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From the development of the American West in the 19th century, America space be it the tract house, automobile, office, shopping mall or museum became representative of the utopian capitalist ideology that formed the landscape itself. This richly illustrated book contains a series of essays on the connections between the idea of utopia and of the means used to imagine and construct them. Contrary to European perceptions, such American spaces have not emerged from a tabula rasa, but from free adaptations of European models of urban design, at the level of territory and typology. Today, with American culture domination, these models are being returned to Europe and affecting European spaces.

Architecture --- architecture [discipline] --- interior design --- architectural theory --- binnenhuisinrichting --- architectuurtheorie --- territorium (mensen) --- architectuur --- 71.03 --- Noord-Amerika --- 711.6 --- 711.61 --- 725.1 --- 725.2 --- 747 --- 72.01 --- 747.5 --- Stedenbouw (geschiedenis) --- Stedelijke verkaveling --- Openbare ruimte --- Publieke ruimte --- Openbare gebouwen --- Commerciële gebouwen --- Interieurarchitectuur --- Architectuur (theorie) --- Architectuurtheorie --- Publieke interieurs --- Représentation de l'espace --- Espace public --- Analyse urbaine --- Etats-Unis

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Hoge, Charles ; De Boom, Victor Hilaire ; Soebert, Robert Jan ; Waterschoot, August Clement Ghislain ; Waterschoot, Leander ; Waterschoot, Raphaël ; D'Hooge, August ; Lippens, Jules ; De Bondt, Jan-Albert ; Van Havermaet, Karel ; Neerman, Marc ; Van Coillie, Joseph ; Verbeke, André ; Hebb, Robert ; Verwilghen, Rafaël

Architectuur Art Deco Sint-Niklaas --- 72.037 --- 72.037(493) --- Architectuurgeschiedenis , 1900 - 1950 --- Architectuurgeschiedenis 1900 - 1950 België --- Saint-Nicolas --- Sint-Niklaas --- -Art Deco (Architecture) --- Sint-Niklaas (Belgium) --- Art deco (Architecture) --- -Sint-Niklaas (Belgium) --- Sint-Niklaas. --- Architecture --- Architectuur ; Art Deco ; Sint-Niklaas --- Architecture, Art deco --- Art deco architecture --- Architecture, Modern --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Architectuurgeschiedenis ; 1900 - 1950 ; België --- Design and construction --- St. Nicolas (Belgium) --- Sint-Nikolaas (Belgium) --- Sint-Niklaas, Belgium --- Saint-Nicolas (Belgium) --- Buildings, structures, etc. --- Art styles --- Art Deco --- anno 1900-1999 --- Art nouveau --- België. --- architectuur (bouwwerken) --- interieurs --- art deco --- Belgium --- Boekgeschiedenis (kennisdomein) --- burgerlijke architectuur; gebouwen; huisvesting --- Architecture, Primitive --- architecture [discipline]

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The limited oeuvre of the Ghent architect Gaston Eysselinck is one of the most fascinating testimonies of an innovative architecture in Belgium. During his studies at the Ghent Academy, he comes into contact with publications from the European avant-garde, Russian architecture and the work of Le Corbusier. After a study trip to the Netherlands in 1927 and 1929, he built his first homes in which he managed to assimilate the experience gained in a creative way. In November 1930 he participates in the CIAM congress in Brussels and is on the legendary group photo in the presence of Mies van der Rohe, Walter Gropius and Le Corbusier. Also in 1930 he makes a trip to Stuttgart, marries and designs his home with studio. This property is a built manifest of the “Nieuwe Bouwen”. Together with the Peeters home in Deurne, they are examples of the avant-garde architecture in Europe. He designs the furniture for his home, including various tubular furniture. The FRATSTA collection is unique in European furniture design. Huib Hoste, architect and publicist, emphasized in an interview (1935): cherchent à s’exprimer sans nulle concession, je citerai surtout Eysselinck, de Gand. Under the influence of the work of Adolf Loos, the plan becomes increasingly important and the facades are the result of the internal order. Eysselinck did not have a single major assignment in the 1930s. He commemorates the traditional urban terraced house whereby he consistently places the kitchen on the street side. In 1937, at the age of thirty, Eysselinck receives the Van de Ven architecture prize, the most important architecture prize in Belgium. Eysselinck believes in the feasibility of a better future and that the new architecture must have an international dimension. The control of chaos through a rational order is one of the great ambitions that the architect pursues. After 1945, all energy goes to the design and construction of the Post and Telegraphy Building in Ostend, a magnificent masterpiece and one of the highlights of Belgian architecture. A search for a new power of expression and a distinct materiality, a building that repositioned the architecture. In December 1953 he stepped out of life, marked by the setbacks of both professional and tragedy in his private life. A rediscovery of a powerful and intense oeuvre.

