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Dans un pays imaginaire, deux territoires cohabitent : Ici et Là-bas. Un jour, une explosion survient et Là-bas s'en va, emportant la mer et ne laissant à la place qu'un grand trou. L'histoire met en scène deux personnages : d'un côté, Monsieur Bril, de Là-bas, de l'autre, Mimi, une rescapée de Centre, la portion responsable de l'explosion. Ils vont devoir cohabiter...--[Memento].

Dramatic works --- Theater --- Belgium --- Brussels (Belgium) --- 21st century

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Theatrical science --- Nodier, Charles --- Theater --- History --- Stage history --- Dramatic works --- Theater - France - History - 19th century --- Nodier, Charles - Stage history - France --- Nodier, Charles - Dramatic works

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Theatrical science --- Audiberti, Jacques --- Dramatic works --- Dramatic production --- 840 "19" AUDIBERTI, JACQUES --- Franse literatuur--20e eeuw. Periode 1900-1999--AUDIBERTI, JACQUES --- -Audiberti, Jacques --- -Dramatic production --- 840 "19" AUDIBERTI, JACQUES Franse literatuur--20e eeuw. Periode 1900-1999--AUDIBERTI, JACQUES --- Audiberti, Jacques, --- Audiberti, --- Dramatic production. --- Dramatic works. --- Audiberti, Jacques - Dramatic works --- Audiberti, Jacques - Dramatic production

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Since the Romantic period, Jonson has been an author more respected than read. Frequently compared with Shakespeare, he usually suffers unfairly from the comparison. In this book Anne Barton gives a reading of the plays which completely re-evaluates Jonson as a dramatist. Describing in detail his experimentation with different comic styles and his changing relationship to other Elizabethan and Jacobean poets, particularly Shakespeare, she brings us closer than ever before to Jonson as a man, and as a great artist in comedy. The book proceeds chronologically, play by play, examining such important topics as Jonson's treatment of women, trust among individuals, father and son relationships, and proper names. Anne Barton argues that, despite his espousal of classical principles of decorum and restraint, Jonson was always drawn temperamentally towards the irregular, romantic Elizabethan tradition.

Jonson, Benjamin --- Dramatic works --- 820-2 "16" --- Engelse literatuur: toneel; drama--17e eeuw. Periode 1600-1699 --- 820-2 "16" Engelse literatuur: toneel; drama--17e eeuw. Periode 1600-1699 --- Jonson, Ben, --- Dzhonson, Ben, --- Джонсон, Бен, --- B. J. --- J., B. --- Ionson, Ben, --- Johnson, Ben, --- Jonson, Benjamin, --- דזשאָנסאָנ, בענ --- Dramatic works. --- Iohnson, Ben, --- Arts and Humanities --- Literature --- Jonson, Ben, - 1573?-1637 - Dramatic works --- Jonson, Ben, - 1573?-1637

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Beckett, Samuel, --- Fiction --- Technique --- Dramatic works --- 82-2=20 --- English drama --- -Fiction --- -French drama --- -French literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- English literature --- Toneel. Drama--Engels --- Irish authors --- -Themes, motives --- Themes, motives --- Philosophy --- Beckett, Samuel --- -Dramatic works --- -Toneel. Drama--Engels --- 82-2=20 Toneel. Drama--Engels --- Fiction writing --- Writing, Fiction --- Authorship --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Dramatic works. --- Bikit, Sāmūʼil, --- Fiction - Technique --- Beckett, Samuel, - 1906-1989 - Dramatic works --- Beckett, Samuel, - 1906-1989