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Depuis les avant-gardes des années 1920 et 1930, les artistes questionnent le médium photographique lui-même pour tenter de comprendre sa qualité ou sa spécificité. «L'essence de l'esprit moderne, écrivait le critique américain Clement greenberg, se définit par l'utilisation de certaines méthodes propres à une discipline pour critiquer cette discipline elle-même, non dans un but subversif, mais afin de déterminer exactement son domaine de compétence». Les artistes du pop art, de l'art conceptuel et du postmodernisme ont poussé plus loin cette interrogation de la photographie sur elle-même. Il s'agissait moins de définir le domaine de compétence du médium afin de lui assurer une légitimité dans le concert des arts que de questionner l'idée que l'on s'en faisait désormais. Dans la période contemporaine, l'avènement des technologies numériques a suscité de nouvelles formes d'expérimentations destinées à tester et à mettre en évidence les fonctionnalités du nouvel outil.
Photography --- Photographie --- Philosophy --- Philosophie --- Photographes --- Musée national d'art moderne-Centre de création industrielle $c Paris --- fotografie --- twintigste eeuw --- eenentwintigste eeuw --- fotografietheorie --- fotografische techniek --- Beuys Joseph --- Brassaï --- Campeau Michel --- Citroen Paul --- Garnell Jean-Louis --- Gerz Jochen --- Gordon Douglas --- Hermanowicz Mariusz --- Hilliard John --- Karquel Gaston --- Kertész André --- Lerner Nathan --- Man Ray --- Morell Abelardo --- Morris Robert --- Mulas Ugo --- Oppenheim Denis --- Paolini Giulio --- Paradeis Florence --- Rautert Imm --- Robakowski Jozef --- Roche Denis --- Saudek Jan --- Tosani Patrick --- Wall Jeff --- Welling James --- 77.01 --- Exhibitions --- Musée national d'art moderne-Centre de création industrielle --- Analyse de l'art --- Pop art --- Postmodernisme --- Art conceptuel --- Art contemporain --- Avant-garde
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Art, German --- Exhibitions --- Art allemand --- Expositions --- History --- Histoire --- Abstract Expressionist --- Neo-Expressionist --- music [discipline] --- Entartete Kunst --- motion pictures [visual works] --- art galleries [institutions] --- Der Blaue Reiter --- video art --- Constructivist --- Expressionist [style] --- Die Brücke --- Neue Sachlichkeit --- Muller, Robert --- Dorazio, Piero --- Hartung, Hans --- Graubner, Gotthard --- Tuggener, Jacob --- Boezem, Marinus --- Wildemann, Heinrich --- Wiene, Robert --- Johnson, Tore --- Winquist, Rolf --- Flanagan, Barry --- Stettner, Louis --- Motherwell, Robert --- Doisneau, Robert --- Burri, Alberto --- Heldt, Werner --- Rothko, Mark --- Riley, Terry --- Wauer, William --- Merfels, Helga --- Mathieu, Georges --- Albiker, Karl --- Hassner, Rune --- Richier, Germaine --- von Stroheim, Erich --- Strüwe, Carl --- Marini, Marino --- Hofer, Karl --- Bischof, Werner --- Maxfield, Richard --- Kunz, Karl --- Schnebel, Dieter --- Castellani, Enrico --- Reisewitz, Wolfgang --- Vedova, Emilio --- Rzewski, Frederic --- Grundig, Lea --- Abbott, Berenice --- Lange, Reinhard --- Dornhege, Hans-Georg --- Corner, Philip --- Coppens, Martien --- Kirchner, Ernst Ludwig --- Piene, Otto --- Kricke, Norbert --- Heizer, Michael --- Hoehme, Gerhard --- Burggaller, Hans-Jürgen --- Schultze, Bernhard --- Hiltmann, Jochen --- Luther, Adolf --- Schmidt-Rottluff, Karl --- Laurens, Henri --- Gaul, Winfred --- Nolde, Emil --- Woldringh, Meinardus --- Camaro, Alexander --- Smithson, Robert --- Poliakoff, Serge --- Schum, Gerry --- Odulf, Tor-Ivan --- Trökes, Heinz --- vonreba --- Amiet, Cuno --- Greis, Otto --- Patterson, Ben --- Ichiyanagi, Toshi --- Volwahsen, Herbert --- Rebay von Ehrenwiesen, Hilla --- Denninghoff, Brigitte --- Strelow, Liselotte --- Auerbach, Erna --- Tone, Yasunao --- Urson, Frank --- Kosugi, Takehisa --- Guston, Philippe --- Watts, Robert --- Goller, Bruno --- Lam, Wifredo --- Knubel, Rudolf --- Gifford, D. F. --- Wols --- Windstosser, Ludwig --- Schneiders, Toni --- Maciunas, Georg --- Barlach, Ernst