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Sculpture --- anno 1200-1499 --- Burgundy --- Sculpture, French --- -Sculpture, Gothic --- -Sculpture, French --- -Sculpture, Medieval --- -Gothic sculpture --- Sculpture, Medieval --- French sculpture --- Sculpture, Gothic --- -Sculpture --- Gothic sculpture --- Sculpture, French - - Burgundy - France --- -Sculpture, Gothic - - Burgundy - France --- Sculpture gothique --- Bourgogne (france) --- 15e siècle --- France
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Sculpture, Gothic --- Doorways, Gothic --- Portails gothiques --- Doorways --- Architecture, Gothic --- Gothic sculpture --- Sculpture, Medieval --- Portals --- Architecture --- Doors --- Porches --- Details --- Gothic architecture --- Christian antiquities --- Church architecture
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In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts
Sculpture, Gothic --- Sculpture, Medieval --- Church architecture --- Sculpture gothique. --- Architecture gothique --- Christian art and symbolism --- Church doorways --- Themes, motives. --- Gothic sculpture --- Sculpture, Gothic - England --- Church architecture - England --- Church architecture - Europe
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Sculpture --- Religious architecture --- Painting --- anno 1200-1499 --- anno 1500-1599 --- Cadaver in art --- Sepulchral monuments, Gothic --- Sculpture, Gothic --- Sculpture, Renaissance --- Monuments funéraires gothiques --- Sculpture gothique --- Sculpture de la Renaissance --- 7.04 --- Sculpture, Medieval --- Gothic sepulchral monuments --- Renaissance sculpture --- Gothic sculpture --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Monuments funéraires gothiques --- Dead in art.
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Civilization, Medieval --- Sculpture, European --- Sculpture, Gothic --- Sculpture, Romanesque --- Civilisation médiévale --- Sculpture européenne --- Sculpture gothique --- Sculpture romane --- -Sculpture, Romanesque --- -Sculpture, Medieval --- -European sculpture --- Romanesque sculpture --- Gothic sculpture --- European sculpture --- Sculpture, Medieval --- Civilisation médiévale --- Sculpture européenne --- Sculpture, Romanesque - Europe --- Sculpture, Gothic - Europe
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Im Zentrum von Buch und Ausstellung stehen die weltberühmten Stifterfiguren und die ausdrucksstark gestalteten Darstellungen der Leidensgeschichte Christi am Westlettner. Um diesen Werkkomplex gruppiert sind ca. 300 bedeutende Leihgaben aus zahlreichen europäischen Ländern und den USA: Skulpturen und Architekturfragmente im Original und Gipsabguss, Glasmalerei, illuminierte Handschriften, Werke der Goldschmiede- und Elfenbeinschnitzkunst, Beispiele aus dem Bereich der Ritterkultur etc. Die Naumburger Landesausstellung vermag erstmals, den Grossteil der mit dem Naumburger Meister in Verbindung gebrachten Oeuvres in Naumburg in Form von Originalen und Abformungen zu versammeln. Exhibition: Landesausstellung Sachsen-Anhalt, Naumburg (29.6-2.11.2011).
Sculpture, French --- Architecture, Medieval --- Sculpture, German --- Sculpture française --- Architecture médiévale --- Sculpture allemande --- Naumburger Meister, --- Sculpture, Gothic --- Architecture, Gothic --- Exhibitions --- Sculpture française --- Architecture médiévale --- Gothic sculpture --- Gothic architecture --- Master of Naumburg, --- Meister von Naumburg, --- Naumburg Master, --- Sculpture, Medieval --- Christian antiquities --- Church architecture --- Sculpture, Gothic - Exhibitions --- Architecture, Gothic - Exhibitions --- Naumburger Meister, - active 13th century - Exhibitions --- Naumburger Meister, - active 13th century
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Manufacturing technologies --- Sculpture --- Christian religion --- Art styles --- anno 1200-1499 --- France --- Column figures (Sculpture) --- Sculpture, Gothic --- Statues-colonnes (Sculpture) --- Sculpture gothique --- Figure sculpture, French --- Christian art and symbolism --- Art and society --- Church doorways --- History --- Sculpture gothique -- France --- Gothic sculpture --- Column-figure sculpture --- Column statues --- Sculpture, Medieval --- Church architecture --- Figure sculpture --- Details --- Sculpture, Gothic - France --- Christian art and symbolism - Medieval, 500-1500 --- Art and society - France - History - To 1500 --- Church doorways - France - History - To 1500
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Sculpture --- Iconography --- anno 500-1499 --- France --- Marginality, Social, in art --- Sculpture, Gothic --- Sculpture, Medieval --- Sculpture, Romanesque --- Marginalité dans l'art --- Sculpture gothique --- Sculpture médiévale --- Sculpture romane --- Themes, motives --- Thèmes, motifs --- -Sculpture, Medieval --- -Sculpture, Romanesque --- -Romanesque sculpture --- Gothic sculpture --- -Themes, motives --- Marginalité dans l'art --- Sculpture médiévale --- Thèmes, motifs --- Romanesque sculpture --- Sculpture, Gothic - France - Themes, motives --- Sculpture, Medieval - France - Themes, motives --- Sculpture, Romanesque - France - Themes, motives
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beeldhouwkunst --- houten beelden --- geschiedenis --- geografie --- middeleeuwen --- woodwork --- Sculpture, Medieval --- Wood sculpture, Gothic --- Sculpture médiévale --- Sculpture sur bois gothique --- Polychromie --- -Sculpture, Gothic --- -Sculpture, Medieval --- -Wood sculpture, Gothic --- -Gothic wood sculpture --- Gothic sculpture --- Color in sculpture --- Color --- Sculpture médiévale --- Polychromy --- Sculpture --- Congresses --- anno 500-1499 --- Sculpture, Gothic --- Gothic wood sculpture --- Sculpture gothique --- Congresses. --- Congrès --- woodwork [general works] --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Sculpture, Gothic - Congresses --- Sculpture, Medieval - Congresses --- Wood sculpture, Gothic - Congresses --- Polychromy - Congresses --- sculptuur
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Christelijke heiligen in de kunst --- Christelijke heiligen--Iconografie --- Christelijke heiligen--Kunst --- Christelijke iconografie --- Christian saints in art --- Christian saints--Art --- Christian saints--Iconography --- Heiligen [Christelijke ]--Iconografie --- Heiligen [Christelijke ]--Kunst --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Saints chrétiens dans l'art --- Saints chrétiens--Art --- Saints chrétiens--Iconographie --- Sculpture --- History --- Christian art and symbolism --- Sculpture, French --- Sculpture, High Gothic --- High Gothic sculpture --- Sculpture, Gothic --- Sculpture, Medieval --- French sculpture --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- High Gothic --- Sculpture [High Gothic ] --- France --- Rouergue --- Languedoc (France) --- Sculpture [French ] --- Mary [Blessed Virgin ] --- Art --- Symbolism in art --- Sculpture - History
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