Listing 1 - 10 of 12 | << page >> |
Sort by
|
Choose an application
WERKBUND(ART) --- SUISSE --- WERKBUND(ART) --- SUISSE
Choose an application
DIE NEUE SAMMLUNG(MÜNICH) --- WERKBUND(ART) --- CATALOGUES --- ALLEMAGNE --- DIE NEUE SAMMLUNG(MÜNICH) --- WERKBUND(ART) --- CATALOGUES --- ALLEMAGNE
Choose an application
Architects --- Architectes --- Riemerschmid, Richard, --- Münchner StadtmuseumGermanisches Nationalmuseum --- Design --- Furniture design --- Architecture --- Germany --- Exhibitions. --- Riemerschmid Richard --- Art Nouveau --- Deutscher Werkbund --- Duitsland --- twintigste eeuw --- meubelkunst --- schilderkunst --- grafiek --- interieurvormgeving --- design --- textiel --- architectuur --- 7.071 RIEMERSCHMID --- Münchner StadtmuseumGermanisches Nationalmuseum. --- ART NOUVEAU --- WERKBUND(ART) --- ALLEMAGNE
Choose an application
ARTS AND CRAFTS --- ART NOUVEAU --- FONCTIONNALISME DANS L'ART --- WERKBUND --- GRANDE-BRETAGNE --- EUROPE --- EUROPE --- ALLEMAGNE --- ARTS AND CRAFTS --- ART NOUVEAU --- FONCTIONNALISME DANS L'ART --- WERKBUND --- GRANDE-BRETAGNE --- EUROPE --- EUROPE --- ALLEMAGNE
Choose an application
Applied arts. Arts and crafts --- Architecture --- Germany --- Austria --- Switzerland --- Decorative arts --- Arts décoratifs --- Deutscher Werkbund. --- Werkbund (der) --- Histoire de l'art --- Logement social --- Histoire de l'urbanisme --- Histoire de l'architecture --- Deutscher Werkbund --- Suisse --- Autriche --- Allemagne --- Design industriel --- Arts décoratifs --- Decorative arts - Germany --- Decorative arts - Austria --- Decorative arts - Switzerland
Choose an application
Architecture --- Architecture, Modern --- Architecture and society. --- Architecture et société --- Themes, motives. --- Thèmes, motifs --- Architecture moderniste --- Architecte --- Werkbund (der) --- Théorie de l'architecture --- Architecture and society --- Themes, motives --- Le Corbusier, Charles-Edouard Jeanneret, --- 20e siècle --- Modernisme (art) --- Aspect social --- Politique publique --- -Architecture and society --- 72.036 --- 72.03 --- architectuur --- twintigste eeuw --- modernisme --- Deutscher Werkbund --- Neues Bauen --- Sovjet-Unie --- Frankrijk --- Le Corbusier --- verenigde staten --- New Deal --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Modern architecture --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuurgeschiedenis --- Architectuur (geschiedenis) --- Social aspects --- Human factors --- Architecture et société --- Thèmes, motifs --- Architecture, Modern - 20th century - Themes, motives --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965
Choose an application
Le peintre, architecte et designer belge Henry van de Velde (1863-1957) fut un des protagonistes majeurs du renouveau des arts de la fin du XIXe siècle et de toute la première moitié du XXe siècle. Il est particulièrement reconnu pour avoir fondé et dirigé l'Institut des arts décoratifs qui s'est ouvert en 1927 à l'Abbaye de La Cambre à Bruxelles et qui continue à exister sous le nom d'École nationale supérieure des arts visuels de La Cambre. En revanche, la filiation entre l'école des métiers d'art que van de Velde mit en place à Weimar dès 1904 et le Bauhaus reste controversée, sinon méconnue. Pourtant, entre 1900 et 1914, van de Velde contribua à assurer à l'Allemagne un véritable succès européen en matière d'architecture et d'arts industriels, avant que le Bauhaus ne prenne le relais en 1919. Et c'était bien à Weimar, dans les murs mêmes de la Kunstgewerbeschule de van de Velde, que l'architecte allemand Walter Gropius inaugura le Bauhaus.
