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"Depuis près de quinze ans, Cécile Massart développe un travail centré sur la mémoire du déchet nucléaire et son devenir, sujet unique de l'artiste. Au fil des nombreux sites étudiés, en Europe d'abord, au Brésil et en Inde ensuite, et enfin à Rokkasho au Japon, Cécile Massart modifie la nature du regard qu'elle porte sur ces lieux. Après s'être attachée au marquage et à l'archivage des déchets eux-mêmes, l'artiste développe un travail sur les sites où sont conservés ces résidus radioactifs: lieux isolés autant que camouflés dans une programmation volontaire d'un effacement progressif. Dans Cover - ce qui couvre et est visible -, Cécile Massart se penche, cette fois, sur la couverture architecturale de ces sites radioactifs cachés dans des périphéries insoupçonnées. L'artiste veut les rendre visibles et identifiables, leur donner des lettres de noblesse qui renoue avec une certaine forme d'architecture funéraire, en particulier, celle du XVIIIe siècle, rêvée par les visionnaires Ledoux et Boullée" --
Architecture in art. --- Architectural drawing. --- Massart, Cécile.
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Private houses --- Graphic arts --- architectural drawings [visual works] --- Palazzi di Genova --- Rubens, Peter Paul --- Genoa --- Architectural drawing --- Architecture, Renaissance --- Rubens, Peter Paul, --- Criticism and interpretation --- architectuur (bouwwerken) --- grafiek --- 720.945 --- Arts Architecture Italy --- Catalogs --- Italy --- Genoa (Italy) --- 16th century --- Criticism and interpretation. --- burgerlijke architectuur; gebouwen; huisvesting --- Architectural drawing - Italy --- Architecture, Renaissance - Italy - Genoa --- Architectural drawing - 17th century --- Architectural drawing - Netherlands --- Rubens, Peter Paul.
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architectural drawings [visual works] --- Ducerceau, Jacques Androuet --- Architectural drawing --- Architectural drawing, Renaissance --- Architecture --- Architecture, Renaissance --- Castles --- Androuet du Cerceau, Jacques, --- Architectural drawing - France - 16th century - Exhibitions. --- Architectural drawing, Renaissance - France - Exhibitions --- Architecture - Designs and plans - Exhibitions --- Architecture, Renaissance - France - Exhibitions --- Castles - France - Illustrations - Exhibitions --- Androuet du Cerceau, Jacques, - fl. 1549-1584 - Exhibitions --- Androuet du Cerceau, Jacques, - fl. 1549-1584 --- architectuur, Frankrijk --- Androuet Ducerceau, Jacques
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L'ouvrage étudie la genèse médiévale du dessin d'architecture, entièrement liée à l'émergence du statut moderne de l'architecte, dans son contexte à la fois esthétique et historique. Ce livre retrace le développement du dessin d'architecture depuis le carnet de Villard de Honnecourt jusqu'aux illustrations de Vitruve, aux dessins de Raphaël, de Boullée, de Viollet-le-Duc, et de Théo van Doesburg (extrait de la jaquette)
Art --- Architecture --- Iconography --- Architectural drawing, Renaissance --- Architectural drawing, Medieval --- Architectural drawing --- Dessin d'architecture de la Renaissance --- Dessin d'architecture médiéval --- Dessin d'architecture --- History --- Histoire --- Histoire du dessin --- Histoire de l'architecture --- Traité d'architecture --- Vitruve --- Dessins et plans --- Vitruve, --- Dessin d'architecture médiéval --- Europe --- Dessins et plans. --- Histoire. --- History. --- Architectural drawing - Europe.
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Religious architecture --- architectural drawing [process] --- Gothic [Medieval] --- cathedrals [buildings] --- anno 500-1499 --- France --- Belgium --- Germany --- Switzerland --- Architectural drawing, Medieval --- Architectural drawing --- Architecture, Gothic --- Church architecture --- 72.033.5 --- 726 --- Gotische bouwkunst. Architectuur van de late-Middeleeuwen --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- 726 Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- 72.033.5 Gotische bouwkunst. Architectuur van de late-Middeleeuwen --- Ecclesiastical architecture --- Rood-lofts --- Christian art and symbolism --- Church buildings --- Gothic architecture --- Christian antiquities --- Medieval architectural drawing --- Drawing, Architectural --- Plans --- Architectural design --- Communication in architectural design --- Drawing --- Mechanical drawing --- Architectural drawing, Medieval - Germany - Rhineland - Catalogs --- Architectural drawing - Germany - Rhineland - Catalogs --- Architecture, Gothic - Germany - Rhineland - Catalogs --- Church architecture - Germany - Rhineland - Catalogs --- Architectural drawing, Medieval - Switzerland - Catalogs --- Architectural drawing, Medieval - France - Strasbourg - Catalogs --- Architectural drawing, Medieval - Belgium - Catalogs --- Architecture, Gothic - France - Strasbourg - Catalogs --- Architecture, Gothic - Switzerland - Catalogs --- Architecture, Gothic - Belgium - Catalogs --- cathedrals [works by context] --- religieuze architectuur
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This two-volume catalogue is the second part of the catalogue raisonné devoted to architectural and topographical drawings from the Paper Museum commissioned and collected by Cassiano dal Pozzo (1588-1657) and his younger brother Carlo Antonio (1606-89). The first Part (A.IX), published in 2004, was dedicated to drawings of ancient Roman topography and architecture; this one covers Renaissance and seventeenth-century architectural drawings.These are now divided between the Royal Library at Windsor Castle, the British Museum and numerous other collections. Bringing them together emphasises the range and quality of the collection, and their comprehensive coverage of Renaissance architecture, including churches, palaces, villas and military fortifications, as well as designs for architectural fitments and decorative schemes. Many of these are live project drawings from the hands, workshops or immediate circles of distinguished sixteenth- and seventeenth-century architects, including Raphael, Giulio Romano, Antonio da Sangallo the Younger and Gianlorenzo Bernini. As such they are connected with some of the most important buildings constructed or remodelled during this period, among them St Peter's and St John Lateran in Rome and the princely palaces in Mantua, Piacenza and Granada in Spain. A smaller group of drawings is associated with architectural theory and includes a remarkable series of façade schemes here attributed to Sebastiano Serlio.The introductory essay in Volume One explores the distinctive character of this part of the dal Pozzo collection. It is followed by the catalogue entries, grouped into schemes for whole buildings, with the plans and elevations (or both) of ecclesiastical and secular works arranged according to their location in Italy or, occasionally, France, Spain and elsewhere. Volume Two is principally concerned with architectural fitments, such as church furnishings, doorways and chimneys, as well as painted decorations and carved ornaments. It then moves to military subjects, cataloguing drawings of fortifications, sieges and related subjects, followed by drawings of topographical views and two drawings, omitted in A.IX, of ancient decorative designs.
