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L'age d'or du cinéma americain et européen (du burlesque au néo-réalisme en passant par le film de guerre, la comédie ou le mélodrame) est confronté aux goûts et à la perception de Jean Agee, critique et scénariste.
Film criticism --- Critique cinématographique --- Cinéma --- Films comiques --- Films de guerre --- Theorie du cinema --- Neo-realisme americain --- Cinéaste --- Histoire --- Histoire et critique --- Vigo, Jean --- Rossellini, Roberto --- Laurence, Olivier --- Huston, John --- Griffith, David-Wark --- Dreyer, Carl Théodor --- Chaplin, Charles S. --- Hollywood --- Critique cinématographique --- Cinéma - Californie - Los Angeles - Histoire --- Cinéma - Europe - Histoire --- Films comiques - Histoire et critique --- Films de guerre - Histoire et critique
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Grimshaw's exploration of the role of vision within modern anthropology engages with current debates about ocularcentism, investigating the relationship between vision and knowledge in ethnographic enquiry. Using John Berger's notion of 'ways of seeing', the author argues that vision operates differently as a technique and theory of knowledge within the discipline. In the first part of the book she examines contrasting visions at work in the so-called classical British school, reassessing the legacy of Rivers, Malinowski and Radcliffe-Brown through the lens of early modern art and cinema. In the second part of the book, the changing relationship between vision and knowledge is explored through the anthropology of Jean Rouch, David and Judith MacDougall, and Melissa Llewelyn-Davies. Vision is foregrounded in the work of these contemporary ethnographers, focusing more general questions about technique and epistemology whether image-based media are used or not in ethnographic enquiry.
#SBIB:39A8 --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Anna Grimshaw --- film en etnografie --- visuele antropologie --- Rivers W.H.R. --- Flaherty Robert --- Grierson John --- MacDougall David --- MacDougall Judith --- Llewelyn-Davies Melissa --- Visual anthropology. --- Visual anthropology --- Ethnology --- 391 --- 791.41 --- 791.43 --- antropologie --- documentaire --- etnografie --- film --- filmgeschiedenis --- filmtheorie --- Griffith David Wark --- kubisme --- kunst --- modernisme --- Rivers W.H.R --- Rouch Jean --- twintigste eeuw --- Social Sciences --- Anthropology
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L'image-mouvement, qui a la singularité d'être à la fois un grand livre philosophique et un grand livre de cinéma, indivisiblement, part de cette idée que si, comme on le dit souvent, l'essence du cinéma c'est le mouvement, l'essence de ce mouvement n'a généralement pas été comprise (sinon intuitivement et pratiquement par les grands cinéastes). Le recours de Deleuze à Bergson balaye l'interprétation phénoménologique réductrice qui a dominé toute approche globale du cinéma depuis la guerre, en rapportant celui-ci aux données abstraites de la "perception naturelle".
Cinétique --- -Gilles Deleuze --- film en semiotiek --- deconstructivisme --- cadrering --- Griffith David Wark --- Vertov Dziga --- Gance Abel --- Bergson Henri --- Beckett Samuel --- Pasolini Pier Paolo --- Rohmer Eric --- Vigo Jean --- Grémillon Jean --- Eisenstein Sergei --- von Sternberg Josef --- Dreyer Carl Theodor --- Bresson Robert --- Minnelli Vincente --- Snow Michael --- von Stroheim Erich --- Buñuel Luis --- expressionisme --- naturalisme --- Vidor King --- Ray Nicholas --- Losey Joseph --- filmgenres --- de Mille Cecil B. --- westerns --- Ford John --- Kazan Elia --- komedies --- Chaplin Charles --- Lubitsch Ernst --- Hawks Howard --- Keaton Buster --- Herzog Werner --- Kurosawa Akira --- Mizoguchi Kenji --- Marx Brothers --- Hitchcock