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En écoutant la chanson Blackbird, Fanny roule vers son ultime refuge, un camping sous la neige, où, avec l'aide de ses derniers habitants, elle essayera de régler ses soucis et de panser ses blessures.

Loneliness --- 741.5.07 --- Social isolation --- Suffering --- Solitude --- Tekenkunst ; striptekenaars ; cartoonisten A - Z --- Bande dessinée --- Stripverhalen ; Paysage après la bataille ; door E. Lambé --- Belgische kunstenaars --- Graphic Novels --- Beeldverhalen ; comics --- Stripromans --- Lambé, Eric °1966 (°Aarlen, België) --- 741.571 LAMBÉ --- tekenkunst --- kunst --- Lambé Eric --- eenentwintigste eeuw --- België --- beeldverhaal --- strips

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Rops, Félicien --- Briefwisseling --- Catalogues d'expositions --- Correspondance --- Tentoonstellingscatalogi --- Artists --- Artistes --- Correspondence --- Rops, Félicien, --- Exhibitions. --- Notebooks, sketchbooks, etc. --- briefwisseling --- Rops, Félicien 1833-1898 (°Namen, België) --- Tekenkunst ; 19de eeuw ; geïllustreerde brieven ; F. Rops --- Belgische kunstenaars --- 741.07 --- (069) --- Tekenkunst ; tekenkunstenaars A - Z --- (Musea. Collecties) --- Rops, Félicien, --- Persons --- Rops, Félicien Victor Joseph, --- Rops, Felicien --- Catalogs --- Exhibitions --- Rops, Félicien Joseph Victor --- Rops, Félicien --- Artists - Belgium --- Rops, Félicien, - 1833-1898 --- Rops, Félicien.

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The Hamburger Kunsthalle is showing the most extensive retrospective to date of the work of Belgian artist Philippe Vandenberg (1952-2009), comprising some 80 paintings and over 120 drawings and prints. This is the first show devoted to Vandenberg in Germany, inviting visitors to discover an important artist who may be unfamiliar to them. Highly acclaimed in his home country of Belgium, Vandenberg produced a radical and unsparing œuvre that is just now achieving greater international prominence. The title of the exhibition, Kamikaze, describes the artist's drastic working methods and results, a basic precept of which is that creativity is only possible through the deliberate destruction of what has gone before. Going beyond any single artistic "style", Vandenberg created complex images of our times which resonate with both contemporary pertinence and existential significance. The majority of the works on loan came from the artist's estate and are now being presented to the public for the first time. Exhibition: Hamburger Kunsthalle, Germany (16.11.2018 - 24.02.2019).

Vandenberg, Philippe --- Painting, Belgian --- exhibitions --- Vandenberg, Philippe, --- Painters --- Biography --- Attitudes --- Drawing --- Painting --- drawings [visual works] --- easel paintings [paintings by form] --- kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- Vandenberg Philippe --- tekenkunst --- schilderkunst --- 741.071 VANDENBERG --- 75.071 VANDENBERG --- Exhibitions --- Art --- drawing [image-making] --- painting [image-making] --- collage [technique] --- blood [animal material] --- 75.07 --- Vandenberg, Philippe 1952-2009 (°Gent, België) --- Belgische kunstenaars --- Schilderkunst ; schilders --- Nonobjective --- texts [documents] --- Vandenberg, Philippe, - 1952-2009 --- Vandenberg, Philippe, 1952-2009 --- Vandenberg, Philippe.

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Connu dans le monde entier pour ses travaux controversés, tels que "cloaca" ou ses cochons tatoués, Wim Delvoye (1965) mélange culture élitiste et imagerie populaire. Mêlant ainsi l'artisanat et le concept, l'ironie et la provocation iconoclaste. Ce catalogue, qui accompagne l'exposition "Knockin' on heaven's door" porte sur l'ensemble des œuvres gothiques élaborées par Delvoye depuis 2000 : la pièce maîtresse en est "Torre (Venezia)" de 17 mètres qui se trouve actuellement sur le toit de Bozar, après avoir été exposée à Venise (2009). Puis à Paris (2010), liées aux motifs gothiques d'un point de vue thématique et formel. Les oeuvres en bronze des "crucifix" torsadés poursuivent l'exploration de la religion, de la science et des relations qui les unissent.

Delvoye, Wim --- Art, Gothic --- Influence --- Themes, motives --- 7.07 --- 7.039 --- (069) --- Beeldende kunst ; installaties ; 2000-2010 ; Wim Delvoye --- Delvoye, Wim °1965 (°Wervik, België) --- Belgische kunstenaars --- Tentoonstellingscatalogi ; Brussel ; Paleis voor Schone Kunsten --- Kunst, religie en wetenschap --- kunst --- België --- architectuur --- kunst en architectuur --- installaties --- beeldhouwkunst --- tekenkunst --- Delvoye Wim --- gotiek --- kunst en religie --- 7.071 DELVOYE --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 2000 - 2050 --- (Musea. Collecties. Tentoonstellingen) --- Exhibitions --- Conceptual --- Baroque Revival --- Gothic art --- Art, Medieval --- Christian art and symbolism --- Art, Belgian --- Delvoye, Wim, --- Art, Gothic - Influence - Exhibitions --- Delvoye, Wim - Themes, motives - 1965- - Exhibitions --- Delvoye, Wim. --- Delvoye, wim (1965-....) --- Delvoye, Wim - 1965 --- -Art, Gothic --- -Conceptual

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Hoeydonck, van, Patrick --- Beeldhouwkunst --- Sculpture --- Van Hoeydonck, P. --- Van Hoeydonck, Patrick --- C3 --- kunstenaars --- Van Hoeydonck, Patrick (1959-1984) --- plastische kunsten --- fotoboek --- Patrick van Hoeydonck 1959-1984 (°Merksem). Zoon van Paul Van Hoeydonck. --- Keramiek ; beeldhouwkunst ; 1970-1984 ; Patrick Van Hoeydonck --- Belgische kunstenaars --- 738.07 --- 73.07 --- Twombly, Cy --- Kunst en cultuur --- Keramiek ; keramiekkunstenaars, pottenbakkers --- Beeldhouwkunst ; beeldhouwers A - Z --- 921 --- Patrick van Hoeydonck 1959-1984 (°Merksem). Zoon van Paul Van Hoeydonck --- sculpture [visual works] --- porcelain [material] --- faience [earthenware] --- studio ceramics --- 790 --- beeldhouwkunst 20ste eeuw --- België beeldhouwkunst --- artistes