Architects --- Mouvement moderne --- Fonctionnalisme --- Eysselinck, Gaston, --- Le Corbusier, --- Eysselinck, Gaston --- Le Corbusier, Charles-Edouard Jeanneret, --- Influence --- Gand --- Architectes --- Décorateurs d'intérieurs --- Fonctionnalisme (architecture) --- Mouvement moderne (architecture) --- 72.07 --- 72.037(493) --- Eysselinck, Gaston 1907-1953 (°Tienen, België) --- Architectuur ; 1ste helft 20ste eeuw ; G. Eysselinck --- Woningbouw; architectenwoning --- PTT/RTT-gebouw ; Postgebouw Oostende --- Mu.Zee (gebouw) --- Funeraire architectuur ; grafmonumenten --- Meubelontwerp ; design --- Buismeubelen --- Architecten. Stedenbouwkundigen --- Architectuurgeschiedenis ; 1900 - 1950 ; België --- Architecture --- History --- Histoire --- Influence. --- architectuur --- Le Corbusier (pseud.) --- 20ste eeuw --- Architects - Belgium --- Eysselinck, Gaston, - 1907-1953 --- Le Corbusier, - 1887-1965 - Influence --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Décorateurs d'intérieurs --- architectuur. --- Eysselinck, Gaston. --- Le Corbusier (pseud.). --- 20ste eeuw. --- Le Corbusier, - 1887-1965

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"Etat des lieux" est le catalogue du projet usus / usures présenté au pavillon belge à la 12ème Biennale d'architecture de Venise. Cette publication, issue d'une enquête intensive menée sur le territoire belge, analyse l'usure comme un phénomène matériel et comme un agent capable d'influencer les comportements. L'usure y est abordée non pas comme un problème en soi, témoin d'une erreur de conception qu'il faudrait à tout prix éviter, mais comme un processus inévitable qui permet, pour qui s'y intéresse, d'ouvrir la réflexion sur les usages et les pratiques de la construction.

architectuur --- bouwmaterialen --- recyclage --- Architecture --- Waste products as building materials --- Building materials --- Buildings --- Materials --- Strength of materials --- Déchets (Matériaux de construction) --- Construction --- Constructions --- Vices de construction --- Matériaux --- Résistance des matériaux --- Conservation and restoration --- Performance --- Defects --- Mechanical properties --- Maintenance --- Conservation et restauration --- Comportement --- Propriétés mécaniques --- Entretien --- International Architectural Exhibition --- Manifestation artistique --- Vieillissement des matériaux --- Rotor groep --- Années 2010 --- Venise --- Architecture et arts --- Usure (mécanique) --- Détérioration --- Devlieger, Lionel --- Rotor --- 691 --- België --- eenentwintigste eeuw --- sleet --- Boniver Tristan --- Devlieger Lionel --- Ghyoot Michael --- Gielen Maarten --- Lasserre Benjamin --- Tamm Melanie --- d'Hoop Ariane --- Zitouni Benedikte --- architectuurtheorie --- Biënnale van Venetië --- Biennale di Venezia --- Bouwmaterialen (architectuur) --- Materialen (design) --- Exhibitions --- Devlieger, Lionel. --- Rotor. --- Biennale de Venise --- 21e siècle --- Détérioration $v Catalogues d'exposition --- Déchets (Matériaux de construction) --- Matériaux --- Résistance des matériaux --- Propriétés mécaniques --- Détérioration. --- 749.07 --- Hergebruik van meubels, onderdelen en interieurs --- Meubelontwerpers ; designers ; interieurarchitecten --- architecture [discipline] --- exhibitions [events] --- anno 2010-2019 --- Venice --- Usure (mécanique) --- Détérioration.

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Le livre est introduit par des essais qui retracent l'évolution de Le Corbusier en tant qu'architecte d'intérieur, depuis les premiers travaux classicisants jusqu'aux réalisations minimalistes de la maturité, en passant par les célèbres manifestes des années 1920 et 1930. Les collaborations de Pierre Jeanneret et Charlotte Perriand sont également analysées en détail. L'inventaire propose ensuite 370 notices commentant avec précision tous les meubles, intérieurs et aménagements dus à ces architectes [d'après l'éditeur]

Le Corbusier, --- 747.071 --- interieurarchitecten --- Le Corbusier --- meubelen --- interieurs --- interieurvormgeving --- 774.3 --- binnenhuis- en meubelkunst, historisch, ontwerpers afzonderlijk --- Interior decorators --- Furniture designers --- 749.07 --- Meubelontwerpers ; designers ; interieurarchitecten --- Le Corbusier (Charles-Edouard Jeanneret) 1887-1965 (°La Chaux-de-Fonds, Neuchâtel, Zwitserland) --- Jeanneret, Charles-Edouard --- Interieurarchitectuur ; meubelen ; 20ste eeuw ; Le Corbusier --- Décoration intérieure --- Meubles --- Interior decoration --- Dessinateurs de meubles --- Decoration interieure --- Design --- History --- Histoire --- Jeanneret, Pierre, --- Perriand, Charlotte, --- Mobilier d'architecte --- Perriand, Charlotte --- Décoration intérieure --- Corbusier, le --- 772.81 --- productdesign, historisch, 1945-, ontwerpers afzonderlijk --- Design. --- Le Corbusier, Charles-Edouard Jeanneret, --- Le Corbusier (pseudoniem van Charles-Edouard Jeanneret 1887-1965 (°La Chaux-de-Fonds, Neuchâtel, Zwitserland) --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Housekeeping --- Applied arts. Arts and crafts --- catalogues raisonnés --- furnishings [works] --- architectural furniture --- Jeanneret, Pierre