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architectuur --- Sociology of the family. Sociology of sexuality --- moderne kunst --- gezinssociologie --- Modern [styles and periods] --- interior design --- Architecture --- Housekeeping --- Sociology of environment --- architecture [discipline] --- Art --- binnenhuisinrichting --- anno 1800-1999 --- Kunsttheorie ; architectuurtheorie ; onderdrukking van huiselijkheid --- 7.01 --- 72.01 --- Kunst ; theorie, filosofie, esthetica --- Architectuur ; theorie, filosofie, esthetica --- Architecture, Modern. --- Art, Modern. --- Families in art. --- Home in art. --- Modern [style or period] --- Art, Modern --- Architecture, Modern --- Families in art --- Home in art --- Family in art --- Modern art --- Modern architecture --- Nieuwe Ploeg (Group of artists) --- architectuurtheorie

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The official catalog for the 17th International Architecture Exhibition of La Biennale di Venezia consists of two volumes: the first is dedicated to the International Exhibition curated by Hashim Sarkis and the second presents the National Participations and Collateral Events. “How will we live together?” is as much a social and political question as a spatial one: rapidly changing social norms, growing political polarization, climate change and vast global inequalities are making us ask it more urgently than before. In parallel, the weakness of today's political models compels us to look at how architecture shapes inhabitation and community. The architects invited to participate in the Biennale Architettura 2021 are encouraged to include other professions and constituencies—artists, builders and craftspeople, but also politicians, journalists, social scientists and everyday citizens. In effect, the Biennale asserts the vital role of the architect as both cordial convener and custodian of the spatial contract.

Architecture, Modern --- 72.039 --- Biennale van Venetië (2021) ; 17de internationale architectuurtentoonstelling --- Architectuurtheorie ; architectuur en maatschappij --- Architectuurgeschiedenis ; 2000 - 2050 --- International Architectural Exhibition --- Exhibitions --- 71.037 --- 711.61 --- 72.037 --- 72.078 --- Biënnale Venetië --- Biennale Venezia --- Biennale di Venezia --- 21ste eeuw (ruimtelijke ordening) --- Openbare ruimte --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Architectuurtentoonstellingen --- 711.6 --- 72.011 --- 725.91 --- 72.011 Architectuurontwerp. Compositie --- Architectuurontwerp. Compositie --- 711.6 Stadsplanning: stedelijke verkaveling; bebouwingswijze --- Stadsplanning: stedelijke verkaveling; bebouwingswijze --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- Tentoonstellingsgebouwen. Expositiehallen --- 725.91 Tentoonstellingsgebouwen. Expositiehallen --- Architecture --- Exposition internationale d'architecture (17 ; 2021 ; Venise, Italie) --- Expositions internationales --- Art, Modern --- Biennale de Venise --- Moneo, Rafael --- Bardi, Lina Bo, --- Gregotti, Vittorio --- Architecture, Modern - 21st century - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Bardi, Lina Bo, 1914-1992 --- architecture [discipline] --- Exposition internationale d'architecture

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Bij het verschijnen van deze monografie Veranneman in 1984, schrijft Karel Geirlandt: 'Dit boek is in de eerste plaats het warme getuigenis van vrienden, bewonderaars, kunstcritici, kunstverzamelaars, museumconservators, over de enthousiaste dromer en tevens de man van de daad, over de grootmoedige vriend en de scherpe beroepskenner, over het tweekoppig verschijnsel: Emiel en Madeleine Veranneman genaamd.'De auteurs behandelen achtereenvolgens de drie decennia van Verannemans scheppend bestaan, te beginnen met de periode '53-'64, wanneer hij in zijn atelier te Kortrijk de nieuwe kunst en haar integratie in het levensmilieu promoveert. Vervolgens komt het tijdperk '65-'73 aan bod met het verhaal van de prestigieuze galerie in Brussel. Anno 1974, met het verhaal van de Stichting, is het vertrekpunt van een nieuw leven, met als orgelpunt de hedendaagse Veranneman. Een apart hoofdstuk, in het volledige chronologische perspectief, is gewijd aan de realisaties van de pionier van de in de wooncultuur geïntegreerde meubelkunst, van de architect en van de meester-decorateur. Ten slotte wordt het beeld van Veranneman vervolledigd door een innerlijk portret, geschetst door talrijke intieme vrienden.Dank zij de overvloedige historische documentatie en de zeer talrijke reprodukties van representatieve kunstwerken, biedt deze publikatie tevens een breed overzicht van het na-oorlogse internationale kunstgebeuren.(citaat website Stichting DBNL Digitale Bibliotheek voor de Nederlandse Letteren)

