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31 entrées contenant de nombreuses définitions et illustrations musicales à propos d'une idée centrale. Concerne les bases de la notation musicale, les bases du rythme, de la mélodie et de l'harmonie, l'architecture et le jeu collectif (formes, construction d'un discours, accompagnement, jeu en orchestre, improvisation), les modalités expressives, les instruments, les techniques de l'audio

Music --- Dictionaries --- Terminology --- Dictionaries [Polyglot ] --- 78.03 --- 78.03 L --- Music theory --- Muziek --- Musical notation --- Woordenboeken

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Musical Perceptions is a much-needed text that introduces students of both music and psychology to the study of music perception and cognition. Because the book aims to foster a closer interaction between research in the science and the art of music, both psychologists and musicians contribute chapters on a wide range of topics, including the philosophy of music; research in musical performance; perception of melody, tonality, and rhythm; pedagogical issues; language and music; and neural networks. With their unique ability to introduce musical and psychological concepts to first-time students in the area, Rita Aiello and John Sloboda have edited a volume that will be popular with undergraduate and graduate students taking courses in the perception, psychology, and aesthetics of music. They have prefaced each chapter with an introduction to the chapter's research. This book will also be useful to cognitive and physiological psychologists and music theorists interested in music perception.

Music --- Aesthetics --- Affective and dynamic functions --- Musical perception. --- Perception musicale --- Musique --- Philosophy and aesthetics. --- Philosophie et esthétique --- Musical perception --- Philosophy and aesthetics --- Philosophie et esthétique --- Hermeneutics (Music) --- Musical aesthetics --- Music theory --- Auditory perception --- Philosophy --- Psychological aspects

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La musique terrestre est le reflet de l'harmonie des sphères céleste mais l'homme n'a pas seulement contemplé les étoiles pour leur parfaite structure, il les a aussi interrogées pour comprendre leur influence sur le monde sublunaire. Dans ce questionnement astral, la musique sert de lien entre l'homme et les planètes. Unissant l'histoire de l'astrologie et la musicologie, l'auteur propose un parcours théorique et pratique à travers la constellation des rapports entre l'astrologie et la musique dans l'Europe marquée par l'esprit post-tridentin en se centrant sur l'Italie du XVIIème siècle. L'interpénétration des connaissances magiques, musicales, mathématiques, astronomiques et astrologiques dit une époque qui cherche à harmoniser les lois cosmiques et éternelles avec la fugacité terrestre. La réception de l'astrologie dans les milieux de musiciens, des partitions musicales astrologiques aux écrits divinatoires de théoriciens musicaux, ouvre sur des perspectives esthétiques, sociologiques et philosophiques de la société des compositeurs de la Renaissance et du XVIIème siècle.

Esoteric sciences --- Music --- anno 1600-1699 --- Italy --- Astrology --- Music theory --- Musicians --- Astrologie --- Musique --- Théorie musicale --- Musiciens --- History. --- History and criticism. --- History --- Histoire --- Histoire et critique --- History and criticism --- 133.52 --- 780.903 --- 133.509 --- Astrologie. Horoscopen. Dierenriem --- Arts Music 1450 - 1900 --- Philosophy & psychology Astrology History --- 133.52 Astrologie. Horoscopen. Dierenriem --- C1 --- astrologie --- concilies --- Kerken en religie --- Théorie musicale --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Musical theory --- Theory of music --- Artists --- Theory --- Europe --- 17th century --- Histoire et critique. --- 78.25 --- 78.81 --- Histoire. --- Music - Europe - 17th century - History and criticism --- Music theory - Europe - 17th century - History --- Musicians - Italy - History - 17th century --- Astrology - History

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Music --- Castel, Louis-Bertrand --- Castel, Père --- Castel, Vader --- Epistémologie --- Geschiedenis van de nieuwe tijden --- Histoire des temps modernes --- Kennisleer --- Musique --- Muziek --- Music theory --- Music and color --- Théorie musicale --- Musique et couleur --- History --- Philosophy and aesthetics --- Histoire --- Philosophie et esthétique --- Castel, --- muziekinstrumenten --- Père Castel --- De Montesquieu, Charles-Louis (baron) --- Rameau, Jean-Philippe --- Diderot, Denis --- 18de eeuw --- Théorie musicale --- Philosophie et esthétique --- Castel, Louis-Bertrand, --- DNHISTO DNMUSIQ DNPHILO DNU-EUB EPUB-ALPHA-A EPUB-DNU-FT EPUB-LIV-FT LIVHISTO LIVMUSIQ LIVPHILO EDITIONSULB-B --- 78.43.1 --- 78.62 --- muziekinstrumenten. --- Père Castel. --- De Montesquieu, Charles-Louis (baron). --- Rameau, Jean-Philippe. --- Diderot, Denis. --- 18de eeuw. --- Castel (le pere) --- Clavecin oculaire