Art, German --- Architecture --- Art schools --- Art allemand --- Ecoles des Beaux-Arts --- History --- Histoire --- Velde, Henry van de, --- Bauhaus --- Weimar --- Van de Velde, Henry --- Bauhaus (1919-1933). --- Educational sciences --- Velde, Van de, Henry --- Art Nouveau --- Art décoratif --- Bruxelles --- Cologne --- Deutscher Werkbund --- Dessau --- LA CAMBRE (INSTITUT DES ARTS DECORATIFS] --- Osthaus, Karl Ernst --- Gropius, Walter --- Van de Velde, Henry,
Choose an application
Architecture --- Bouwkunst --- Art nouveau (Architecture) --- Decoration and ornament --- Décoration et ornement --- Art nouveau --- Olbrich, Joseph Maria, --- Architecte --- Olbrich, Josef Maria --- 20e siècle --- Autriche --- Architecture Art nouveau --- Décoration Art nouveau --- Modernisme (esthétique) --- [textes] --- [Catalogue des oeuvres] --- architectuur --- twintigste eeuw --- Olbrich Joseph Maria --- interieurvormgeving --- meubelkunst --- kunstnijverheid --- Duitsland --- Oostenrijk --- Jugendstil --- Bund Deutscher Architekten --- Deutscher Werkbund --- Mathildenhöhe --- 72.071 OLBRICH --- Decorative arts --- Décoration et ornement --- Olbrich, Joseph Maria --- Architecture Art nouveau. --- Décoration Art nouveau. --- Art nouveau. --- Décoration Art nouveau. --- Modernisme (esthétique)
Choose an application
Architecture domestique --- International style (Architecture) --- -Weissenhofsiedlung --- Stuttgart --- Duitsland --- Deutscher Werkbund --- Nieuwe Bouwen --- 72.036 --- 728 --- architectuur --- architectuurgeschiedenis --- twintigste eeuw --- woningen --- woonwijken --- Weissenhofsiedlung --- Mies van der Rohe --- Oud J.J.P. --- Bourgeois Victor --- Schneck Adolf Gustav --- Le Corbusier --- Frank Josef --- Stam Mart --- Behrens Peter --- Scharoun Hans --- Architecture, Modern --- Modern movement (Architecture) --- Modernisme (architectuur) --- Modernistische architectuur --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Woningbouw (architectuur) --- Woningen (architectuur) --- Stuttgart (Germany) --- -Buildings, structures, etc --- -Stowtgart (Germany) --- Buildings, structures, etc --- Oud J.J.P --- -Stuttgart (Germany)
Choose an application
From the Werkbund to the Bauhaus to Braun, from furniture to automobiles to consumer appliances, twentieth-century industrial design is closely associated with Germany. In this pathbreaking study, Paul Betts brings to light the crucial role that design played in building a progressive West German industrial culture atop the charred remains of the past. The Authority of Everyday Objects details how the postwar period gave rise to a new design culture comprising a sprawling network of diverse interest groups-including the state and industry, architects and designers, consumer groups and museums, as well as publicists and women's organizations-who all identified industrial design as a vital means of economic recovery, social reform, and even moral regeneration. These cultural battles took on heightened importance precisely because the stakes were nothing less than the very shape and significance of West German domestic modernity. Betts tells the rich and far-reaching story of how and why commodity aesthetics became a focal point for fashioning a certain West German cultural identity. This book is situated at the very crossroads of German industry and aesthetics, Cold War politics and international modernism, institutional life and visual culture.
Industrial design --- Design, Industrial --- Mechanical drawing --- New products --- Design --- History. --- 20th century german culture. --- 20th century industrial design. --- architects. --- automobiles. --- bauhaus. --- braun. --- cold war politics. --- commodity aesthetics. --- consumer appliances. --- consumer groups. --- cultural identity. --- cultural studies. --- design. --- designers. --- domestic modernity. --- economic recovery. --- furniture. --- germany. --- historical. --- industrial culture. --- industry. --- institutional life. --- international modernism. --- materialism. --- modernism. --- modernity. --- moral regeneration. --- nation state. --- politics. --- postwar germany. --- social reform. --- visual culture. --- werkbund. --- west germany.
Listing 1 - 10 of 12 | << page >> |
Sort by
|