Veranneman, Emile --- Art --- Kunst --- Kunstnijverheid --- Métiers d'art --- Veranneman, Emiel --- Art, Modern --- Art appreciation. --- Appréciation --- Appreciation. --- kunstverzamelingen --- interieurinrichting --- meubilair --- 20ste eeuw --- België --- 749 VERANNEMAN, EMIEL --- -Art appreciation --- #KOAR:NP --- 7.074 --- 749.071 VERANNEMAN --- 747.071 VERANNEMAN --- twintigste eeuw --- Veranneman Emiel --- collecties --- verzamelingen --- interieurvormgeving --- meubelkunst --- kunst --- 749.29493 --- Appreciation of art --- Art criticism --- Modern art --- Meubelkunst--VERANNEMAN, EMIEL --- Arts Furniture Belgium --- Analysis, interpretation, appreciation --- -Veranneman, Emile --- Appreciation --- Veranneman, Emile, --- 749 VERANNEMAN, EMIEL Meubelkunst--VERANNEMAN, EMIEL --- -Appreciation --- interieurinrichting (objectcategorie) --- meubilair (objectnaam) --- Appréciation --- Art appreciation --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- interieurinrichting (objectcategorie) (ok) --- België --- Reception of art --- Reception --- FONDATIONS VERANNEMAN --- GALERIE D'ART VERANNEMAN(BRUXELLES,COURTRAI) --- MEUBLES --- VERANNEMAN --- BRUXELLES,COURTRAI --- 20E SIECLE --- BELGIQUE --- GALERIES D'ART

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Art, Belgian --- Gothic revival (Art) --- Kunstgeschiedenis --- Periodes --- neogotiek --- schilderkunst --- beeldhouwkunst --- grafiek --- tekeningen --- toegepaste kunsten --- religieuze kunst --- 19de eeuw --- België --- Architecture --- neogotische kunst --- Gothic Revival --- Bethune, Jean-Baptiste --- anno 1800-1899 --- Belgium --- België [land - BE] --- Bethune, Jean-Baptiste (1821-1894) --- C3 --- C6 --- iconografisch materiaal --- KADOC (x) --- kunstpatrimonium --- kunstwetenschap --- overzicht --- #GGSB: Religieuze kunst --- 7.035 --- architectuur --- Delsaux Jean-Charles --- De Noter P.F --- glasramen --- kerkmeubilair --- negentiende eeuw --- neostijlen --- reliekschrijnen --- (069) --- (493) --- 7.036 --- Neogotiek ; België --- 7.035.3 --- 7.035.3 Kunststijlen: neo-gotiek --- Kunststijlen: neo-gotiek --- Art, Modern --- Arts, Modern --- Revival movements (Art) --- Kunst en cultuur --- Opvoeding, onderwijs, wetenschap --- (Musea. Collecties) --- (België) --- Kunstgeschiedenis ; Realisme. Impressionisme. Naturalisme ; 19de eeuw --- Exhibitions --- Neogotiek --- Religieuze kunst --- Gothic revival (Art) - Belgium - Exhibitions. --- Art, Belgian - 19th century - Exhibitions. --- sculptuur --- 19de eeuw. --- België. --- architecture [discipline]

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The world is in transition. Established ideas and lifestyles are under pressure: everything is in flux. This volatility and ambivalence can lead to uncertainty and even fear. The 2018 Bruges Triennial: Liquid City offers a beacon of hope, presenting a fluid, open and engaged city; Bruges as an engine of social, cultural and political change; a creative melting pot for encounters of all kinds; and a breeding ground for urban innovation. The liquid city of Bruges - literally ringed by the water that once brought it prosperity and fame - becomes a metaphorical Liquid City, characterised by fluidity, transition, influx and exchange: a continuous artistic dynamism that at times flows gently and at others turbulently through the city. The 2018 Bruges Triennial: Liquid City invites internationally acclaimed artists and architects from around the world to interpret the 'Liquid City' theme. They create an art trail dotted with temporary hospitable spaces, conceptual representations and unexpected places for encounters within the historic city centre.

Art --- sculpture [visual works] --- installations [visual works] --- architecture [discipline] --- public art --- site-specific works --- Saraceno, Tomás --- Kozakiewicz, Jarosław --- Nicolodi, Renato --- Paine, Roxy --- Shahroudy Farmanfarmaian, Monir --- Powers, John --- selgascano --- Driessche, Van, Peter --- Meuris, Wesley --- Rotor [Brussels] --- NLÉ --- OBBA [Seoul] --- Ruimteveldwerk --- StudioKCA [New York, N.Y.] --- raumlaborberlin --- Bruges --- Site-specific art --- Public art --- Art, Modern --- 7.039 --- Kunst in de stad ; Brugge ; Triënnale ; 2018 --- Sculptuur en natuur ; kunst en water --- Installaties ; met simulatie van vloeibaarheid, beweeglijkheid --- Kunst in de openbare ruimte --- Beeldende kunst ; participatie van de toeschouwer --- Triënnale van Brugge --- Van dDiessche Peter --- Studiokca --- Shahroudy Farmanfarmaian Monir --- Selgascano --- Saraceno Tomás --- Rotor --- Powers John --- Paine Roxy --- OBBA --- Adeyemi Kunlé --- Nlé --- Nicolodi Renato --- Meuris Wesley --- Kosakiewivz Jaroslaw --- kunst --- Brugge --- kunst en architectuur --- stedenbouw --- raumlabor --- architectuur --- BelgIë --- kunst en openbare ruimte --- stedelijkheid --- Civic art --- Site art --- Site-specific arts --- Arts, Modern --- Kunstgeschiedenis ; 2000 - 2050 --- Exhibitions --- Triennale Brugge --- 72.078 --- Architectuurtentoonstellingen --- Hedendaagse kunst