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-Ethnic music --- Traditional music --- Folk music --- History and criticism --- Folklore --- Music --- -History and criticism --- Folk music - Ireland - History and criticism

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Fondés à Genève en 1988 dans le cadre des Ateliers d’ethnomusicologie, les Cahiers de musiques traditionnelles ont pris le nom de Cahiers d'ethnomusicologie en 2007. Ils proposent à leurs lecteurs une publication ethnomusicologique annuelle, dont chaque volume est centré sur un dossier thématique, auquel contribuent les meilleurs spécialistes de la discipline. Ces dossiers sont toujours complétés par des rubriques d’intérêt général, entretiens, portraits et comptes rendus. Seule revue francophone d’ethnomusicologie, les Cahiers se sont imposés au cours des dernières années comme un outil de travail indispensable à tout professionnel de la musique, ainsi que comme une lecture passionnante pour les nombreux amateurs des musiques du monde.

Ethnomusicology --- Folk music --- Ethnomusicologie --- Musique folklorique --- Etnomusicologie. --- Ethnomusicology. --- Folk music. --- Ethnic music --- Traditional music --- Comparative musicology --- Folklore --- Music --- Ethnology --- Musicology --- Etnomuzykologia --- Etnomuzykologia.

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Music, and folk music in particular, is often embraced as a form of political expression, a vehicle for bridging or reinforcing social boundaries, and a valuable tool for movements reconfiguring the social landscape. Reds, Whites, and Blues examines the political force of folk music, not through the meaning of its lyrics, but through the concrete social activities that make up movements. Drawing from rich archival material, William Roy shows that the People's Songs movement of the 1930's and 40's, and the Civil Rights Movement of the 1950's and 60's implemented folk music's social relationships--specifically between those who sang and those who listened--in different ways, achieving different outcomes. Roy explores how the People's Songsters envisioned uniting people in song, but made little headway beyond leftist activists. In contrast, the Civil Rights Movement successfully integrated music into collective action, and used music on the picket lines, at sit-ins, on freedom rides, and in jails. Roy considers how the movement's Freedom Songs never gained commercial success, yet contributed to the wider achievements of the Civil Rights struggle. Roy also traces the history of folk music, revealing the complex debates surrounding who or what qualified as "folk" and how the music's status as racially inclusive was not always a given. Examining folk music's galvanizing and unifying power, Reds, Whites, and Blues casts new light on the relationship between cultural forms and social activity.

Folk (musique) --- Music and race --- Race and music --- Ethnic music --- Traditional music --- Social movements --- Folk music --- Race --- Folklore --- Music --- History --- Political aspects --- Mouvements sociaux --- Aspect politique --- Histoire

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Traditional music of the Wechsel, styrian-lower austrian border region, 100 kms south of Vienna. Volume 1 „The religious song“ sung during the farmer’s traditional two-night corpse-watch at the bier in the house of the deceased. 192 songs with text, music and incipits, 3 CDs with historical recordings, dictionary of local dialect. CD 1: http://e-book.fwf.ac.at/o:672 CD 2: http://e-book.fwf.ac.at/o:727 CD 3: http://e-book.fwf.ac.at/o:762. Volksmusik des Wechsels, Grenzlandschaft Steiermark-Niederösterreich. Teilband 1 „Das Geistliche Lied“ im bäuerlichen Brauch des Leichhüatns. Die „Leichhüatlieder“, welche zwei Nächte lang im Hause eines Verstorbenen vor dem aufgebahrten Toten gesungen wurden. 192 Lieder mit Text- und Melodievarianten, Melodienincipits, 3 CDs mit historischen Tonaufzeichnungen, Wörterbuch des lokalen Dialekts. CD 1: http://e-book.fwf.ac.at/o:672 CD 2: http://e-book.fwf.ac.at/o:727 CD 3: http://e-book.fwf.ac.at/o:762.

Folk music --- History and criticism. --- Ethnic music --- Traditional music --- Folklore --- Music --- Traditional music in the Styrian / Lower Austrian Wechsel-region --- songs during the corpse-watch in the farmhouse of the deceased --- CDs --- historical recordings --- dictionary of local dialect --- incipits --- Nö.-steir. Wechselgebiet --- Geistliches Lied: Leichhüatlieder --- bäuerliche Tradition der Totenwache --- 3 CDs --- historische Tondokumente --- Wörterbuch --- Melodienincipits --- Aspang-Markt --- Gott --- Refrain --- Trattenbach --- Warth (Niederösterreich)

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Throughout Malay-speaking Southeast Asia, the Malay pantun has long provided a medium for social intercourse between people of varied ethnic backgrounds. One of the most elaborate forms of pantun singing is Dondang Sayang. With a focus on Baba Chinese contributions, Like Tigers around a Piece of Meat traces the history of Dondang Sayang and analyses through texts from Singapore and Malacca how the poets achieve works of profound meaning.

Folk songs, Malay --- Oral tradition --- Chinese --- Quatrains, Malay --- Folk music --- Ethnic music --- Traditional music --- Folklore --- Music --- Malay quatrains --- Malay poetry --- Dondang sayang --- Ethnology --- Tradition, Oral --- Oral communication --- Oral history --- Malay folk songs --- History and criticism. --- Social life and customs.