hat is a rare example of serious criticism thats instantly accessible and really, really funny.
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Originally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Media and Culture, this essay is about video games.
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