H. --- Arkhipov, Abram Yefimovich --- Thiemann, Hans --- Jennings, Terry --- Ludwig, Wolfgang --- Götz, Karl Otto --- Zadkine, Ossip --- Schneiderow, Wladimir --- Vertov, Dziga --- Goepfert, Hermann --- Veronesi, Luigi --- Altman, Nathan Isajevitsj --- Lazi, Adolf --- Petrick, Wolfgang --- Schmit, Thomas --- Fietz, Gerhard --- Müller, Otto --- Bussotti, Sylvano --- Hajek-Halke, Heinz --- Brassaï --- Butler, Reginald --- Steinert, Otto --- Ende, Edgar --- Lasch, Kary H. --- Higgins, Dick --- Facchetti, Paul I. --- Boubat, Edouard --- Hödicke, Karl Horst --- Spadoni, Aldo --- Trier, Hann --- Chargesheimer --- Scheibe, Richard --- Mercure, Pierre --- Winter, Fritz --- Dahmen, K.F. (Karl Fred) --- Vostell, Wolf --- Spoerri, Daniel --- Sorge, Peter --- Schumacher, Emil --- Ono, Yoko --- Køpcke, Arthur --- Young, La Monte --- Oppenheim, Dennis --- Groebli, René --- Hofmann, Hans --- Matta, Roberto --- Elkan, Benno --- Diehl, Hans-Jürgen --- Hammarskiöld, Hans --- Sonderborg, K.R.H. --- Orsi, Arrigo --- Keetmann, Peter --- Heckel, Erich --- Cage, John --- Kline, Franz --- Spengler, Arnulf --- Lardera, Berto --- Maria, de, Walter --- Kreutz, Heinz --- Bissier, Julius Heinrich --- Soulages, Pierre --- Hardy, Bert --- Tobey, Mark --- Angenendt, Erich --- Lauterwasser, Siegfried --- Masclet, Daniel --- Finsler, Hans --- Heckroth, Hein --- Kooning, de, Willem --- Nicholson, Ben --- Chadwick, Lynn --- Geiger, Rupprecht --- González, Julio --- Uhlmann, Hans --- Donnan, Leiv Warren --- Matschinsky, Martin --- Koberling, Bernd --- Ynasa, George --- Werner, Theodor --- Nerlinger, Oskar --- Paik, Nam June --- Hebbe, Caroline --- Wilhelm, Jean-Pierre --- Thieler, Fred --- Staël, de, Nicolas --- Baehr, Ulrich --- Williams, Emmett --- Cavael, Rolf --- Rose, Griffith --- Graevenitz, von, Gerhard --- Mack, Heinz --- Strömholm, Christer --- Bellander, Sten Didrik --- Wintersberger, Lambert Maria --- Grzimek, Waldemar --- Imkamp, Wilhelm --- Manessier, Alfred --- Gorky, Arshile --- Ligeti, György --- Rössing, Carl/Karl --- Blum, Kurt --- Uecker, Günther --- Zen 49 --- Mannheim --- Stuttgart --- Dresden --- Berlin --- Munich --- Weimar --- Kunsttentoonstellingen ; Duitsland ; 20ste eeuw --- Modernisme ; belangrijke tentoonstellingen ; Duitsland --- Kunstgeschiedenis ; 1950 - 2000 --- Art --- anno 1900-1999 --- Germany --- earthworks [sculpture] --- photography [process] --- Dada --- Film --- Fluxus --- music [performing arts] --- Iconography --- Museology --- Art styles --- Drawing --- art [fine art] --- drawing [image-making] --- Painting --- Photography --- painting [image-making] --- Music --- art history --- museology --- Corinth, Lovis --- Meistermann, Georg --- Schlemmer, Oskar --- Francis, Sam --- Long, Richard --- Hajek, Otto Herbert --- Bill, Max --- Calder, Alexander --- Felixmüller, Conrad --- Picasso, Pablo --- Pollock, Jackson --- Archipenko, Alexander --- Frankenthaler, Helen --- Nay, Ernst Wilhelm --- Appel, Karel --- Klein, Yves --- Man Ray --- Dix, Otto --- Fautrier, Jean --- Rauschenberg, Robert --- Manzoni, Piero --- Fontana, Lucio --- Marcks, Gerhard --- Bacon, Francis --- Moore, Henry --- Dibbets, Jan --- Smith, David --- Giacometti, Alberto --- Lüpertz, Markus --- Corneille --- Wotruba, Fritz --- Brecht, George --- Lipchitz, Jacques --- anno 1970-1979 --- anno 1960-1969 --- anno 1920-1929 --- anno 1900-1909 --- anno 1950-1959 --- anno 1940-1949 --- anno 1980-1989 --- anno 1910-1919 --- anno 1930-1939 --- anno 2000-2099 --- Russia --- Paris --- London --- moderne kunst --- tentoonstellingen --- 20ste eeuw --- Duitsland --- Modernism (Art) --- Art, Modern --- Dahmen, Karl Fred --- Rössing, Karl --- Schmit, Tomas --- Exhibitions. --- Rebay, Hilla --- (069) --- 7.038 --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- (Musea. Collecties) --- Müller, Robert --- Rebay, von, Hilla --- Art, Modern - 20th century --- Modernism (Art) - Germany --- Art, German - 20th century --- 20ste eeuw. --- Duitsland. --- tentoonstellingsorganisme --- zero --- verzameling André Ryckmans. --- Ryckmans, André
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