Drawing --- architectuur --- Renaissance --- ornaments --- British Renaissance-Baroque architecture styles --- Architecture --- architecture [discipline] --- ornamenten --- Pozzo, dal, Cassiano --- Architectural drawing --- Architectural drawing, Renaissance --- Decoration and ornament, Renaissance --- Dal Pozzo, Cassiano, --- Art collections --- Architecture [Renaissance ] --- Italy --- Decoration and ornament [Renaissance ] --- ornaments [object genre] --- Dessin d'architecture de la Renaissance --- Dessin décoratif --- Dal Pozzo, Cassiano --- Collections d'art --- Collections d'art. --- Dessin décoratif. --- Art collections. --- Architectural drawing - Italy - Catalogs --- Architectural drawing, Renaissance - Catalogs --- Decoration and ornament, Renaissance - Catalogs --- Dal Pozzo, Cassiano, - 1588-1657 --- Dal Pozzo, Cassiano, - 1588-1657 - Art collections - Catalogs --- Architectural drawing. --- Architectural drawing, Renaissance. --- Military architecture. --- Decoration and ornament, Renaissance. --- Dessin d'architecture de la Renaissance. --- Architecture militaire.
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Measured drawing. --- Architectural drawing --- Surveying. --- Relevés d'architecture --- Dessin d'architecture --- Arpentage --- Methodology --- Handbooks, manuals, etc. --- Méthodologie --- Traités, manuels etc --- Methodology. --- Photogrammetrie --- Architektur --- Architekturdarstellung --- Relevés d'architecture --- Méthodologie --- Traités, manuels etc --- Architectural drawing - Methodology.
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This book is an essay on architectural drawings of the Greek and Roman world. The first chapter is focused on the possibility that ancient treatises of architectures were endowed with drawings in order to make clear expositions which sometimes were not easily explainable only with words. Then the drawings which once clarified the treatise of Vitruvius are considered. The problem concerning the possible presence of drawings in post-Vitruvian architectural treatises is also discussed. The issue as to whether descriptive literary compositions sometimes contained illustrations as well is also examined. Then representations of architecture in Roman treatises on divisions of land (the so called gromatic treatises) are considered. The references to architectural drawings in literary and epigraphical testimonia are collected and a catalogue of the surviving Greek and Roman drawings of buildings or of parts of them is given. Thus this research offers all the basic data for the study of an important tool in the context of architecture in antiquity.
Architectural drawing --- Dessin d'architecture --- Architecture grecque --- Architecture, Greek --- Architecture romaine --- Architecture, Roman --- Dessins et plans --- Designs and plans --- Designs and plans. --- Greece --- Rome
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Les archives d'architecture ont accompagné, l'évolution d'une profession intimement liée à nos modes de vie. À l'heure où entreprendre l'histoire de sa maison est un loisir pour un nombre croissant de Français, ce livre propose une réflexion sur notre manière de conserver le récit des bâtiments qui nous entourent. À partir des esquisses, des photographies et des calques, les historiens retracent, aujourd'hui, les conditions dans lesquelles nos villes et nos paysages ont été construits hier. Réfléchir sur l'existence de l'archive d'architecture et sur les enjeux de sa conservation, c'est s'interroger sur la fragilité de notre mémoire collective, et sur les moyens que nous nous donnons pour la recueillir. Alors que la production de données n'a jamais été aussi importante, et qu'à la masse du papier s'ajoutent les sauvegardes numériques, les archives d'architecture sont confrontées à des choix et à des arbitrages qui conditionnent la perception qu'auront les historiens, demain, de notre environnement quotidien. Peut-on penser l'histoire d'un bâtiment sans ses sources ? Quels choix de conservation doit-on opérer, et qui doit en prendre la responsabilité ? L'archive d'architecture est-elle forcément une archive d'architecte ? Réunissant des contributions de spécialistes reconnus, ce livre intéressera tous ceux concernés par l'acte de bâtir, de conserver le patrimoine et de le redécouvrir.
Architectural drawing --- Architecture --- Data processing. --- Archival resources. --- Archives --- Patrimoine --- Archival resources --- Conservation and restoration --- Architectes --- Fonds d'archives --- Histoire --- Conservation et restauration --- Histoire.
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