Alfred --- Lumet Sidney --- Cassavetes John --- Altman Robert --- Temporalité --- Sémiotique et cinéma --- -#SBIB:309H520 --- Gilles Deleuze --- tijd --- neorealisme --- Rossellini Roberto --- De Sica Vittorio --- Godard Jean-Luc --- Rivette Jacques --- Ozu Yasujiro --- Peirce C.S. --- Carné Marcel --- Mankiewicz Joseph --- Clair René --- flashback --- musicals --- Donen Stanley --- Lewis Jerry --- Tati Jacques --- Ophuls Max --- Renoir Jean --- Fellini Federico --- Visconti Luchino --- Robbe-Grillet Alain --- Resnais Alain --- Kubrick Stanley --- Duras Marguerite --- Straub Jean-Marie --- Syberberg Hans Jürgen --- Motion pictures --- Philosophy. --- #SBIB:309H520 --- #SBIB:309H524 --- 791.41 --- Artaud Antonin --- film --- filmmuziek --- filmtechniek --- filmtheorie --- filosofie --- geluid --- Italië --- Lang Fritz --- lichamelijkheid --- Nietzsche Friedrich --- nouvelle vague --- Peirce C.S --- Rouch Jean --- semiotiek --- Welles Orson --- 791.43.01 --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Philosophy --- Audiovisuele communicatie: algemene werken --- Audiovisuele communicatie: semiotiek --- Bergman Ingmar --- beweging --- de Mille Cecil B --- montage --- Film --- Theatrical science --- Cinéma --- Philosophie et cinéma --- Temps --- Esthétique --- Au cinéma --- Cinéma --- Philosophie --- Film. --- Philosophie et cinéma. --- Sémiotique et cinéma. --- Esthétique. --- Au cinéma. --- FRANCE. --- CDL --- Motion pictures - Philosophy
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Art, German --- Exhibitions --- Art allemand --- Expositions --- History --- Histoire --- Abstract Expressionist --- Neo-Expressionist --- music [discipline] --- Entartete Kunst --- motion pictures [visual works] --- art galleries [institutions] --- Der Blaue Reiter --- video art --- Constructivist --- Expressionist [style] --- Die Brücke --- Neue Sachlichkeit --- Muller, Robert --- Dorazio, Piero --- Hartung, Hans --- Graubner, Gotthard --- Tuggener, Jacob --- Boezem, Marinus --- Wildemann, Heinrich --- Wiene, Robert --- Johnson, Tore --- Winquist, Rolf --- Flanagan, Barry --- Stettner, Louis --- Motherwell, Robert --- Doisneau, Robert --- Burri, Alberto --- Heldt, Werner --- Rothko, Mark --- Riley, Terry --- Wauer, William --- Merfels, Helga --- Mathieu, Georges --- Albiker, Karl --- Hassner, Rune --- Richier, Germaine --- von Stroheim, Erich --- Strüwe, Carl --- Marini, Marino --- Hofer, Karl --- Bischof, Werner --- Maxfield, Richard --- Kunz, Karl --- Schnebel, Dieter --- Castellani, Enrico --- Reisewitz, Wolfgang --- Vedova, Emilio --- Rzewski, Frederic --- Grundig, Lea --- Abbott, Berenice --- Lange, Reinhard --- Dornhege, Hans-Georg --- Corner, Philip --- Coppens, Martien --- Kirchner, Ernst Ludwig --- Piene, Otto --- Kricke, Norbert --- Heizer, Michael --- Hoehme, Gerhard --- Burggaller, Hans-Jürgen --- Schultze, Bernhard --- Hiltmann, Jochen --- Luther, Adolf --- Schmidt-Rottluff, Karl --- Laurens, Henri --- Gaul, Winfred --- Nolde, Emil --- Woldringh, Meinardus --- Camaro, Alexander --- Smithson, Robert --- Poliakoff, Serge --- Schum, Gerry --- Odulf, Tor-Ivan --- Trökes, Heinz --- vonreba --- Amiet, Cuno --- Greis, Otto --- Patterson, Ben --- Ichiyanagi, Toshi --- Volwahsen, Herbert --- Rebay von Ehrenwiesen, Hilla --- Denninghoff, Brigitte --- Strelow, Liselotte --- Auerbach, Erna --- Tone, Yasunao --- Urson, Frank --- Kosugi, Takehisa --- Guston, Philippe --- Watts, Robert --- Goller, Bruno --- Lam, Wifredo --- Knubel, Rudolf --- Gifford, D. F. --- Wols --- Windstosser, Ludwig --- Schneiders, Toni --- Maciunas, Georg --- Barlach, Ernst H. --- Arkhipov, Abram Yefimovich --- Thiemann, Hans --- Jennings, Terry --- Ludwig, Wolfgang --- Götz, Karl Otto --- Zadkine, Ossip --- Schneiderow, Wladimir --- Vertov, Dziga --- Goepfert, Hermann --- Veronesi, Luigi --- Altman, Nathan Isajevitsj --- Lazi, Adolf --- Petrick, Wolfgang --- Schmit, Thomas --- Fietz, Gerhard --- Müller, Otto --- Bussotti, Sylvano --- Hajek-Halke, Heinz --- Brassaï --- Butler, Reginald --- Steinert, Otto --- Ende, Edgar --- Lasch, Kary H. --- Higgins, Dick --- Facchetti, Paul I. --- Boubat, Edouard --- Hödicke, Karl Horst --- Spadoni, Aldo --- Trier, Hann --- Chargesheimer --- Scheibe, Richard --- Mercure, Pierre --- Winter, Fritz --- Dahmen, K.F. (Karl Fred) --- Vostell, Wolf --- Spoerri, Daniel --- Sorge, Peter --- Schumacher, Emil --- Ono, Yoko --- Køpcke, Arthur --- Young, La Monte --- Oppenheim, Dennis --- Groebli, René --- Hofmann, Hans --- Matta, Roberto --- Elkan, Benno --- Diehl, Hans-Jürgen --- Hammarskiöld, Hans --- Sonderborg, K.R.H. --- Orsi, Arrigo --- Keetmann, Peter --- Heckel, Erich --- Cage, John --- Kline, Franz --- Spengler, Arnulf --- Lardera, Berto --- Maria, de, Walter --- Kreutz, Heinz --- Bissier, Julius Heinrich --- Soulages, Pierre --- Hardy, Bert --- Tobey, Mark --- Angenendt, Erich --- Lauterwasser, Siegfried --- Masclet, Daniel --- Finsler, Hans --- Heckroth, Hein --- Kooning, de, Willem --- Nicholson, Ben --- Chadwick, Lynn --- Geiger, Rupprecht --- González, Julio --- Uhlmann, Hans --- Donnan, Leiv Warren --- Matschinsky, Martin --- Koberling, Bernd --- Ynasa, George --- Werner, Theodor --- Nerlinger, Oskar --- Paik, Nam June --- Hebbe, Caroline --- Wilhelm, Jean-Pierre --- Thieler, Fred --- Staël, de, Nicolas --- Baehr, Ulrich --- Williams, Emmett --- Cavael, Rolf --- Rose, Griffith --- Graevenitz, von, Gerhard --- Mack, Heinz --- Strömholm, Christer --- Bellander, Sten Didrik --- Wintersberger, Lambert Maria --- Grzimek, Waldemar --- Imkamp, Wilhelm --- Manessier, Alfred --- Gorky, Arshile --- Ligeti, György --- Rössing, Carl/Karl --- Blum, Kurt --- Uecker, Günther --- Zen 49 --- Mannheim --- Stuttgart --- Dresden --- Berlin --- Munich --- Weimar --- Kunsttentoonstellingen ; Duitsland ; 20ste eeuw --- Modernisme ; belangrijke tentoonstellingen ; Duitsland --- Kunstgeschiedenis ; 1950 - 2000 --- Art --- anno 1900-1999 --- Germany --- earthworks [sculpture] --- photography [process] --- Dada --- Film --- Fluxus --- music [performing arts] --- Iconography --- Museology --- Art styles --- Drawing --- art [fine art] --- drawing [image-making] --- Painting --- Photography --- painting [image-making] --- Music --- art history --- museology --- Corinth, Lovis --- Meistermann, Georg --- Schlemmer, Oskar --- Francis, Sam --- Long, Richard --- Hajek, Otto Herbert --- Bill, Max --- Calder, Alexander --- Felixmüller, Conrad --- Picasso, Pablo --- Pollock, Jackson --- Archipenko, Alexander --- Frankenthaler, Helen --- Nay, Ernst Wilhelm --- Appel, Karel --- Klein, Yves --- Man Ray --- Dix, Otto --- Fautrier, Jean --- Rauschenberg, Robert --- Manzoni, Piero --- Fontana, Lucio --- Marcks, Gerhard --- Bacon, Francis --- Moore, Henry --- Dibbets, Jan --- Smith, David --- Giacometti, Alberto --- Lüpertz, Markus --- Corneille --- Wotruba, Fritz --- Brecht, George --- Lipchitz, Jacques --- anno 1970-1979 --- anno 1960-1969 --- anno 1920-1929 --- anno 1900-1909 --- anno 1950-1959 --- anno 1940-1949 --- anno 1980-1989 --- anno 1910-1919 --- anno 1930-1939 --- anno 2000-2099 --- Russia --- Paris --- London --- moderne kunst --- tentoonstellingen --- 20ste eeuw --- Duitsland --- Modernism (Art) --- Art, Modern --- Dahmen, Karl Fred --- Rössing, Karl --- Schmit, Tomas --- Exhibitions. --- Rebay, Hilla --- (069) --- 7.038 --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- (Musea. Collecties) --- Müller, Robert --- Rebay, von, Hilla --- Art, Modern - 20th century --- Modernism (Art) - Germany --- Art, German - 20th century --- 20ste eeuw. --- Duitsland. --- tentoonstellingsorganisme --- zero --- verzameling André Ryckmans. --- Ryckmans, André
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